The world of commerce and frivolous necessity has been replaced by a world of survival and responsibility. An epidemic of apocalyptic proportions has swept the globe, causing the dead to rise and feed on the living. In a matter of months society has crumbled: no government, no grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, the survivors are forced to finally start living.

    to save the love of your life? England, 1738: Cole Blaquesmith, a simple fisherman, falls in love with Fiona, a beautiful, gentle teacher. However, their blossoming romance is cut short when Fiona falls ill with a terminal disease.Would you sell your soul to a madman? Dr Absinthe, town pariah, a sinister ghoul in his castle on the hill holds the secret to saving Fiona's life... but this 'cure' comes with a terrible, terrible price.Would you trade humanity for strength? The 'experiment' requires a test subject... a Pilot. A young, strong body to endure the arcane rigors of science.Would you undo the course of human history? As Cole loses himself behind a whirling tangle of steel and light and science, he closes his eyes and prays that he has not made a grave mistake. When his eyes open again...He knows with all his heart that his world will NEVER be the same again...Steampunk: Manimatron. Love is eternal. History is not.Enter a world of madness, action, dark science, fiction, and shattered history where one man battles to set right a world torn apart for love. Collecting the first arc of the groundbreaking Cliffhanger series by Chris Bachalo (Death, Generation X) and Joe Kelly (Superman, X-Men) featuring Steampunk: Idiosyncratica, Steampunk: Cathecism and issues 1-5 in one haunting and beautiful volume.

    We've gotten glimpses of these other women over the years on T.V., in comics, and in books. Now for the first time, the writers from the television series, including the show's creator, Joss Whedon, and one of its stars, Amber "Tara" Benson, present the tales of these girls, with the help of comics' greatest artists. Gene Colan, co-creator of Marvel's Blade and Tomb of Dracula, returns to Dark Horse for the story of a young girl in 1970s New York, battling vampires. Tim Sale, artist of recent epics Batman: The Long Halloween and Superman for All Seasons teams with Joss Whedon for a grim tale of a medieval slayer. American comics legend P. Craig Russell (Dr. Strange, The Ring of the Nibelung) and international rising star Mira Friedmann (Actus Tragicus) also join the stellar lineup.

    Where Boulevard of Broken Dreams focused on the earliest days of the animation industry, Alias the Cat delved into the history of comic strips, and “Molly O’Dare” (collected in Shadowland) concerned vintage movie serials, The search for Smilin’ Ed! explores the wacky world of children’s TV shows. Launched on his latest investigation by a remark from his brother about a shared childhood favorite (“Y’know, I heard that when Smilin’ Ed died... his body was never found!”), Deitch begins to uncover some truly amazing things about the kiddie-show host and his malevolent sidekick, Froggy the Gremlin. Meanwhile, Deitch’s muse and nemesis Waldo the Cat abandons Deitch to hang out with some demon buddies, and soon both Waldo and Deitch are closing in on the mysteries of Smilin’ Ed and Froggy. Ranging across the entire twentieth century, replete with flashbacks, stories within stories, and guest appearances from other Deitch regulars, The Search for Smilin’ Ed! is a narrative whirligig that shows Deitch at his wildest and woolliest. For those whose heads have started to spin at the complexity of “Deitch world,” Deitch scholar Bill Kartalopoulos offers a lengthy essay on the ins and outs of this ever-evolving, ever-expanding world where fantasy, reality, and satire combine, clash, and are sometimes downright indistinguishable. Bonus! Deitch has also created a brand new story starring Waldo in his twenty-first century post-Alias The Cat state of domestic bliss, stumbling across an army of (French-) talking beavers. Of course, there’s a story behind that...

    Illustrated and presented by one of the leading artists in modern fantasy, this title gives us some of the great songs and folktales of the English, Irish, and Scottish traditions, re-imagined in sequential-art form, in collaboration with some of the strongest fantasy writers.

    OMAC robots are rampaging, magic is dying, villains are uniting, and a war is raging in space. And in the middle of it all, a critical moment has divided Earth's three greatest heroes: Superman, Batman and Wonder Woman. It's the DCU's darkest day, and long-lost heroes from the past have returned to make things right in the universe…at any cost. Heroes will live, heroes will die, and the DCU will never be the same again! This exhaustive volume also contains every cover and variant produced for the project, annotations, character designs, excerpts from scripts, unused scenes, and much more. Editorial Reviews Gr 7 Up Prior to DC Comics's revamp of its superhero universe in Infinite Crisis , a series of prelude miniseries were released to set up the larger conflicts that the central title would address. Despite the fact that each of these series including Greg Rucka's The OMAC Project and Gail Simone's Villains United (both 2006) ended abruptly and had a promised follow-up "special" yet to be published, they were collected in trade paperback. Unable to be included in the already-released trades or compiled with the massive Infinite Crisis collection, they appear in their semi-orphaned state in this book. The title is actually apt, but it doesn't make the effect any less jagged: the stories are clearly continuations of distant events, and they have only the most tenuous of internal connections. To use popular comic-universe terminology, they are a tangled mass of "continuity," helping to draw lines between other books, events, and situations. The varied artwork i

    Disguised among the normal citizens of modern-day New York, these magical characters have created their own peaceful and secret society within an exclusive luxury apartment building called Fabletown. But when Snow White's party-girl sister, Rose Red, is apparently murdered, it is up to Fabletown's sheriff, a reformed and pardoned Big Bad Wolf (Bigby Wolf), to determine if the killer is Bluebeard, Rose's ex-lover and notorious wife killer, or Jack, her current live-in boyfriend and former beanstalk-climber.Collecting: Fables 1-5

    It blinds and reveals, hurts and heals.Brace yourself for what you’ll find on the other side of. . . GLEEM!

    Silva to change the way you look at every X-Men story. HOUSE OF X and POWERS OF X intertwine to reveal the secret past, present, future, and far future of Mutantkind! It all starts when Charles Xavier reveals his new masterplan for Mutantkind, one that will bring mutants out of the shadow of humanity and into the light.COLLECTING: House of X 1-6, Powers of X 1-6

    The other is on the run because she knows too much. They are Dinah Laurel Lance and Ev Crawford - a.k.a. Black Canary and Starling - and joining them are the villainous Poison Ivy and the heroic Batgirl and together, as Gotham City's covert ops team, they're taking down the villains other heroes can't touch. They are the Birds of Prey.Collecting: Birds of Prey 1-7

    However, their bunkers, weapons, and training can't save them from the one threat they never could have expected: their own children.Collects SHELTERED #1-5

    Collected in this volume—which no comics fan should be without—are all of Moore's Superman and Batman stories, including Action Comics #583, Batman Annual #11, Batman The Killing Joke, DC Comics Presents #85, Detective Comics #549-550, Green Lantern #188, The Omega Men #26-27, Secret Origins #10, Superman #423, Tales of the Green Lantern Corps Annual #2 & 3, Supermaqn Annual #11 and Vigilante #17-18.

    Skillfully drawn single panels explore a rich imagined world where actions have unexpected consequences and loneliness pervades, but not without a sense of the absurd. The stories read like vignettes that can span a day or decades, all drawn within a bordered page in intimate detail.Each story unfolds quickly and features characters that run the gamut: joke-writing sisters gone awry, a wandering sleepwalker, a pearl with curious properties, an elusive coughing neighbor, a wide-eyed girl of questionable appeal, even a storm drain. Whether animate or inanimate, sweet or monstrous, Lilli has the ability to infuse them all with pathos, humanity, and humor.

    Over time, this fascination deepened until it triggered a journey around the world in search of ruined places. Now, in this genre-smashing graphic memoir, she leads us through deserted cities in the American Midwest, an Icelandic town buried in volcanic ash, islands in the Philippines, New York City, and the delicate passageways of the human heart. Along the way, we learn about her family and a rare genetic heart disease that has been passed down through generations, and revisit tragic events in America's past.A narrative that is at once narrative and factual, historical and personal, Radtke's stunning illustrations and piercing text never shy away from the big questions: Why are we here, and what will we leave behind?(With black-and-white illustrations throughout; part of the Pantheon Graphic Novel series)

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).