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    There is a secret held inside an Indian burial mound, only a few know the secret and they have been sworn to secrecy… until someone became greed, deciding that there must be treasure hidden in the mound…

    A librarian encounters the cobweb-covered ghost of a man entombed with his books.

    After many years of experiencing a strange and recurring dream, of an unseen, unidentified terror lurking in a room at the top of a mysterious house, our narrator is disturbed to find that his nightmare appears to be crossing over into real life...

    We boys used to overrun the place, and I can still recall my youthful terror not only at the morbid strangeness of this sinister vegetation, but at the eldritch atmosphere and odor of the dilapidated house, whose unlocked front door was often entered in quest of shudders.

    A man's behavior takes a strange turn when he begins to take a new prescription. His sister can't decide if this is for the better or for the worse...

    He was the premier ghost story writer of the nineteenth century and had a seminal influence on the development of this genre in the Victorian era. Le Fanu studied law at Trinity College in Dublin. He soon abandoned law for journalism. In 1838 he began contributing stories to the Dublin University Magazine. He became owner of several newspapers from 1840, including the Dublin Evening Mail and the Warder. Le Fanu worked in many genres but remains best known for his mystery and horror fiction. He was a meticulous craftsman, with a penchant for frequently reworking plots and ideas from his earlier writing in subsequent pieces of writing. He specialised in tone and effect rather than "shock horror," often following a mystery format. Key to his style was the avoidance of overt supernatural effects. Among his famous works are: The House by the Church-Yard (1863), Uncle Silas (1864), Carmilla (1872), The Purcell Papers (1880), and The Evil Guest (1895).

    

    

    During his lifetime, he was better known as the personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned.

    It was originally published in the July, 1943issue of Weird Tales . It was first collected in Bradbury'santhology Dark Carnival and later collected in TheOctober Country and The Stories of Ray Bradbury .

    A famous short story, first collected in the United States in "Pierre and Jean, Ball-of-Tallow: The Complete Works of Guy de Maupassant."

    It came from behind the five peaks. The beam drove up through a column of blue haze whose edges were marked as sharply as the rain that streams from the edges of a thunder cloud. It was like the flash of a searchlight through an azure mist. It cast no shadows.As it struck upward the summits were outlined hard and black and I saw that the whole mountain was shaped like a hand. As the light silhouetted it, the gigantic fingers stretched, the hand seemed to thrust itself forward. It was exactly as though it moved to push something back. The shining beam held steady for a moment; then broke into myriads of little luminous globes that swung to and fro and dropped gently. They seemed to be searching.

    But a still greater horror will face the recluse - more inexorable, merciless and awful than any creature that can be fought or killed.A classic of the first water - H. P. Lovecraft