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Be a Nose! by Art Spiegelman


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McSweeney's #13


Chris WareArt Spiegelman - 2004
    Contibutors include Daniel Clowes, Gary Panter, Charles Burns, Art Spiegelman, Ben Katchor, Kim Deitch, Adrian Tomine, Joe Sacco, Seth, Joe Matt, Chester Brown, Kaz, and many others.

Violent Cases


Neil Gaiman - 1987
    After dislocating his arm, a young boy is taken to see a doctor - an aged osteopath who was once the doctor of legendary gangster Al Capone.

Gilded Lilies


Jillian Tamaki - 2006
    Included is a reprint of her mini-comic, City of Champions, as well as a new comic, The Tapemines, an 80-page wordless scroll about feral children in forests of cassette tape. With inspirations including German expressionists Georg Grosz and Otto Dix, as well as Japanese and Inuit printmakers, Tamaki's unique style often celebrates the inherent beauty in the grotesque, while remaining character-driven and focused on observational narrative.

Hey, Wait...


Jason - 2000
    This superbly evocative graphic novella by the award-winning Norwegian cartoonist Jason (his first appearance in the English language) starts off as a melancholy childhood memoir and then, with a shocking twist midway through, becomes the summary of lives lived, wasted, and lost. Like Art Spiegelman did with Maus, Jason utilizes anthropomorphic stylizations to reach deeper, more general truths, and to create elegantly minimalist panels whose emotional depth-charge comes as an even greater shock. His sparse dialogue, dark wit, and supremely bold use of "jump-cuts" from one scene to the next (sometimes spanning a number of years) make Hey, Wait... one of the most surprising and engaging debuts of the year.

Understanding Comics: The Invisible Art


Scott McCloud - 1993
    Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.

Fables: 1001 Nights of Snowfall


Bill WillinghamMark Wheatley - 2006
    Traveling to Arabia as an ambassador from the exiled Fables community, Snow White is captured by the local sultan who wants to marry her (and then kill her). But clever Snow attempts to charm the sultan instead by playing Scheherazade, telling him fantastic stories for a total of 1001 nights, saving her very skin in the process.Running the gamut from unexpected horror to dark intrigue to mercurial coming-of-age, Fables: 1001 Nights of Snowfall reveals the secret histories of familiar Fables characters through a series of compelling and visually illustrative tales. Writer Bill Willingham is joined by an impressive array of artists from comic book industry legends to the amazing young painters of the next wave. Fables: 1001 Nights of Snowfall is both a welcome entry point to the critically acclaimed series and an essential part of Willingham's enchanting and imaginative Fables mythos.

Bone: The Complete Edition


Jeff Smith - 1991
    After being run out of Boneville, the three Bone cousins, Fone Bone, Phoney Bone and Smiley Bone are separated and lost in a vast uncharted desert. One by one they find their way into a deep forested valley filled with wonderful and terrifying creatures. It will be the longest -- but funniest -- year of their lives.

One Hundred Demons


Lynda Barry - 2002
    Name that Demon!!! Freaky boyfriends! Shouting Moms! Innocence betrayed! These are some of the pickled demons you'll meet as Lynda Barry mixes the true and the un-true into something she calls "autobificitionalography." From her nattering and intolerant/loving Filipina grandmother to the ex-boyfriend from hell who had lice, Lynda Barry's demons jump out of these pages and double-dare you to speak their names. Called by Time magazine "a work of art as well as literature," One Hundred Demons has been hailed for its shimmering watercolor images and unforgettable stories about life's little monsters.

The Absolute Sandman, Volume One


Neil GaimanSteve Parkhouse - 1990
    Now, Vertigo and DC Comics are proud to present the first of four definitive Absolute Editions collecting this groundbreaking series in its entirety. The Absolute Sandman, Volume One reprints issues 1-20 of The Sandman , and features all-new coloring on issues 1-18, commissioned especially for this edition. This volume also includes a full reproduction of Gaiman's original proposal for the series and the complete script and pencils by Gaiman and Charles Vess for the World Fantasy Award-winning story "A Midsummer Night's Dream" from The Sandman 19. Finally, a gallery of character design sketches show the evolution of Dream of the Endless.

Stray Bullets, Vol. 3


David Lapham - 2000
    From the critically acclaimed and Eisner Award winning series, these stories will hook any new reader by giving them a feel for the many varied, emotionally charged stories fans have come to expect in every issue of Stray Bullets.

Superman: Whatever Happened to the Man of Tomorrow?


Alan MoorePaul Kupperberg - 1986
    Moore teams with Curt Swan, the definitive Superman artist from the 1950's through the 1970's, to tell the final adventure of the Man of Steel featuring his last stand against Lex Luthor, Brainiac and his other foes in "WHATEVER HAPPENED TO THE MAN OF TOMORROW?". This volume also includes Moore's classic early collaboration with WATCHMEN illustrator Dave Gibbons, "FOR THE MAN WHO HAS EVERYTHING", in which Batman, Robin and Wonder Woman find Superman held captive by the villain Mongul in the Fortress of Solitude and dreaming of an idyllic life on Krypton courtesy of a wish-fulfilling parasitic plant known as the Black Mercy. Both tales are considered two of the top five all-time best Superman stories among fans. The rare first team-up adventure between the Man of Tomorrow and Swamp Thing, the character that first brought Moore to notoriety in the United States, is included as an additional bonus.This volume collects the two-part “Whatever Happened to the Man of Tomorrow?” from SUPERMAN #423 and ACTION COMICS #583, as well as “The Jungle Line” from DC COMICS PRESENTS #85 and “For the Man Who Has Everything...” from SUPERMAN ANNUAL #11.

The Plain Janes


Cecil Castellucci - 2007
    When transfer student Jane is forced to move from the confines of Metro City to Suburbia, she thinks her life is over. But there is the lunch room at the reject table she finds her tribe: three other girls named Jane. Main Jane encourages them to form a secret art gang and paint the town P.L.A.I.N. - People Loving Art In Neighborhoods. But can art attacks really save the hell that is high school?

Local


Brian Wood - 2008
    Crossing genres as it crosses the country, LOCAL examines Megan McKeenan, a young woman who sets off from Portland, OR with nothing but a backpack and a bad case of wanderlust. Each emotional vignette is a self-contained story that represents one year in the life of this young vagabond as she struggles to find a place to call home, both physically and spiritually.

It's a Good Life, If You Don't Weaken: A Picture Novella


Seth - 1998
    While trying to understand his dissatisfaction with the present, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the 1940s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. Wry self-reflection and moody colours characterize Seth's style in this tale about learning lessons from nostalgia. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seth's "hoax".

Why Art?


Eleanor Davis - 2018
    But the concept falls under such an absurdly large umbrella and can manifest in so many different ways. Art can be self indulgent, goofy, serious, altruistic, evil, or expressive, or any number of other things. But how can it truly make lasting, positive change? In Why Art?, acclaimed graphic novelist Eleanor Davis (How To Be Happy) unpacks some of these concepts in ways both critical and positive, in an attempt to illuminate the highest possible potential an artwork might hope to achieve. A work of art unto itself, Davis leavens her exploration with a sense of humor and a thirst for challenging preconceptions of art worth of Magritte, instantly drawing the reader in as a willing accomplice in her quest.