Every year, supporting members of WorldCon nominate their favorite stories first published during the previous year to determine the top five in each category for the final Hugo Award ballot. This is an anthology collecting more of the stories from that nomination list to get them to more readers The Long List Anthology Volume 3 collects 20 science fiction, fantasy, and horror stories from that nomination list, totaling over 500 pages of fiction by writers from all corners of the world. From intelligent appliances gone feral to Lovecraftian detective noir, from tech-enhanced wilderness races to Egyptian science fantasy steampunk, from hard science fiction to fairy tale to humor and more. There is a wide variety of styles and types of stories here, and something for everyone. The stories included are: "Red in Tooth and Cog" by Cat Rambo "A Salvaging of Ghosts" by Aliette de Bodard "Welcome to the Medical Clinic at the Interplanetary Relay Station | Hours Since the Last Patient Death: 0" by Caroline M. Yoachim "Razorback" by Ursula Vernon "We Have a Cultural Difference, Can I Taste You?" by Rebecca Ann Jordan "Lullaby for a Lost World" by Aliette de Bodard "Terminal" by Lavie Tidhar "Ye Highlands and Ye Lowlands" by Seanan McGuire "Things With Beards" by Sam J. Miller "The Venus Effect" by Joseph Allen Hill "The Visitor From Taured" by Ian R. MacLeod "Blood Grains Speak Through Memories" by Jason Sanford "Sooner or Later Everything Falls Into the Sea" by Sarah Pinsker "A Dead Djinn in Cairo" by P. Djèlí Clark "Red as Blood and White as Bone" by Theodora Goss "Foxfire, Foxfire" by Yoon Ha Lee "Forest of Memory" by Mary Robinette Kowal "Chimera" by Gu Shi, translated by S. Qiouyi Lu and Ken Liu "Hammers on Bone" by Cassandra Khaw "Runtime" by S.B. Divya

    Linz and Alfred Stepan have increasingly focused on the questions of how, in the modern world, nondemocratic regimes can be eroded and democratic regimes crafted. In Problems of Democratic Transition and Consolidation, they break new ground in numerous areas. They reconceptualize the major types of modern nondemocratic regimes and point out for each type the available paths to democratic transition and the tasks of democratic consolidation. They argue that, although "nation-state" and "democracy" often have conflicting logics, multiple and complementary political identities are feasible under a common roof of state-guaranteed rights. They also illustrate how, without an effective state, there can be neither effective citizenship nor successful privatization. Further, they provide criteria and evidence for politicians and scholars alike to distinguish between democratic consolidation and pseudo-democratization, and they present conceptually driven survey data for the fourteen countries studied.Problems of Democratic Transition and Consolidation contains the first systematic comparative analysis of the process of democratic consolidation in southern Europe and the southern cone of South America, and it is the first book to ground post-Communist Europe within the literature of comparative politics and democratic theory.

    Volume One Contains The History Of The Egyptians. This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

    Now, the award-winning writer, whose stories have appeared in four consecutive editions of The Best American Short Stories, returns with a highly anticipated collection bearing her signature mix of intelligence, wit, and heart. A reality show producer manipulates two contestants into falling in love, even as her own relationship falls apart. Just after the fall of the Berlin Wall, a young boy has a revelation about his father’s past when a renowned Romanian violinist plays a concert in their home. When the prized elephant of a traveling circus keels over dead, the small-town minister tasked with burying its remains comes to question his own faith. In an unnamed country, a composer records the folk songs of two women from a village on the brink of destruction. These transporting, deeply moving stories—some inspired by her own family history—amply demonstrate Makkai’s extraordinary range as a storyteller, and confirm her as a master of the short story form. “Richly imagined.” —Chicago Tribune   “Impressive.” —O, The Oprah Magazine   “Engrossing.” —Minneapolis Star-Tribune   “Inventive.” —W Magazine

    Los Angeles has legends. Midcentury Los Angeles. A city sold to the world as "the white spot of America," a land of sunshine and orange groves, wholesome Midwestern values and Hollywood stars, protected by the world’s most famous police force, the Dragnet-era LAPD. Behind this public image lies a hidden world of "pleasure girls" and crooked cops, ruthless newspaper tycoons, corrupt politicians, and East Coast gangsters on the make. Into this underworld came two men–one L.A.’s most notorious gangster, the other its most famous police chief–each prepared to battle the other for the soul of the city. Former street thug turned featherweight boxer Mickey Cohen left the ring for the rackets, first as mobster Benjamin "Bugsy" Siegel’s enforcer, then as his protégé. A fastidious dresser and unrepentant killer, the diminutive Cohen was Hollywood’s favorite gangster–and L.A.’s preeminent underworld boss. Frank Sinatra, Robert Mitchum, and Sammy Davis Jr. palled around with him; TV journalist Mike Wallace wanted his stories; evangelist Billy Graham sought his soul. William H. Parker was the proud son of a pioneering law-enforcement family from the fabled frontier town of Deadwood. As a rookie patrolman in the Roaring Twenties, he discovered that L.A. was ruled by a shadowy "Combination"–a triumvirate of tycoons, politicians, and underworld figures where alliances were shifting, loyalties uncertain, and politics were practiced with shotguns and dynamite. Parker’s life mission became to topple it–and to create a police force that would never answer to elected officials again. These two men, one morally unflinching, the other unflinchingly immoral, would soon come head-to-head in a struggle to control the city–a struggle that echoes unforgettably through the fiction of Raymond Chandler and movies such as The Big Sleep, Chinatown, and L.A. Confidential. For more than three decades, from Prohibition through the Watts Riots, the battle between the underworld and the police played out amid the nightclubs of the Sunset Strip and the mansions of Beverly Hills, from the gritty streets of Boyle Heights to the manicured lawns of Brentwood, intersecting in the process with the agendas and ambitions of J. Edgar Hoover, Robert F. Kennedy, and Malcolm X. The outcome of this decades-long entanglement shaped modern American policing–for better and for worse–and helped create the Los Angeles we know today. A fascinating examination of Los Angeles’s underbelly, the Mob, and America’s most admired–and reviled–police department, L.A. Noir is an enlightening, entertaining, and richly detailed narrative about the city originally known as El Pueblo de Nuestra Se–ora la Reina de los Angeles, "The Town of Our Lady the Queen of the Angels."Frank Darabont has adapted this book for a TV series, Mob City.

    what could possibly go wrong? Out-of-work actress, Sophie LaFleur is ready for a scene change. When she discovers she’s inherited both a house and pub in quaint Friendship Harbor, Maine, she’s thrilled. This is exactly what she needs— fresh start, fresh air and fresh faces. What she doesn't need is a trouble causing llama named Jack Kerouac or a hunky, disinterested pub manager who just so happens to live in her guesthouse. Just when you think it can’t possibly get worse, it does. Two words. Dead. Guy.Now the new girl in town is public enemy number #2. The honor of #1 currently belongs to her inherited ornery llama, which just so happens to be the suspect in the death of a well loved, elderly man. Except Sophie quickly learns he isn’t as well loved as she first thought. She also suspects that his death might not have been at the foot of her cantankerous llama. Sophie didn’t leave the theatrics of L.A. just to be caught up in llama drama... or a murder investigation.

    When Vost discovers that his daughter has become a prostitute, and that the women prisoners are in revolt, he embarks on a fantastic series of violent and erotic encounters, exploring the shifting balance of power between the sexes, and the limits of human perversity.

    "They had read the signs, they said: a sea of horses, a conference of birds, the North Star in alignment with the moon. It was a prophecy that their last king had given on his deathwatch." But joy is mixed with tragedy, for Eleonora's mother dies soon after the birth. Raised by her doting father, Yakob, a carpet merchant, and her stern, resentful stepmother, Ruxandra, Eleonora spends her early years daydreaming and doing housework—until the moment she teaches herself to read, and her father recognizes that she is an extraordinarily gifted child, a prodigy. When Yakob sets off by boat for Stamboul on business, eight-year-old Eleonora, unable to bear the separation, stows away in one of his trunks. On the shores of the Bosporus, in the house of her father's business partner, Moncef Bey, a new life awaits. Books, backgammon, beautiful dresses and shoes, markets swarming with color and life—the imperial capital overflows with elegance, and mystery. For in the narrow streets of Stamboul—a city at the crossroads of the world—intrigue and gossip are currency, and people are not always what they seem. Eleonora's tutor, an American minister and educator, may be a spy. The kindly though elusive Moncef Bey has a past history of secret societies and political maneuvering. And what is to be made of the eccentric, charming Sultan Abdulhamid II himself, beleaguered by friend and foe alike as his unwieldy, multiethnic empire crumbles? The Oracle of Stamboul is a marvelously evocative, magical historical novel that will transport readers to another time and place—romantic, exotic, yet remarkably similar to our own.

    In a dark journey of exploration and self-discovery, the daughter learns why her mother hid so much . . . and why the danger still haunts their family.

    Spending his days walking the streets and his nights drinking and gambling, meeting revolutionaries, zealots, lovers and libertines, he adjusts his eyes to the darkness that falls over Europe, and threatens to destroy him. Mihail Sebastian's 1934 masterpiece, now translated into English for the first time, was written amid the anti-Semitism which would, by the end of the decade, force him out of his career and turn his friends and colleagues against him. For Two Thousand Years is a prescient, heart-wrenching chronicle of resilience and despair, broken layers of memory and the terrible forces of history.

    Cummings is without question one of the major poets of the 20th century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

    Petersburg, 1911: Inna Feldman has fled the pogroms of the south to take refuge with distant relatives in Russia's capital city. Welcomed by the flamboyant Leman family, she is apprenticed into their violin-making workshop. She feels instantly at home in their bohemian circle, but revolution is in the air, and as society begins to fracture, she is forced to choose between her heart and her head. She loves her brooding cousin, Yasha, but he is wild, destructive and devoted to revolution; Horace Wallick, an Englishman who makes precious Faberge creations, is older and promises security and respectability. And, like many others, she is drawn to the mysterious, charismatic figure beginning to make a name for himself in the city: Rasputin.As the rebellion descends into anarchy and bloodshed, a commission to repair a priceless Stradivarius violin offers Inna a means of escape. But which man will she choose to take with her? And is it already too late? A magical and passionate story steeped in history and intrigue, Midnight in St. Petersburg is an extraordinary novel of music, politics, and the toll that revolution exacts on the human heart.

    From the author of the 20-million-copy bestseller Love Story comes a moving new novel that brings to vivid life three very different and memorable characters, each haunted by the seductive promise of obtaining the Nobel Prize.

    An intimate and devastating portrait of Romania during and after the Second World War, through the prism of a moving and utterly original friendship.Shortlisted for the 2012 Orange Prize.

    This translation of his 1989 novel Nostalgia, writes Andrei Codrescu, "introduces to English a writer who has always had a place reserved for him in a constellation that includes the Brothers Grimm, Franz Kafka, Jorge Luis Borges, Bruno Schulz, Julio Cortazar, Gabriel Garcia Marquez, Milan Kundera, and Milorad Pavic, to mention just a few." Like most of his literary contemporaries of the avant-garde Eighties Generation, his major work has been translated into several European languages, with the notable exception, until now, of English.Readers opening the pages of Nostalgia should brace themselves for a verbal tidal wave of the imagination that will wash away previous ideas of what a novel is or ought to be. Although each of its five chapters is separate and stands alone, a thematic, even mesmeric harmony finds itself in children's games, the music of the spheres, humankind's primordial myth-making, the origins of the universe, and in the dilapidated tenement blocks of an apocalyptic Bucharest during the years of communist dictatorship.