This monumental biography--eight years in the research and writing--treats the early and middle phases of a long and intense career: a crucial fifty-year period that demonstrates how Du Bois changed forever the way Americans think about themselves.

    Lockwood, the U.S. Navy commander of the Pacific submarine fleet during World War II. Lockwood, in his leadership role, knew the skippers and crews of the submarines, and retells their wartime successes and tragedies with an intimacy and realism often missing in second-hand accounts. Lockwood also recounts his efforts to improve the provisions and after-patrol accomodations of the submariners, and of his on-going struggle to improve the effectiveness of torpedoes and other tools vital to the war effort. 'It is a balanced and surprisingly objective account adequately supported by statistics and containing some interesting conclusions.' The Naval Review Charles Andrews Lockwood (May 6, 1890 – June 7, 1967) was a vice-admiral and flag officer of the United States Navy. He is known in submarine history as the commander of Submarine Force Pacific Fleet during World War II. He devised tactics for the effective use of submarines, making the members and elements of "silent service" key players in the Pacific victory.

    A. Milne. Written for the satire magazine Punch, these brief stories and essays perfectly capture Milne's sly humor, beguiling social insight, and scathing wit. From "Odd Verses" to "War Sketches," "Summer Days" to "Men of Letters," Milne takes his readers from the stiff British drawing room to the irreverent joy of a boy's day at the beach. Ideal for curling up with in the hammock or stretching out by the fire, these tales shine brightly any day of the year.Complete with a series of whimsical illustrations, The Sunny Side offers the perfect chance to rediscover this forgotten classic by one of our most cherished authors.

    But Cleo Cooper has come to London with a different idea – she’s going to make her fortune by stealing it. Raised abroad by unconventional parents, Cleo has no use for the rules and strictures of the ton. She’ll pretend to fit in, but she has a secret scheme.Arthur Ramsey, Duke of Winton, is in the market for a wife. He imagines a sweet, conformable young lady who will gracefully fill the role of Duchess, secure the succession with an heir, and not interfere with his scientific pursuits. That’s what he’s looking for – but what he finds is Cleo.(Author's Note: A Feather To Fly With is a traditional Regency. If it were a movie, it would be rated PG, or even G.)

    At the height of his power in the early ninth century Charlemagne, King of the Franks and Lombards and Emperor of the Romans, ruled all the Christian lands of western Europe except the British Isles and southern Italy and Sicily. Charismatic, gregarious, energetic and cultured, he initiated and encouraged a renaissance of learning and artistic enterprise that appeared to later generations as a Golden Age. An incomparable general, administrator and law-giver, he was as skilled on the battlefield as in the council chamber, and by sheer force of character held together an empire that rivalled the Byzantines in the East.To the many portraits of the man who was crowned the first emperor of the Holy Roman Empire, Russell Chamberlin now adds a modern portrait which reveals the man behind the achievements. This book brings to life a key personality and a formative period in European history.

    Nearly one thousand people were killed, looting was widespread, and torch-bearing protestors marched on the Prime Minister's residence at 10 Downing Street. These were the Gordon Riots: the worst civil disturbance in British history, triggered by an act of Parliament designed to loosen two centuries of systemic oppression of Catholics in the British Isles. While many London Catholics saw their homes ransacked and chapels desecrated, the riots marked a crucial turning point in their fight to return to public life. Over the next fifty years, factions battled one another to reform the laws of the land: wealthy English Catholics yearned to rejoin the political elite; the protestant aristocracy in Ireland feared an empowered Catholic populace; and the priesthood coveted old authority that royal decree had forbidden. Kings George III and George IV stubbornly refused to address the "Catholic Question" even when pressed by their prime ministers--governments fell over it--and events in America and Europe made many skeptical of disrupting the social order. But in 1829, through the dogged work of charismatic Irish lawyer Daniel O'Connell and with the support of the Duke of Wellington, the Roman Catholic Relief Act finally passed. It was a watershed moment, opening the door to future social reform and the radical transformation of the Victorian age.The King and the Catholics is a gripping, character-driven example of narrative history at its best. It is also a distant mirror of our own times, reflecting the dire consequences of state-sanctioned intolerance and showing how collective action and the political process can triumph over wrongheaded legislation.

    All this is torn apart with the arrival of the Holocaust, beginning a crucible fraught with twists and turns so unpredictable and surprising that they defy any attempt to find reason within them. From work camps to the partisans of the Nowogrudek forests, from the Mauthausen concentration camp to life as a displaced person in Italy, and from fighting the Egyptian army in a tiny Israeli kibbutz in 1948 to starting a new life in a new world in New York, this book encompasses the mythical “hero’s journey” in very real historical events. Through the eyes of 91-year-old Holocaust survivor Martin Small, we learn that these priceless memories that are too painful to remember are also too painful to forget.

    The book contains Churchill's letters written as a child, as a boy at Harrow, as a cadet at Sandhurst, and later as a subaltern in India.

    Best known as the author of Only Yesterday, Allen originated a model of what is sometimes called instant history, the reconstruction of past eras through vivid commentary on the news, fashions, customs, and artifacts that altered the pace and forms of American life. The Big Change was Allen's last and most ambitious book. In it he attempted to chart and explain the progressive evolution of American life over half a century. Written at a time of unprecedented optimism and prosperity, The Big Change defines a transformative moment in American history and provides an implicit and illuminating perspective on what has taken place in the second half of the twentieth century.Allen's theme is the realization, in large measure, of the promise of democracy. As against the strain of social criticism that saw America as enfeebled by affluence and conformity, Allen wrote in praise of an economic system that had ushered in a new age of well being for the American people. He divides his inquiry into three major sections. The first, 'The Old Order, ' portrays the turn-of-the-century plutocracy in which the federal government was largely subservient to business interests and the gap between rich and poor portended a real possibility of bloody rebellion. 'The Momentum of Change' graphically describes the various forces that gradually transformed the country in the new century: mass production, the automobile, the Great Depression and the coming of big government, World War II and America's emergence as a world power. Against this background, Allen shows how the economic system was reformed without being ruined, and how social gaps began to steadily close.The concluding section, 'The New America, ' is a hopeful assessment of postwar American culture. Allen's analysis takes critical issue with many common perceptions, both foreign and domestic, of American life and places remaining social problems in careful perspective. As William O'Neill remarks in his introduction to this new edition, The Big Change is both a deep and wonderfully readable work of social commentary, a book that gains rather than loses with the year

    The tourists just think he’s part of the show. It doesn’t take long for Buddy to land a role on a popular TV show, playing (of course) an alien. He becomes an overnight heartthrob and is suddenly faced with legions of adoring fans, rides in glamorous limos, and appearances at “all-the-shrimp-you-can-eat” red carpet parties. But can Buddy maintain his secret identity while in the spotlight?

    When the ailment travels to the Mayfair home of Lady Marblehead, a young Jewish physician is accused of poisoning his patients - a suspicion that is further fueled when a priceless pearl bracelet is discovered missing from Lady Marblehead's jewellery box.As more outbreaks occur, an increasingly hysterical community turns to Mr Ezra Melamed to investigate the case. But once again there are too few clues and too little time, especially since the littlest victim, a frail orphan boy, is already almost at death's door.

    In captivating prose, she recounted her adventures on these mountainous islands, cleft by deep chasms and ravines of cool shadow and entrancing green.

    They were life's fruitfulness and all the generations of mankind, both those who are to come and those already born.The Hawaiian gods were like great chiefs from far lands who visited among the people, entering their daily lives sometimes as humans or animals, sometimes taking residence in a stone or wooden idol. As years passed, the families of gods grew and included the trickster Maui, who snared the sun, and fiery Pele of the volcano.Ancient Hawaiian lived by the animistic philosophy that assigned living souls to animals, trees, stones, stars, and clouds, as well as to humans. Religion and mythology were interwoven in Hawaiian culture; and local legends and genealogies were preserved in song, chant, and narrative.Martha Beckwith was the first scholar to chart a path through the hundreds of books, articles, and little-known manuscripts that recorded the oral narratives of the Hawaiian people. Her book has become a classic work of folklore and ethnology, and the definitive treatment of Hawaiian mythology.With an introduction by Katherine Luomala.

    Born to slaves in Davidson County, Tennessee, the newly freed Love struck out for Kansas after the war. He was fifteen and already endowed with a reckless and romantic readiness. In wide-open Dodge City he joined up with an outfit from the Texas Panhandle to begin a career riding the range and fighting Indians, outlaws, and the elements. Years later he would say, “I had an unusually adventurous life.” That was rare understatement. More characteristic was Love’s claim: “I carry the marks of fourteen bullet wounds on different parts of my body, most any one of which would be sufficient to kill an ordinary man, but I am not even crippled.” In 1876 a virtuoso rodeo performance in Deadwood, Dakota Territory, won him the moniker of Deadwood Dick. He became known as DD all over the West, entering into dime novels as a mysteriously dark and heroic presence. This vivid autobiography includes encounters with Bat Masterson and Billy the Kid, a soon-after view of the Custer battlefield, and a successful courtship. Love left the range in 1890, the year of the official closing of the frontier. Then, as a Pullman train conductor he traveled his old trails, and those good times bring his story to a satisfying end.

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