With a chapter dedicated to each day, it describes the events in the German capital through the eyes of a select cast of characters – Nazi leaders and foreign diplomats, athletes and journalists, writers and actors, nightclub owners and socialites.While the competition inside the Olympic Stadium provides the focus and much of the drama – from the triumph of Jesse Owens to the scandal when an American tourist breaks through security and kisses Hitler – Oliver Hilmes also takes us behind the scenes and into the lives of ordinary Berliners: the woman with a dark secret who steps in front of a train, the transsexual waiting for the Gestapo’s knock on the door, and the Jewish boy hoping that Germany may lose in the sporting arena.During the Games Nazi oppression was temporarily lifted and the book offers us a last glimpse of the vibrant and diverse life in the German capital in the 1920 and early 1930s which the Nazis set out to destroy: it evokes the novels of Christopher Isherwood and Fassbinder’s Berlin Alexanderplatz – but we are already entering the dark world of Fallada’s Alone in Berlin.

    But upon turning seventeen, the girls must return to their homeland to meet their relatives, find proper husbands, and—most terrifyingly—learn the deep family secrets of The Claw, The Wing, and The Smoke. The Florescus, after all, are shape-shifters, and it is time for Dacia and Lou to fulfill the prophecy that demands their acceptance of this fate... or fight against this cruel inheritance with all their might.

    It became a film in 1960 starring David Niven and Doris Day, and a television series in 1965. Now you can hear why many consider Jean Kerr to be one of America's funniest writers. In this unique collection of essays, Kerr captures the perils of motherhood, wifehood, selfhood, and other assorted challenges. Listen and learn "How to Decorate in One Easy Breakdown" and how to drop those unwanted pounds with "Aunt Jean's Marshmallow Fudge Diet." Please Don't Eat the Daisies strikes modern listeners as particularly funny because these feminist issues are still relevant today.

    He explores the army's forgotten heritage of deterrence, it's long experience with counter-guerrilla operations, and it's successive efforts to transform itself.

    The adolescent Elie and his family, among hundreds of thousands of Jews from all parts of Eastern Europe, are cruelly deported from their hometown to the horrors of Auschwitz and Buchenwald. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.In the short novel Dawn (1961), Elisha - the sole survivor of his family, whose immolation he witnessed at Auschwitz - has survived the Second World War and settled in Palestine. Apprenticed to a Jewish terrorist gang, he is commanded to execute a British officer who has been taken hostage. During the lonely hours before dawn, he meditates on the act of murder he is waiting to commit.In The Accident, (1962), Wiesel's second novel, Elisha, now a journalist living in New York, is the victim of a nearly fatal automobile accident. This fiction questions the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions." Wiesel's trilogy offers meditations on mankind's attraction to violence and on the temptation of self-destruction.

    The Atlas of Beauty is a collection of her photographs that celebrates women from fifty countries across the globe and shows that beauty is everywhere, regardless of money, race or social status, and comes in many different sizes and colours. Mihaela's portraits feature women in their native environments, from the Amazon rain forest to markets in India, London city streets and parks in Harlem, creating a mirror of our varied cultures and proving that beauty has no rules.'Stunning . . . aims to challenge the ideals of beauty dictated by the women's fashion magazine industry' Independent'A startling and revealing project' Daily Mail'Scrolling through "The Atlas of Beauty", beauty becomes not a universal standard, but a complicated tapestry' Huffington Post

    In telling this fascinating story, M. William Phelps also paints a vivid portrait of early-twentieth-century New England.

    From the tale of commitment, loneliness and hope in Of Mice and Men, to the tough yet charming portrait of people on the margins of society in Cannery Row, to The Pearl's examination of the fallacy of the American dream, Steinbeck stories of realism, that were imbued with energy and resilience.

    A joke at first; but then he was caught up, terrifyingly, in a vision of suffering, and he sought a way out, turning first here, then there—Art, Sex, Religion. Shrike, the cynical editor, the friend and enemy, compulsively destroyed each of his friend’s gestures toward idealism. Together, in the city’s dim underworld, Shrike and Miss Lonelyhearts turn round and round in a loathsome dance, unresolvable, hating until death…The Day of the LocustTo Hollywood comes Tod Hackett, hoping for a career in scene designing, but he finds the way hard and falls in with others—extras, technicians, old vaudeville hands—who are also in difficulty. Around him he sees the great mass of inland Americans who have retired to California in expectation of health and ease. But boredom consumes them, their own emptiness maddens them; they search out any abnormality in their lust for excitement—drugs, perversion, crime. In the end only blood will serve; unreasoned, undirected violence. The day of the locust is at hand…

    In this book, Helen Forrester continues the moving story of her early life with an account of the war years in blitz-torn Liverpool, and the happiness which she so nearly captured, but which was to elude her twice.

    He's covered extreme metal, extreme nostalgia, disposable art, disposable heroes, life on the road, life through the television, urban uncertainty and small-town weirdness. Through a variety of mediums and with a multitude of motives, he's written about everything he can think of (and a lot that he's forgotten). The world keeps accelerating, but the pop ideas keep coming.In Eating the Dinosaur, Klosterman is more entertaining and incisive than ever. Whether he's dissecting the boredom of voyeurism, the reason why music fans inevitably hate their favorite band's latest album, or why we love watching can't-miss superstars fail spectacularly, Klosterman remains obsessed with the relationship between expectation, reality, and living history. It's amateur anthropology for the present tense, and sometimes it's incredibly funny.

    This year, E. Annie Proulx's selection includes dazzling stories by Tobias Wolff, Donald Hall, Cynthia Ozick, Robert Stone, Junot Diaz, and T. C. Boyle as well as an array of stunning new talent. In her introduction, Proulx writes that beyond their strength and vigor, these stories achieve "a certain intangible feel for the depth of human experience, not uncommonly expressed through a kind of dry humor." As ever, this year's volume surprises and rewards.100 Distinguished Stories Citations, including How to Have Heart Disease (Without Really Trying), Jane Eaton Hamilton

    Moments later there is a blinding fl ash as the horrifi c nuclear bomb is dropped. With great bravery the two boys fi nd Hiro’s fi veyear-old sister Keiko in the devastated and blasted landscape. With Hiro succumbing to his wounds, Ichirois now the only one who can take care of Keiko. But in the chaos Ichiro loses her when he sets off to fi nd help.Seventy years later, the loss of Keiko and his broken promise to his dying friend are haunƟ ng the old man’s fading years. Mizuki, his grandaughter, is determined to help him. As the Japanese legend goes, if you have the patience to fold 1,000 paper cranes, you will fi nd your heart’s desire; and it turns out her grandfather has only one more origami crane to fold...Narrated in a compelling mix of straight straight narrative,free verse and haiku poems, this is a haunting and powerful novel of courage and survival, with full-page illustrations by Natsko Seki.

    Manea was among them, a child at the time, and his family spent four years there before they were able to return home. Embracing a Communist ethos as a teenager, he becomes disillusioned with the system in place in his country as he matures, having witnessed the growing injustices of dictatorship, and the false imprisonment of his father. But as a writer, Manea wrestles with the fear of losing his native language, his--real--homeland if he leaves his country, though it is clear to him that to stay under such a regime would be well-nigh impossible. Finally, in 1988, he settles in the United States, returning to Romania a decade later. A harrowing memoir, The Hooligan's Return freely traverses time and place, life and literature, dream and reality, past and present. Beautifully written and brilliantly conceived, this is the story of a writer more interested in ethics and aesthetics than in politics, a literary man consumed by questions of solitude and solidarity.

    When Father Paul Michel, missionary on the desperately poor Caribbean island of Ganae, rescues Jeannot from abject poverty, he has little idea of the perilous events the future holds.