Bacovia's prose and prose poems reveal his concern for the underdog and his yearning for new ideals. His descriptions of people and places are often set against a lyrical background and linked to an internal dialogue or a rhetorical question. They are sensual with powerful visual images, which also reveal Bacovia's introspective eroticism.

    The translators of this volume have endeavored not only to convey the spirit of the original Romanian, but to find an English equivalent for its sound. The English verse, printed facing the Romanian, conveys the distilled, metaphorical nature of a poetry that expresses a strong sense of ancestral continuity and apocalyptic visions of the world.Originally published in 1976.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    Source: Wikipedia. Pages: 42. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: "Harap Alb" or "Harap-Alb" (Romanian pronunciation: ), known in full as Povestea lui Harap Alb ("The Story of Harap Alb"), is a Romanian-language fairy tale. Based on traditional themes found in Romanian folklore, it was recorded and reworked in 1877 by writer Ion Creang, becoming one of his main contributions to fantasy and Romanian literature. The narrative centers on an eponymous prince traveling into a faraway land whose throne he has inherited, showing him being made into a slave by the treacherous Bald Man and eventually redeeming himself through acts of bravery. The plot introduces intricate symbolism, notably illustrated by the secondary characters. Among these are the helpful and sage old woman Holy Sunday, the tyrannical Red Emperor, and a band of five monstrous characters who provide the prince with serendipitous assistance. An influential work, "Harap Alb" received much attention from Creang's critical posterity, and became the inspiration for contributions in several fields. These include Ion Popescu-Gopo's film De-a fi Harap Alb, a Postmodernist novel by Stelian urlea and a comic book by Sandu Florea, alongside one of Gabriel Liiceanu's theses in the field of political philosophy. The title of the work and name of the protagonist originate with the antiquated Romanian word harap, which, like its more common version arap, originates with the "Arab" and covers the sense of "Black person" (or "Moor"), and alb, meaning "white." The notion of Harap Alb has therefore often been translated as "White Moor" or "White Arab." Both arap and harap are akin to a narrative theme present throughout the Balkans, from Turkey in the s...More: http: //booksllc.net/?id=23902144

    She is a girl looking to be rescued from her own insecurities and bad decisions. Unable to afford rent in New York City proper, she is craving a life of luxury that isn’t hers, while subsisting on bagels and coffee. In desperate need of support - emotional and otherwise -, she clings to potential saviors, never bothering to question if the attachments she forms really fit her. In a parallel storyline, her mother, Maria, is trying to reject all offers of help, especially those of her estranged husband, whose unexpected generosity forces her to revisit past mistakes she hasn't come to terms with. Enmeshed in her own drama, she doesn’t notice her daughter’s troubles until it’s too late. Desperate to keep Liliana from making a mistake that will alter the course of her life, Maria reveals her best-kept secret, a story so shocking it might have the power to jerk Liliana back to reality. It could, on the other hand, alienate her forever. DOGS WITH BAGELS is a story about the American dream gone bad. It is also a story about mothers and daughters, about female friendships, the struggle to survive in one of the world’s most expensive cities, and women’s secret desire to have wild passionate sex with their exes. A cross between Bridgett Jones’ Diary and Sex and the City - with an accent! -, DOGS WITH BAGELS is as addictive as a trashy tabloid you can't seem to put down.

    Eminescu (1850-1889) was a complex personality; at once a philosopher, politician, journalist, and prose writer, but above all a poet -- he is 'an expression of the Romanian soul'. The selection in this volume includes English language versions of some of Eminescu's best-known poems and is illustrated with original drawings by the Romanian artist A Bordenache and graphics from the princeps edition of Eminescu's poems published in 1883.

    People consider her guilty of spreading a disease, and during one single torrid summer, she turns into public enemy no. 1. At first she attracts the attention of the villagers, and afterwards, through mass-media, she becomes a national sensation. As this character develops, hunted, blamed and adored at the same time, various secrets, more or less important, are revealed, gradually turning the story into the chronicle of this small rural community. Hypocrisy, humiliation, cruelty and murder. Each character had contributed one way or another to the change of mentality in society. All these old occurrences actually represent the underground of the contemporary world, and once disclosed, the history of the last 60 years is recomposed in detail, unveiling how the east-European village has been undergoing a sustained downfall. The 13 stories (forming Lizoanca’s story) all lead to a single character, a certain Crone Petrache Notaru (80 years old). He is the one who committed all these landmark acts changing the life of the village, and all the other characters are built around him, weaving, one way or another, Lizoanca’s biography. Notaru ruined Tori’s life (Lizoanca’s grandmother). He is also responsible for Greblă’s fixations, who is a paedophile. Notaru fed Sanitara’s fears, embittering her. And he rewrites the history of an antic ring which he had found when he was a child. Notaru is the unknown architect of a world which can synthetically be named Lizoanca.Based on a true story, the novel represents the radiography of the contemporary society, during its last moments.

    The novels were initially published separately, between 1964-1969.Main character is charismatic detective, Alexandru Tudor.

    You take healthy young Americans used to sunshine (aided sometimes by Xanax and Adderall), you blindfold them and lead them by the hand into a labyrinth made from bones. Then you tell them their assignment: 'Find the Grail. You have a New York minute to get it.'"--The Poetry Lesson The Poetry Lesson is a hilarious account of the first day of a creative writing course taught by a "typical fin-de-si�cle salaried beatnik"--one with an antic imagination, an outsized personality and libido, and an endless store of entertaining literary anecdotes, reliable or otherwise. Neither a novel nor a memoir but mimicking aspects of each, The Poetry Lesson is pure Andrei Codrescu: irreverent, unconventional, brilliant, and always funny. Codrescu takes readers into the strange classroom and even stranger mind of a poet and English professor on the eve of retirement as he begins to teach his final semester of Intro to Poetry Writing. As he introduces his students to THE TOOLS OF POETRY (a list that includes a goatskin dream notebook, hypnosis, and cable TV) and THE TEN MUSES OF POETRY (mishearing, misunderstanding, mistranslating . . . ), and assigns each of them a tutelary "Ghost-Companion" poet, the teacher recalls wild tales from his coming of age as a poet in the 1960s and 1970s, even as he speculates about the lives and poetic and sexual potential of his twenty-first-century students. From arguing that Allen Ginsberg wasn't actually gay to telling about the time William Burroughs's funeral procession stopped at McDonald's, The Poetry Lesson is a thoroughly entertaining portrait of an inimitable poet, teacher, and storyteller.

    The book vividly portrays the difficulties encountered by a young intellectual trying to shape himself under the oppressive Ceausescu regime and provides a stark depiction of a man's intellectual suffocation under hard-line socialist rule. The book's overall significance is therefore far more wideranging than just Romania or the 1980s.

    The Birdman is a member of a loose-knit group of failed suicides, each pursuing absurd ways to end their lives: one saving up lost-dog reward money to buy enough good whiskey to drink himself to death, another hoping to contract a fatal disease by sleeping with as many women as possible. When it seems these routines will continue indefinitely, the Birdman meets a “professional” suicide: the dangerous and inscrutable “man with orange suspenders,” who makes a living by trying to hang himself whenever he sees a potential rescuer approaching. This chance encounter, which leads at last to a real death, will force the Birdman to confront the roots of his desire to escape from life, and to see first-hand that dying is more than just a rehearsal.

    Remembered for his celebrity lifestyle and playboy antics as much as for his on-court tantrums and disqualifications, this is his colourful life story.

    He depicts madness of all kinds but especially religious beliefs and their perversion by all manner of outrageous sects. Here horror and humor reside impossibly in the same time and place, and readers experience the vertiginous feeling of living in the middle of a violent historical upheaval.Even as Coming from an Off-Key Time suggests the influence of such writers as Mikhail Bulgakov, the fantastic satirist of the early Soviet Union, Suceavă engages the complexities of a quickly changing country in search of its bearings and suspicious of its past. Bogdan Suceavă is an associate professor of mathematics at California State University, Fullerton. One of Romanian literature’s most promising and original young writers, he is the author of four novels, two books of short stories, and several collections of poems.Alistair Ian Blyth’s previous translations include Filip Florian, Little Fingers (2009); Lucian Dan Teodorovici, Our Circus Presents (2009); and Catalin Avramescu’s An Intellectual History of Cannibalism (2009).

    He describes and analyzes some of the most powerful and ubiquitous symbols that have ruled the mythological thinking of East and West in many times and at many levels of cultural development.