He turned out to be a born storyteller.The adventures of Beremiz Samir, The Man Who Counted, take the reader on an exotic journey in which, time and again, he summons his extraordinary mathematical powers to settle disputes, give wise advice, overcome dangerous enemies, and win for himself fame and fortune. as we accompany him, we learn much of the history of famous mathematicisns who preceded him; we undergo a series of trials at the hands of the wise men of the day; and we come to admire the warm wisdom and patience that earn him the respect and affection of those whose problems he resolves so astutely. In the grace of their telling, these stories hold unusual delights for the reader.

    Its raw style and comic inventiveness signal a major voice in Brazilian literature. Sadly the author died, aged forty-three, soon after it was published in 2008.Due to his mental fragility, Rodrigo de Souza Leão rarely left his house and yet, through social media, blogging, and e-mail, he became close to many Brazilian writers and poets and remains highly regarded today.

    Aldo, his best friend and muse, is a haplessly criminal entrepreneur with an uncanny knack for disaster. As Aldo's luck worsens, Liam is inspired to base his next book on his best friend's exponential misfortunes and hopeless quest to win back his one great love: his ex-wife, Stella. What begins as an attempt to make sense of Aldo's mishaps spirals into a profound story of faith and friendship.With the same originality and buoyancy that catapulted his first novel, A Fraction of the Whole, onto prize lists around the world—including shortlists for the Man Booker Prize and the Guardian First Book Award—Steve Toltz has created a rousing, hysterically funny but unapologetically dark satire about fate, faith, friendship, and the artist's obligation to his muse. Sharp, witty, kinetic, and utterly engrossing, Quicksand is a subversive portrait of twenty-first-century society in all its hypocrisy and absurdity.

    Not chubby. Not big-boned. Fat. And he doesn't need anyone to remind him, which is, of course, what everyone does. That's why he's been waiting for this moment ever since the school year began: school break. Finally, he'll be able to spend some time far away from school and the classmates who tease him incessantly. His plans include catching up on his favorite TV shows, finishing his to-be-read pile, and watching YouTube tutorials on skills he'll never actually put into practice.But things get a little out of hand when Felipe's mom informs him that Caio, the neighbor kid from apartment 57, will be spending the next 15 days with them while his parents are on vacation. Felipe is distraught because A) he's had a crush on Caio since, well, forever, and B) Felipe has a list of body image insecurities and absolutely NO idea how he's going to entertain his neighbor for two full weeks.Suddenly, the days ahead of him that once promised rest and relaxation (not to mention some epic Netflix bingeing) end up bringing a whirlwind of feelings, forcing Felipe to dive head-first into every unresolved issue he has had with himself -- but maybe, just maybe, he'll manage to win over Caio, too.

      With the world slowly sliding into war, it is crucial that enemies of the Reich flee Europe at once. But so many routes are closed, and so much money is needed. Then one night in Lisbon, as a poor young refugee gazes hungrily at a boat bound for America, a stranger approaches him with two tickets and a story to tell.   It is a harrowing tale of bravery and butchery, daring and death, in which the price of love is beyond measure and the legacy of evil is infinite. As the refugee listens spellbound to the desperate teller, in a matter of hours the two form a unique and unshakable bond—one that will last all their lives.

    A child with a doubtful future. And a shared journey toward healing for both their hearts.It begins on the shaded town square in a sleepy Southern town. A spirited seven-year-old has a brisk business at her lemonade stand. But the little girl's pretty yellow dress can't quite hide the ugly scar on her chest.Her latest customer, a bearded stranger, drains his cup and heads to his car, his mind on a boat he's restoring at a nearby lake. The stranger understands more about the scar than he wants to admit. And the beat-up bread truck careening around the corner with its radio blaring is about to change the trajectory of both their lives.Before it's over, they'll both know there are painful reasons why crickets cry . . . and that miracles lurk around unexpected corners.

    Together they build a fulfilling life around the most menial of jobs—Benfu’s work collecting trash. As he sorts through the discards of others, he regularly discovers abandoned children. With unwavering determination, he and Calli spend decades creating a family of hand-picked daughters that help heal the sorrow and brighten their modest home. But all is not perfect and when crisis threatens to separate their family, Benfu—or possibly his band of headstrong daughters—must find a way to overcome the biggest hardship yet. Inspired by a true story, and set against the backdrop of a country in transition, The Scavenger’s Daughters is a sweeping present day saga of triumph in the face of hardship, and the unbreakable bonds of family against all odds.

    Family Happiness (Russian: Семейное счастье [Semeynoye Schast'ye]) is an 1859 novella written by Leo Tolstoy, first published in The Russian Messenger.

    I don't know if this is true or false because all that's real for me is remembrance." In her old age, Dora reflects on the major influences in her life: her mother, her career in the theater, and her one true love. Set in Brazil in the early part of the century, Dora, Doralina is a story about power. Through her fierce resistance to her mother and her later life as a working woman and widow, Doralina attempts to define herself in a time and culture which places formidable obstacles before women. Married off by her mother to a man she does not love, told what to wear and eat, Dora's reclaiming of herself is full of both discovery and rage. For her, independence is the right to protect herself and make her own choices. From a life confined by religion and "respectability," even her passionate attachment to a hard-drinking smuggler contains an act of free will previously unavailable to her. Dora, Doralina is an intimate, realistic, and vivid glimpse of one woman's struggle for independence, for a life in which she owns her actions, her pleasure, and her pain.

    It starts on the night of January 29, 1690, a ten-year-old boy abandoned -- the stern men who've kept him since infancy have wearied of him. The boy wanders, barefoot and starving, through a snowstorm to reach a gibbet bearing the corpse of a hanged criminal. Beneath the gibbet is a ragged woman, frozen to death. The boy is about to move onward when he hears a sound within the woman's garments: He discovers an infant girl, barely alive, clutching the woman's breast. A single drop of frozen milk, resembling a pearl, is on the woman's lifeless breast...

    This is a new edition of his penetrating study of marriage and passion, bringing together four people in an inexorable manner. The novel asks whether we have free will or not and confronts its characters with the monstrous consequences of repressing what little "real life" they have in themselves, a life so far removed from their natural states that it appears to them as something terrible and destructive.

    Leda, a middle-aged divorcée, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young mother on the beach, eventually striking up a conversation with her. After Nina confides a dark secret, one seemingly trivial occurrence leads to events that could destroy Nina’s family.

    Persecuted at school for her beliefs and struggling with her distant, devout father at home, young Judith finds solace and connection in a model in miniature of the Promised Land that she has constructed in her room from collected discarded scraps--the Land of Decoration. Where others might see rubbish, Judith sees possibility and divinity in even the strangest traces left behind. As ominous forces disrupt the peace in her and Father's modest lives--a strike threatens her father's factory job, and the taunting at school slips into dangerous territory--Judith makes a miracle in the Land of Decoration that solidifies her blossoming convictions. She is God's chosen instrument. But the heady consequences of her newfound power are difficult to control and may threaten the very foundations of her world.With its intensely taut storytelling and crystalline prose, "The Land of Decoration" is a gripping, psychologically complex story of good and evil, belonging and isolation, which casts new and startling light on how far we'll go to protect the things we love most.

    And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it's even there when you thought you were searching for something else, like an escape route, or your lover's face.How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan's The Lover's Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.

    Glaciers follows Isabel through a day in her life in which work with damaged books in the basement of a library, unrequited love for the former soldier who fixes her computer, and dreams of the perfect vintage dress move over a backdrop of deteriorating urban architecture and the imminent loss of the glaciers she knew as a young girl in Alaska.Glaciers unfolds internally, the action shaped by Isabel’s sense of history, memory, and place, recalling the work of writers such as Jean Rhys, Marguerite Duras, and Virginia Woolf. For Isabel, the fleeting moments of one day can reveal an entire life. While she contemplates loss and the intricate fissures it creates in our lives, she accumulates the stories—the remnants—of those around her and she begins to tell her own story.