There, for many years he lived side by side with the country people, a life ruled by the slow cycle of the seasons, far away from the frantic rush of the modern world. In spring as the pear trees blossomed he ploughed with horses, in summer he scythed the hay meadows and in the freezing winters gathered wood by sleigh from the forest. From sheepfolds harried by wolves, to courting expeditions in the snow, he experienced the traditional way of life to the full, and became accepted into a community who treated him as one of their own. But Blacker was also intrigued by the Gypsies, those dark, foot-loose strangers of spell-binding allure who he saw passing through the village. Locals warned him to stay clear but he fell in love and there followed a bitter struggle. Change is now coming to rural Romania, and William Blacker's adventures will soon be part of its history. From his early carefree days tramping the hills of Transylvania, to the book's poignant ending, Along the Enchanted Way transports us back to a magical country world most of us thought had vanished long ago.

    Andor Weér, a thirty-six-year-old writer, lives in a cramped apartment with his shut-in mother, Rebeka, who was once among the most celebrated stage actresses in Budapest. Unable to withstand her maniacal tyranny but afraid to leave her alone, their bitter interdependence spirals into a Sartrian hell of hatred, lies, and appeasement. Then Andor meets the beautiful and nurturing Eszter, a woman who seems to have no past, and they fall wildly in love at first sight. With a fulfilling life seemingly within reach for the first time, Andor decides that he is ready to bring Eszter home to meet Mother. Though Bartis’s characters are unrepentantly neurotic and dressed in the blackest humor, his empathy for them is profound. A political farce of the highest ironic order, concluding that "freedom is a condition unsuitable for humans," Tranquility is ultimately, at its splanchnic core, a complex psychodrama turned inside out, revealing with visceral splendor the grotesque notion that there’s nothing funnier than unhappiness.

    To few chapters did Dr. Lloyd-Jones give more thought or more emphasis. He viewed it as the supreme demonstration of the necessity for the gospel, the announcement of divine truths worthy of the attention of the whole world

    His writings, with their richly sensuous texture and air of slyly intangible mystery, perplexed or outraged many early readers; yet no writer has more profoundly influenced the course of modern poetry - in English as well as in French. This is the fullest collection of Mallarme's poetry ever published in the English language, and the only edition in any language that presents his Poesies in the last arrangement known to have been approved by the author. Prose poems, uncollected verse, and the unique, unclassifiable Un Coup de des... (A Dice Throw...) are also present, including over 20 items that have never previously been translated. Original spelling, punctuation, and lineation have been preserved throughout. The lucid, wide-ranging introduction provides a clear survey of Mallarme's work and deals fully with the difficulties that may face readers approaching it for the first time. Collected Poems offers both Mallarme lovers and first-time readers a full understanding of this astonishing poet's work."

    In a sex-positive incantation that retextures what it is to write a queer life amidst troubled times, Garcia writes boldly of citizenship, family, and Adam Rippon’s butt. Detailing a childhood spent undocumented, one speaker recalls nights when “because we cannot sleep / we dream with open eyes.” Garcia delves with both English and Spanish into how one survives a country’s long love affair with anti-immigrant cruelty. Rendering a family working to the very end to hold each other, he writes the kind of family you both survive and survive with.With language that arrives equal parts regal and raucous, Thrown in the Throat shines brilliant with sweat and an iridescent voice. “Sometimes even a diamond was once alive” writes Garcia in a collection that National Poetry Series judge Kazim Ali says “has deadly superpowers.” And indeed these poems arrive to our hands through touch-me-nots and the slight cruelty of mothers, through closets both real and metaphorical. These are poems complex, unabashed, and needed as survival. Garcia’s debut is nothing less than exactly the ode our history and present and our future call for: brash and unmistakably alive.

    For fourteen years, he shared that faith with suffering cellmates and gave them solace. In solitary confinement, he tapped out his message of hope and Christian love. In Room Four, the “death room”, he helped dying patients even though his lungs were riddled with tuberculosis and his body lacerated and bloody from whips and kicks. Anguished over the fate of his wife and son, he could still tell jokes and stories to make despairing prisoners laugh. Sorely tempted by the promise of release and reprieve, he refused to become a Communist collaborator.And the miracle is that he survived.With humble gratitude to God and Christ, he tells his personal story. It’s an inspiring drama of triumphant faith.

    The editor selected by SFWA's anthology committee (chaired by Mike Resnick) is two-time Nebula winner, Catherine Asaro. This year's volume includes stories and excerpts by Connie Willis, Jo Walton, Kij Johnson, Geoff Ryman, John Clute, Carolyn Ives Gilman, Ferrett Steinmetz, Ken Liu, Nancy Fulda, Delia Sherman, Amal El-Mohtar, C. S. E. Cooney, David Goldman, Katherine Sparrow, E. Lily Yu, and Brad R. Torgersen.Contents11 • A Harmony of Thoughts • (2013) • essay by Catherine Asaro29 • The Paper Menagerie • (2011) • shortstory by Ken Liu43 • The Ice Owl • [The Twenty Planets] • (2011) • novella by Carolyn Ives Gilman91 • Ado • (1988) • shortstory by Connie Willis100 • The Migratory Pattern of Dancers • (2011) • novelette by Katherine Sparrow121 • Peach-Creamed Honey • (2010) • poem by Amal El-Mohtar (variant of Peach Creamed Honey)123 • The Axiom of Choice • (2011) • shortstory by David W. Goldman149 • Club Story • (2011) • essay by John Clute157 • What We Found • (2011) • novelette by Geoff Ryman188 • Among Others (excerpt) • (2011) • shortfiction by Jo Walton206 • Movement • (2011) • shortstory by Nancy Fulda217 • Sauerkraut Station • (2011) • novelette by Ferrett Steinmetz267 • The Cartographer Wasps and the Anarchist Bees • (2011) • shortstory by E. Lily Yu277 • Ray of Light • (2011) • novelette by Brad R. Torgersen299 • The Freedom Maze (excerpt) • (2011) • shortfiction by Delia Sherman327 • The Sea King's Second Bride • (2010) • poem by C. S. E. Cooney334 • The Man Who Bridged the Mist • (2011) • novella by Kij Johnson405 • 2012 Nebula Awards Winners, Nominees, and Honorees • essay by uncredited409 • Past Nebula Awards Winners • essay by uncredited

    The boys know they will very soon be sent to join their elders, and in their final weeks of freedom they begin acting out their frustrations and fears in a series of subversive games and petty thefts. But when they attract the attention of a stranger in town—an actor with a traveling theater company—their games, and their lives, begin to move in a direction they could not have predicted and cannot control, and one that reveals them to be strangers to one another. Resisting and defying adulthood, they find themselves still subject to its baffling power even in their attempted rebellion.From the Trade Paperback edition.