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    I ran for about 70 yards carrying with me all the Lewis gun things I had brought up and dropped breathless into a shell hole headlong onto a German who had been dead for months.’Harold Drinkwater was not supposed to go to war. He was told he was half an inch too short. But, determined to fight for king and country, he found a battalion that would take him and was soon on his way to the trenches of the Somme. As the war dragged on, Harry saw most of the men he joined up with killed around him. But, somehow, he survived.Soldiers were forbidden from keeping a diary so Harry wrote his in secret, recording the horrendous conditions and constant fear, as well as his pleasure at receiving his officer's commission, the joy of his men when they escaped the trenches for the Italian Front and the trench raid for which he was awarded the Military Cross. Harry writes with such immediacy it is easy to forget that a hundred years have passed. He is by turns wry, exhausted, annoyed, resigned and often amazed to be alive. Never before published, Harry's War is a moving testament to one man's struggle to keep his humanity in the face of unimaginable violence.

    The literature they read as youngsters was anti-war and cynical, portraying patriots as suckers, slackers and heroes. None of them wanted to be part of another war. They wanted to be throwing baseballs, not handgrenades; shooting .22s at rabbits, not M-1s at other young men. But when the test came, when freedom had to be fought for or abandoned, they fought (from the Prologue).

    George V, Wilhelm II and Nicholas II, known in the family as Georgie, Willy and Nicky, were cousins. Between them they ruled over half the world. They had been friends since childhood. But by July 1914 the Trade Union of Kings was falling apart. Each was blaming the other for the impending disaster of the First World War. 'Have I gone mad?' Nicky asked his wife Alix in St Petersburg, showing her another telegram from Willy. 'What on earth does William mean pretending that it still depends on me whether war is averted or not!' Behind the friendliness of family gatherings lurked family quarrels, which were often played out in public. Drawing widely on previously unpublished documents, this is the extraordinary story of their overlapping lives, conducted in palaces of unimaginable opulence, surrounded by flattery and political intrigue. And through it runs the question: to what extent were the King, the Kaiser and the Tsar responsible for the outbreak of the war, and, as it turned out, for the end of autocratic monarchy?

    Although desperately aware of how many of their predecessors had fallen before them, nearly all stepped forward, unflinchingly, to do their duty. The average life expectancy of a subaltern in the trenches was a mere six weeks. In this remarkable book, John Lewis-Stempel focuses on the forgotten men who truly won Britain's victory in the First World War - the subalterns, lieutenants and captains of the Army, the leaders in the trenches, the first 'over the top', the last to retreat. Basing his narrative on a huge range of first-person accounts, including the poignant letters and diaries sent home or to their old schools, the author reveals what motivated these boy-men to act in such an extraordinary, heroic way. He describes their brief, brilliant lives in and out of the trenches, the tireless ways they cared for their men, and how they tried to behave with honour in a world where their values and codes were quite literally being shot to pieces.

    Understandable perhaps from the point of view of the poet: readers on the other hand might wish to demur. The poems gathered here and chronologically ordered, thereby tracing the course of the war, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (" ... fighting for our freedom, we are free") to the anguish and anger of the later work (where "hope, with furtive eyes and grappling fists / Flounders in mud ... "), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting. Unlike the avant-garde experiments developing in Europe in the first decades of this century, Sassoon's verse is formally conservative--but this was perhaps necessary, for as one reads the poems, one feels that the form, the classically inflected tropes, the metre and rhyme, apart from ironising the rhetoric of glory and battle were necessary techniques for containing the emotion (and indeed, a tone of barely controlled irony may have been the only means by which these angry observations would have been considered publishable at the time). When Sassoon's line begins to fragment, as it does in several of the later poems, it is under the extreme pressure to express the inexpressible. Compassion and sympathy are omnipresent here, in their full etymological sense of suffering with or alongside others--something the higher echelons of command (those " ... old men who died / Slow, natural deaths--old men with ugly souls") were never able or willing to contemplate. But Sassoon intuited the future of warfare, could sense that this was not "the war to end all wars": the mock-religious invocation of the final poem prefigures the vicious euphemisms of more recent conflicts: "Grant us the power to prove, by poison gases, / The needlessness of shedding human blood." Sassoon's bile-black irony signals a deep-felt pessimism: it was with good reason. --Burhan Tufail

    It encompasses an account of the Arab Revolt against the Turks during the First World War alongside general Middle Eastern and military history, politics, adventure and drama. It is also a memoir of the soldier known as 'Lawrence of Arabia'.Lawrence is a fascinating and controversial figure and his talent as a vivid and imaginative writer shines through on every page of this, his masterpiece. Seven Pillars of Wisdom provides a unique portrait of this extraordinary man and an insight into the birth of the Arab nation.

    Yet from the moment the guns fell silent the role of non-white soldiers in the 'Great War for Civilization' was forgotten and airbrushed out by later historians.THE WORLD'S WAR quotes extensively from soldiers' diaries and other eye-witness sources, bringing to life the searing experiences of the hundreds of thousands of non-white troops whose bravery contributed to the final Allied victory.

    Readers meet 17-year-old Frenchwoman Emilienne Moreau, who assisted the Allies as a guide and set up a first-aid post in her home to attend to the wounded; Russian peasant Maria Bochkareva, who joined the Imperial Russian Army by securing the personal permission of Tsar Nicholas II, was twice wounded in battle and decorated for bravery, and created and led the all-women combat unit the “Women’s Battalion of Death” on the Eastern Front; and American journalist Madeleine Zabriskie Doty, who risked her life to travel twice to Germany during the war in order to report back the truth, whatever the cost. These and other suspense-filled stories of brave girls and women are told through the use of engaging narrative, dialogue, direct quotes, and document and diary excerpts to lend authenticity and immediacy. Introductory material opens each section to provide solid historical context, and each profile includes informative sidebars and “Learn More” lists of relevant books and websites, making this a fabulous resource for students, teachers, parents, libraries, and homeschoolers.

    The war involved people from so many different backgrounds and countries and included here are, among others, British, German, Russian and Indian voices. Alongside testament from the many ordinary people whose lives were transformed by the events of 1914-18, there are extracts from names that have become synonymous with the war, such as Siegfried Sassoon and T.E. Lawrence. What unites them is a desire to express something of the horror, the loss, the confusion and the desire to help - or to protest. A Broken World is an original collection of personal and defining moments that offer an unprecedented insight into the Great War as it was experienced and as it was remembered.Edited by the bestselling author of Birdsong and Dr Hope Wolf, this is an original and illuminating non-fiction anthology of writing on the First World War.

    Then, with the wholly unexpected and sudden collapse of the French and British armies, Mussolini declared war on the Allies in the hope of making territorial gains in southern France and Africa. This decision proved a horrifying miscalculation, dooming Italy to its own prolonged and unwinnable war, immense casualties and an Allied invasion in 1943 which ushered in a terrible new era for the country.John Gooch's new book is the definitive account of Italy's war experience. Beginning with the invasion of Abyssinia and ending with Mussolini's arrest, Gooch brilliantly portrays the nightmare of a country with too small an industrial sector, too incompetent a leadership and too many fronts on which to fight.Everywhere - whether in the USSR, the Western Desert or the Balkans - Italian troops found themselves against either better-equipped or more motivated enemies. The result was a war entirely at odds with the dreams of pre-war Italian planners - a series of desperate improvizations against Allies who could draw on global resources and against whom Italy proved helpless.This remarkable book rightly shows the centrality of Italy to the war, outlining the brief rise and disastrous fall of the Italian military campaign.

    Stalin and his secret police set out to convert a dozen radically different countries to Communism, a completely new political and moral system. In Iron Curtain, Pulitzer Prize-winning journalist Anne Applebaum describes how the Communist regimes of Eastern Europe were created and what daily life was like once they were complete. She draws on newly opened East European archives, interviews, and personal accounts translated for the first time to portray in devastating detail the dilemmas faced by millions of individuals trying to adjust to a way of life that challenged their every belief and took away everything they had accumulated. Today the Soviet Bloc is a lost civilization, one whose cruelty, paranoia, bizarre morality, and strange aesthetics Applebaum captures in the electrifying pages of Iron Curtain.

    Mackin's memoirs are a haunting portrayal of war in the tradition of All Quiet on the Western Front.

    Used to tending the sick as they are, nothing could have prepared them for what they confront, first near Gallipoli, then on the Western Front.Yet amid the carnage, Naomi and Sally Durance become the friends they never were at home and find themselves courageous in the face of extreme danger, as well as the hostility they encounter from some on their own side. There is great bravery, humor, and compassion, too, and the inspiring example of the remarkable women they serve alongside. In France, where Naomi nurses in a hospital set up by the eccentric Lady Tarlton while Sally works in a casualty clearing station, each meets an exceptional man: the kind of men for whom they might give up some of their precious independence — if only they all survive.At once vast in scope and extraordinarily intimate, The Daughters of Mars brings World War I to vivid, concrete life from an unusual perspective. A searing and profoundly moving tale, it pays tribute to men and women of extraordinary moral resilience, even in the face of the incomprehensible horrors of modern war.

    18 CDsRunning Time: 18hrs 45min