After being swindled by a financial advisor, what future can Mark promise his wife, Karen, and their young daughter, Haley? He finds himself envying the wealthy weekenders in his community whose houses sit empty all winter.Philip Hadi used to be one of these people. But in the nervous days after 9/11 he flees New York and hires Mark to turn his Howland home into a year-round “secure location” from which he can manage billions of dollars of other people’s money. The collision of these two men’s very different worlds—rural vs. urban, middle class vs. wealthy—is the engine of Jonathan Dee’s powerful new novel.Inspired by Hadi, Mark looks around for a surefire investment: the mid-decade housing boom. Over Karen’s objections, and teaming up with his troubled brother, Gerry, Mark starts buying up local property with cheap debt. Then the town’s first selectman dies suddenly, and Hadi volunteers for office. He soon begins subtly transforming Howland in his image—with unexpected results for Mark and his extended family.Here are the dramas of twenty-first-century America—rising inequality, working class decline, a new authoritarianism—played out in the classic setting of some of our greatest novels: the small town. The Locals is that rare work of fiction capable of capturing a fraught American moment in real time.

    Happy to escape the demands of her life, she looks forward to her Friday Night Knitting Club, where she and her friends - Anita, Peri, Darwin, Lucie, and K.C. - exchange knitting tips, jokes, and their deepest secrets. But when the man who once broke Georgia's heart suddenly shows up, demanding a role in their daughter's life, her world is shattered.Luckily, Georgia's friends are there for encouragement, sharing their own tales of intimacy, heartbreak, and miracle making. And when the unthinkable happens, these women will discover that what they've created isn't just a knitting club; its a sisterhood.

    Lydia Smith lives her life hiding in plain sight. A clerk at the Bright Ideas bookstore, she keeps a meticulously crafted existence among her beloved books, eccentric colleagues, and the BookFrogs.....the lost and lonely regulars who spend every day marauding the store’s overwhelmed shelves. But when Joey Molina, a young, beguiling BookFrog, kills himself in the bookstore’s upper room, Lydia’s life comes unglued. Always Joey’s favorite bookseller, Lydia has been bequeathed his meager worldly possessions. Trinkets and books; the detritus of a lonely, uncared for man. But when Lydia flips through his books she finds them defaced in ways both disturbing and inexplicable. They reveal the psyche of a young man on the verge of an emotional reckoning. And they seem to contain a hidden message. What did Joey know? And what does it have to do with Lydia? As Lydia untangles the mystery of Joey’s suicide, she unearths a long buried memory from her own violent childhood. Details from that one bloody night begin to circle back. Her distant father returns to the fold, along with an obsessive local cop, and the Hammerman, a murderer who came into Lydia’s life long ago and, as she soon discovers, never completely left.

    A forty-six-year-old divorcee whose beloved, clueless only child has just left for college, Eve is slowly learning to contend with life on her own when, late one night her phone lights up with a text message. Sent from an anonymous number, the mysterious sender tells Eve, “U r my MILF!” It's nothing--just an annoying prank--but she can't get it out of her head. As Eve makes new friends, takes a community college course in Gender Studies, and reaches out to a younger co-worker, the message continues to haunt her, leading her into an online fixation that threatens to upend her quiet suburban existence.Meanwhile, Eve’s son Brendan, is discovering that the oafish frat-boy charm that impressed high school girls may not be so enticing to college women. Increasingly isolated, with mediocre grades and a confusing crush on a softball-playing social justice champion, Brendan struggles to adjust to a campus ill disposed to his brand of white-dude bravado. As the New England autumn turns cold, both mother and son find themselves enmeshed in ethically fraught situations that come to a head one fateful November night.A coming-of-age novel about the sexual awakening of a middle-aged woman, Mrs. Fletcher is a provocative, witty look at contemporary sexual politics and timeless moral dilemmas--a moving and funny examination of sexuality, identity, and the big clarifying mistakes people can make when they're no longer sure who they are and where they belong.

    Though her new life as a wedding photographer provides a semblance of purpose, it’s also a distraction from her profound pain.When asked to photograph a wedding at the historic Woodmont estate, Libby meets the owner, Elaine Grant. Hoping to open Woodmont to the public, Elaine has employed young widower Colton Reese to help restore the grounds and asks Libby to photograph the process. Libby is immediately drawn to the old greenhouse shrouded in honeysuckle vines.As Libby forms relationships and explores the overgrown—yet hauntingly beautiful—Woodmont estate, she finds the emotional courage to sort through her father’s office. There she discovers a letter that changes everything she knows about her parents, herself, and the estate. Beneath the vines of the old greenhouse lie generations of secrets, and it’s up to Libby to tend to the fruits born of long-buried seeds.

    John, a single mother, is reeling from grief: Three months ago, her twenty-one-year-old son, Cully, died in an avalanche near their home in the ski resort town of Breckenridge, Colorado. As Sarah tries her best to go through the stages—the anger, the sadness, the letting go—she has trouble keeping her grief at bay and moving on with life. Her father, a retiree who has become addicted to QVC, urges Sarah to go back to work at Breckenridge’s local morning show. Her best friend, a recent divorcee who always manages to say the wrong things, convinces Sarah to sort through Cully’s belongings. Slowly, she comes to terms with a world without the swish of her son’s ski pants or the rolling of his skateboard outside her window. Then a girl named Kit appears on Sarah’s doorstep—and she’s carrying Cully’s child. The Possibilities is a tender and darkly funny story about the fracturing and healing that takes place within a family after tragedy. Told in Kaui Hart Hemmings’s unsentimental and refreshingly wry style—praised as “audaciously comic” by The New Yorker—this uplifting novel asks difficult questions about what we risk to keep our loved ones close.

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

    On the surface, she looks like a brave survivor of a plane crash. But she’s been lying to her family, her friends, and the whole world since rescue helicopters scooped her and her fellow survivor, Dave Hall, off a deserted island in the South Pacific. Missing for almost two years, the castaways are thrust into the spotlight after their rescue, becoming media darlings overnight. But they can’t tell the real story—so they lie.The public is fascinated by the castaways’ saga, but Lillian and Dave must return to their lives and their spouses. Genevieve Randall—a hard-nosed journalist and host of a news program—isn’t buying it. She suspects Lillian’s and Dave’s explanations about the other crash survivors aren’t true. And now, Genevieve’s determined to get the real story, no matter how many lives it destroys.In this intriguing tale of survival, secrets, and redemption, two everyday people thrown together by tragedy must finally face the truth…even if it tears them apart.

    Sunshine Mackenzie is living the dream—she’s a culinary star with millions of fans, a line of #1 bestselling cookbooks, and a devoted husband happy to support her every endeavor. And then she gets hacked. When Sunshine’s secrets are revealed, her fall from grace is catastrophic. She loses the husband, her show, the fans, and her apartment. She’s forced to return to the childhood home—and the estranged sister—she’s tried hard to forget. But what Sunshine does amid the ashes of her own destruction may well save her life. In a world where celebrity is a careful construct, Hello, Sunshine is a compelling, funny, and evocative novel about what it means to live an authentic life in an inauthentic age.

    Like everyone, she ran, but she couldn't outrun the radiation, with her last thoughts being of her beloved baby brother, Dorian, safe in her distant family home. Flash forward to a post-incident America, where the country has been broken up into territories and Muslims have been herded onto the old Indian reservations in the west, even though no one has determined who set off the explosion that destroyed San Francisco. Twelve-year old Dorian dreams about killing Muslims and about his sister—even though Dorian's parents insist Skyler never existed. Are they still shell-shocked, trying to put the past behind them . . . or is something more sinister going on?Meanwhile, across the street, Dorian's neighbor adopts a Muslim orphan from the territories. It will set off a series of increasingly terrifying incidents that will lead to either tragedy or redemption for Dorian, as he struggles to prove that his sister existed—and was killed by a terrorist attack.Not on Fire, but Burning is unlike anything you're read before—not exactly a thriller, not exactly sci-fi, not exactly speculative fiction, but rather a brilliant and absorbing adventure into the dark heart of an America that seems ripped from the headlines. But just as powerfully, it presents a captivating hero: A young boy driven by love to seek the truth, even if it means his deepest beliefs are wrong.

    She doesn't believe in pseudo-science, or time travel and especially not in ghosts. So when she gets a missed call from Charlie, her closest friend from university with whom she hasn't spoken in over a year, Helen thinks there must be some mistake. Because Charlie died two days ago.Then when her young son, Jack, claims to have seen Charlie in their house just the other day, Helen begins to have doubts.Through the grief of the husband and daughter Charlie left behind, Helen is drawn into the orbit of Charlie's world, slotting in the missing pieces of her friend's past. And, as she delves into the web of their shared history, Helen finds herself entangled in the forgotten threads of her own life.Lost and Wanted is a searing novel from one of America's most exciting writers about the knottiness of female friendship, the forces which fuse us together and those which drive us apart.

    N. Dyer, whose novel Ampersand stands as a classic of American teenage angst. But as Andrew Newbold Dyer delivers the eulogy for his oldest friend, he suffers a breakdown over the life he’s led and the people he’s hurt and the novel that will forever endure as his legacy. He must gather his three sons for the first time in many years—before it’s too late. So begins a wild, transformative, heartbreaking week, as witnessed by Philip Topping, who, like his late father, finds himself caught up in the swirl of the Dyer family. First there’s son Richard, a struggling screenwriter and father, returning from self-imposed exile in California. In the middle lingers Jamie, settled in Brooklyn after his twenty-year mission of making documentaries about human suffering. And last is Andy, the half brother whose mysterious birth tore the Dyers apart seventeen years ago, now in New York on spring break, determined to lose his virginity before returning to the prestigious New England boarding school that inspired Ampersand. But only when the real purpose of this reunion comes to light do these sons realize just how much is at stake, not only for their father but for themselves and three generations of their family.

    Before he was born, his family was disfigured by a fire. His sister wears a white mask to cover her burns.He spends his hours with his cactus, reading his book on insects, or touching the one ray of sunlight that filters in through a crack in the ceiling. Ever since his sister had a baby, everyone’s been acting very strangely. The boy begins to wonder why they never say who the father is, about what happened before his own birth, about why they’re shut away.A few days ago, some fireflies arrived in the basement. His grandma said, There’s no creature more amazing than one that can make its own light. That light makes the boy want to escape, to know the outside world. Problem is, all the doors are locked. And he doesn’t know how to get out.…

    It is a literary triumph.The Guest Book follows three generations of a powerful American family, a family that “used to run the world”.And when the novel begins in 1935, they still do. Kitty and Ogden Milton appear to have everything—perfect children, good looks, a love everyone envies. But after a tragedy befalls them, Ogden tries to bring Kitty back to life by purchasing an island in Maine. That island, and its house, come to define and burnish the Milton family, year after year after year. And it is there that Kitty issues a refusal that will haunt her till the day she dies.In 1959 a young Jewish man, Len Levy, will get a job in Ogden’s bank and earn the admiration of Ogden and one of his daughters, but the scorn of everyone else. Len’s best friend Reg Pauling has always been the only black man in the room—at Harvard, at work, and finally at the Miltons’ island in Maine.An island that, at the dawn of the 21st century, this last generation doesn’t have the money to keep. When Kitty’s granddaughter hears that she and her cousins might be forced to sell it, and when her husband brings back disturbing evidence about her grandfather’s past, she realizes she is on the verge of finally understanding the silences that seemed to hover just below the surface of her family all her life.An ambitious novel that weaves the American past with its present, The Guest Book looks at the racism and power that has been systemically embedded in the US for generations. Brimming with gorgeous writing and bitterly accurate social criticism, it is a literary tour de force.

    But a garden shed fire and the burns suffered by one of her best friends seemed to change everything. Her older sister Bitsy blamed her for the fire—and no one spoke up on her behalf. Bitsy the cheerleader, Bitsy the homecoming queen, Bitsy married to a wealthy investor. And all the while, Lovey blamed for everything that goes wrong.At eighteen, Lovey turns down a marriage proposal, flees from Oxford and the expectations of attending Ole Miss, and instead goes to Arizona—the farthest thing from the South she can imagine. She becomes a successful advertising executive, a weekend yoga instructor, and seems to have it all together. But she's alone. And on her 45th birthday, she can't help but wonder what's wrong.When she gets a call from her father—still known to everyone as Chief from his Ole Miss football days—insisting that she come home three weeks early for her parents' 50th wedding anniversary celebration, she's at wits end. She's about to close the biggest contract of her career, the one that will secure her financial goals and set her up for retirement. But his words, "Family First," hit too close to home. Is there hope for her estranged relationship with Bitsy after all this time?Eva's journey home, to the memory garden her father has planned as an anniversary surprise for her mother, becomes one of discovering roots, and truth, and love, and what living perennially in spite of disappointments and tragedy really means. Eva thought she wanted to leave her family and the South far behind . . . but she's realizing she hasn't truly been herself the whole time she's been gone.