Included are: Alice's Adventures in Wonderland, Through the Looking-Glass, Sylvie and Bruno, Sylvie and Bruno Concluded, "The Hunting of the Snark," and Lewis' poetry, phantasmagoria, stories, miscellany, and "acrostics, inscriptions, and other verse."The following have also never appeared in print except in their original editions: "Resident Women Students," "Some Popular Fallacies about Vivisection," "Lawn Tennis Tournaments," "Rules for Court Circular," "Croquet Castles," "Mischmasch," "Doublets," "A Postal Problem," "The Alphabet-Cipher," and "Introduction to The Lost Plum Cake."

    This sad event clearly marks the end of her childhood and, at the story's close, the "sun of the deer", the red light at the end of the day, becomes the eternal symbol of her mother.

    That’s why they sent her to Brooks Academy—an alternative high school that’s used as a temporary detention center.The days at Brooks are miserable, but at home, life is far more bleak. Savvy’s struggling to take care of her brother since her mom left years ago, and her alcoholic dad can’t be bothered. Life with Evan is a constant challenge, but he’s also the most important person in the world to Savvy.Then there’s Cameron, a new student at Brooks with issues of his own, a guy from a perfect family that Savvy thought only existed on TV. Cameron seems determined to break through every one of the walls Savvy’s built around herself—except if she lets herself trust him, it could make everything she’s worked so hard for fall apart in an instant.And with her aunt seeking custody of her brother and her ex-boyfriend seeking revenge, Savvy’s fighting to hold all the pieces together. But she’s not sure how much tighter she can be pulled before she breaks completely.

    There he meets the world-wise Lord Henry Wotton, whose hedonistic and cynical view of life is dramatically different from that of the more earnest Hallward. The two men spar in a witty war of words, and Dorian feels inexorably drawn to Wotton's philosophy of youthful pleasure and amorality. As Hallward completes his portrait, Dorian wishes that he could always remain youthful-and that the painting could bear the burdens of the advancing years. Wilde's tale takes the reader into a world in which such things are possible. We meet the unaging Dorian Gray at his leisure, taking advantage of his ability to charm all those around him, and taking his pleasures without heed of the consequences. But one day, after a rash act of cruelty to the woman who loves him, Dorian notices that something in his portrait has changed--a cruel smile has twisted its once-perfect lips. Adding touches of the gothic and the supernatural to his satiric depiction of upper-class British life, Wilde creates a classic modern myth: the handsome young aristocrat, who remains beautiful while his portrait, the mirror of his soul, withers.Also included in this volume are "Lord Arthur Savile's Crime," "The Canterville Ghost," "The Sphinx Without a Secret," and "The Model Millionaire," which together comprise the most important of Wilde's short fiction.

    Lover. Victim. Traitor.When you look in the mirror, what do you see?Sixteen-year-old friends Red, Leo, Rose, and Naomi are misfits; still figuring out who they are and who they want to be. Life isn't perfect, but music brings them together, and they are excited about what the future holds for their band, Mirror, Mirror. That is until Naomi vanishes before being pulled unconscious out of the river.She's left fighting for her life in a coma. The police claim it was a failed suicide attempt, but her friends aren't convinced. Will Naomi ever wake up? What - or perhaps who - led her to that hospital bed? And how did Red, the self-styled protector of the group, fail to spot the warning signs?While Rose turns to wild partying and Leo is shrouded by black moods, Red sets out to uncover the truth. It's a journey that will cause Red's world to crack, exposing the group's darkest secrets. Nothing will ever be the same again, because once a mirror is shattered, it can't be fixed.Cara Delevingne, the voice of her generation, explores identity, friendship and betrayal in this gripping and powerful coming-of-age story. For fans of WE WERE LIARS, THIRTEEN REASONS WHY and THE GIRLS.

    Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation.Hamilton: The Revolution gives readers an unprecedented view of both revolutions, from the only two writers able to provide it. Miranda and Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages--"since before this was even a show," according to Miranda--trace its development from an improbable perfor­mance at the White House to its landmark opening night on Broadway six years later. In addition, Miranda has written more than 200 funny, revealing footnotes for his award-winning libretto, the full text of which is published here.Their account features photos by the renowned Frank Ockenfels and veteran Broadway photographer Joan Marcus; exclusive looks at notebooks and emails; interviews with Questlove, Stephen Sond­heim, leading political commentators, and more than 40 people involved with the production; and multiple appearances by Presi­dent Obama himself. The book does more than tell the surprising story of how a Broadway musical became a national phenomenon: It demonstrates that America has always been renewed by the brash upstarts and brilliant outsiders, the men and women who don't throw away their shot.

    While dealing with her parents’ contentious divorce, a breakup of her own, and shifting friendship dynamics, she has every reason to feel cynical. But then she meets Harry, her fellow coworker at the local cinema. He’s brash, impulsive, and a major flirt. And even though Audrey tries to resist, she finds herself falling for his charms. But in this funny, insightful, and ultimately empowering novel, love—and life—isn’t what it’s like in the movies.A clever, deconstructed rom-com that proves that in real life “girl meets boy” doesn't always mean “happily ever after” . . . or does it? At turns funny, feminist, and achingly real, this read is perfect for fans of Sophie Kinsella, Patrick Ness, and Julie Buxbaum.

    She has never even been on a weekend away with her boyfriend. Everyone knows she is just not the adventurous type.But, when her boyfriend doesn't turn up for their romantic mini-break, Nell has the chance to prove everyone wrong.Alone in Paris, Nell meets the mysterious moped-riding Fabien and his group of carefree friends. Could this turn out to be the most adventurous weekend of her life?

    From birth until their claiming ceremonies, this is the story of the three sisters’ lives…before they were at stake.The Oracle QueenEveryone knows the legend of Elsabet, the Oracle Queen. The one who went mad. The one who orchestrated a senseless, horrific slaying of three entire houses. But what really happened? Discover the true story behind the queen who could foresee the future…just not her own downfall.

    So when their school’s art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She’s fighting to direct the school’s first ever student-written play, but for her small production to get funding, the school’s award-winning band will have to lose it. Reid’s band. And he’s got no intention of letting the show go on.But when their rivalry turns into an all-out prank war that goes too far, Natalie and Reid have to face the music, resulting in the worst compromise: writing and directing a musical. Together. At least if they deliver a sold-out show, the school board will reconsider next year’s band and theater budget. Everyone could win.Except Natalie and Reid.Because after spending their entire lives in competition, they have absolutely no idea how to be co-anything. And they certainly don’t know how to deal with the feelings that are inexplicably, weirdly, definitely developing between them…

    When Bosch returned from a long exile in 1961, few Dominicans knew that the political leader was also considered to be one for the luminaries of the short story genre, and that some of his short stories had been translated to many other languages.After returning from exile a compilation of stories written during his exile was published in the Dominican Republic, and read for the first time in the country.

    Fed up with her small-town Texas high school that thinks the football team can do no wrong. Fed up with sexist dress codes and hallway harassment. But most of all, Viv Carter is fed up with always following the rules.Viv’s mom was a punk rock Riot Grrrl in the ’90s, so now Viv takes a page from her mother’s past and creates a feminist zine that she distributes anonymously to her classmates. She’s just blowing off steam, but other girls respond. Pretty soon Viv is forging friendships with other young women across the divides of cliques and popularity rankings, and she realizes that what she has started is nothing short of a girl revolution.

    That illness doesn't have to define you, and that falling in love is its own cure.

    Scott Fitzgerald is known for his novels, but in his lifetime, his fame stemmed from his prolific achievement as one of America's most gifted (and best-paid) writers of stories and novellas. In 'The Short Stories of F. Scott Fitzgerald', Matthew J. Bruccoli, the country's premier Fitzgerald scholar and biographer, assembles a sparkling collection that encompasses the full scope of Fitzgerald's short fiction. The forty-three masterpieces range from early stories that capture the fashion of the times to later ones written after the author's fabled crack-up, which are sober reflections on his own youthful excesses. Included are classic novellas, such as "The Rich Boy," "May Day," and "The Diamond as Big as the Ritz," as well as a remarkable body of work he wrote for the Saturday Evening Post and its sister "slicks." These stories can be read as an autobiographical journal of a great writer's career, an experience deepened by the illuminating introductory headnotes that Matthew Bruccoli has written for each story, placing it in its literary and biographical context.Together, these forty-three stories compose a vivid picture of a lost era, but their brilliance is timeless. This essential collection is a monument to the genius of one of the great voices in the history of American literature.

    Now, for the first time in English, are all the stories that made her a Brazilian legend: from teenagers coming into awareness of their sexual and artistic powers to humdrum housewives whose lives are shattered by unexpected epiphanies to old people who don’t know what to do with themselves. Lispector’s stories take us through their lives—and ours.From one of the greatest modern writers, these stories, gathered from the nine collections published during her lifetime, follow an unbroken time line of success as a writer, from her adolescence to her death bed.