Marking the pinnacle of his public life; it reflected his popularity among ordinary people who revered him as Anna; or elder brother. This rich biography illuminates his many lives—as a charismatic leader of modern India; as a stalwart of the Dravidian movement; as the founder of the DMK; as spokesman for the South—besides documenting his abilities as an acclaimed orator and littérateur in Tamil and English; and as a stage actor.Born into a weaving caste family in Kanchipuram; Anna was exposed to the non-Brahmin politics of the Justice Party during his college years and this interest led him to become a protégé of the radical thinker Periyar E.V. Ramasamy in 1935. Anna promoted his mentor’s ideas of Self-Respect and Tamil identity but not his atheism. Like him; he attacked Brahminism and ‘Aryan’ values as the cause of Tamil political and cultural decadence and opposed the imposition of Hindi as the official language. In 1962 Anna took his independent Dravida Nadu demand to the Rajya Sabha; threatening the nation’s unity. Importantly; he used public speaking; journalism; theatre; cinema and agit-prop to broaden the base of the party; which drew renowned film actors into its fold; a bond that endures to this day.The book does not shy away from the controversies that surrounded the Dravidian movement and candidly examines Anna’s complex relationship with Periyar. It records Anna’s move to form the DMK in 1949; his split with Sampath in 1961 over the party’s strategy and course; and his disillusionment with the corruption and power politics he witnessed as chief minister.Kannan draws on Anna’s considerable body of writing; the memoirs of other leaders and authors in Tamil; including critics like the poet Kannadasan; Jayakanthan and P. Ramamurti; apart from secondary sources. Featuring luminaries like Rajagopalachari and Kamaraj; Kalaignar Karunanidhi and MGR; among many others; Anna offers a warm and rounded portrait of a man who showed the way for the democratic expression of regional aspirations within a united India.

    She thinks the woman who wore it must have possessed a wild sexual nature. A feeling of companionship envelops her; the sexual lives of the two women begin to mingle and blur.In Hypnosis, another young woman-a TV journalist on perpetual night duty-has an unconsummated but passionate affair with a famous musician that leaves her shattered. In the nightmarish sequence of events that follows, she allows herself to be hypnotized and drugged to aid her search for love.Exposing our darkest desires and deepest fears when it comes to love, the effect of Sangeeta Bandyopadhyay's ferocious storytelling is deliciously anarchic and deeply unsettling.

    The government's financewatchdog- the Comptroller and Auditor General (CAG) - found the government had pickedfavourites and avoided open and competitive bidding which would have generatedfar more revenue for a cash-starved state. The CAG concluded that India hadlost ` 1.861akh crore (over $ 30 billion) in theprocess, all of which went to the private companies. It was the biggestrecorded seam in the history of India. The Central Bureau of Investigation (CBI),India's premier investigation agency, then filed an FIR against the top officerin the coal ministry-Secretary PC Parakh and industrialist Kumar MangalamBirla. Parakh had by then earned a fine reputation for ability and integrity inover three decades. as a civil servant. His stint as the top bureaucrat in thecoal ministry was his last posting in a sterling career. The FIR outraged thecivil services and corporate India and was widely condemned by theintelligentsia of the country. The book isn't just about the coal seam. It isalso about working with some of the biggest Indian politicians, starting withchief ministers of Andhra Pradesh. It is about life in the coal ministry withMamata Banerjee, Shibu Soren and Dr. Manmohan Singh, who was also the PrimeMinister. It is about the lessons learnt before Parakh met any of thesedignitaries. It is an account that startles with never-before revealed information. About the Author PC

    While most untouchables are illiterate, her family was educated by Canadian missionaries in the 1930s, making it possible for Gidla to attend elite schools and move to America at the age of twenty-six. It was only then that she saw how extraordinary—and yet how typical—her family history truly was. Her mother, Manjula, and uncles Satyam and Carey were born in the last days of British colonial rule. They grew up in a world marked by poverty and injustice, but also full of possibility. In the slums where they lived, everyone had a political side, and rallies, agitations, and arrests were commonplace. The Independence movement promised freedom. Yet for untouchables and other poor and working people, little changed. Satyam, the eldest, switched allegiance to the Communist Party. Gidla recounts his incredible life—how he became a famous poet, student, labor organizer, and founder of a left-wing guerrilla movement. And Gidla charts her mother’s battles with caste and women’s oppression. Page by page, Gidla takes us into a complicated, close-knit family as they desperately strive for a decent life and a more just society.A moving portrait of love, hardship, and struggle, Ants Among Elephants is also that rare thing: a personal history of modern India told from the bottom up.

    Vaishali, the capital of the Confederacy and that of the illustrious Lichchavis was not only a center of commerce and political activity but also the blessed motherland of Amrapali.The Legend of Amrapali is the story of mayhem and turmoil brought about by the obstinate desires of one man – a man blinded by the intoxication of power. It is a story of sinister plots and political wizardry, of chaste love and unbridled passion, of naked ambitions and dogged loyalties that lead to the transformation of an innocent young girl into one of the most revered, even worshipped, and occasionally feared personalities of her times. A gripping cocktail of fantasy, fiction, fable and history that retains its charismatic appeal through the centuries gone by!

    She wrote about the world that she knew, bringing the idiom of the middle class to Urdu prose, and totally transformed the complexion of Urdu fiction. Lifting the Veil brings together Ismat Chughtai's fiction and non-fiction writing. The twenty-one pieces in this selection are Chughtai at her best, marked by her brilliant turn of phrase, scintillating dialogue and wry humor, her characteristic irreverence, wit and eye for detail.

    This collection of his poems is representative of the best in contemporary Urdu writing. The Urdu text is presented with English translations.

    I’d been waiting for months to hear from them...’ In early 2010, Arundhati Roy travelled into the forests of Central India, homeland to millions of indigenous people, dreamland to some of the world’s biggest mining corporations. The result is this powerful and unprecedented report from the heart of an unfolding revolution. About the Author : Arundhati Roy is the author of The God of Small Things, which won the Booker Prize in 1997. Three volumes of her non-fiction writing, The Algebra of Infinite Justice, An Ordinary Person’s Guide to Empire and Listening to Grasshoppers, were published in 2001, 2005 and 2009 respectively. The Shape of the Beast, a collection of her interviews, was published in 2008. Arundhati Roy lives in New Delhi.

    In Volga’s retelling, it is Sita who, after being abandoned by Purushottam Rama, embarks on an arduous journey to self-realization. Along the way, she meets extraordinary women who have broken free from all that held them back: Husbands, sons and their notions of desire, beauty and chastity. The minor women characters of the epic as we know it – Surpanakha, Renuka, Urmila and Ahalya – steer Sita towards an unexpected resolution. Meanwhile, Rama too must reconsider and weigh out his roles as the king of Ayodhya and as a man deeply in love with his wife. A powerful subversion of India’s most popular tale of morality, choice and sacrifice, The Liberation of Sita opens up new spaces within the old discourse, enabling women to review their lives and experiences afresh. This is Volga at her feminist best.

    In March 2016, Kanhaiya Kumar the president of the JNU Students Union was arrested on charges of sedition, locked up in Tihar Jail and beaten up by lawyers in Patiala House court. He came out of the crisis as a young political star, dubbed by the BBC as 'India's most loved and loathed student'. This is his story—from his childhood in rural Bihar, college days in Patna, to his political coming of age in Delhi. And it is told in his extraordinary voice—colourful, witty, eloquent, and raw. From Bihar to Tihar is the story of a young political star in the making and a rare window into the lives of small town young Indians and their aspirations.The story of Kanhaiya’s incredible journey from a village school, his deepening involvement in student politics, his controversial arrest on charges of sedition and its aftermath.“Bhagat Singh had said it is easy to kill individuals, but you cannot kill ideas. I don’t know where this fight of ours will take us, but I thought our ideas should be permanently etched in history as a book. I want to write about the inherent contradictions of Indian society through my personal experiences and to reveal the hopes, despair and struggles of the youth of this country,” says Kanhaiya Kumar.“This will be a defining book of our times. Kanhaiya’s is a voice that everyone should hear and we at Juggernaut are very proud to bring it to the widest possible readership,” says Chiki Sarkar.

    In this utopian world, women rule and men are content with their places in the kitchen. The queen of this kingdom explains how women won and kept their peace against men and their war-like ways.This edition of a feminist utopian classic is a conversation across time; Durga Bai, a contemporary tribal woman artist from Central India, brings her own vision to bear on a Muslim gentlewoman’s radical tale.

    We cling onto age-old traditions, but a holiday can alter our accent. To us, caste and community is a badge of trust, religion is a line of control and a godman is an anti-depressant.We won’t stop at a zebra crossing, but we will damn well stop on it. We build things to prove our worth and break things to prove a point. We love the concept of independence, but we need our parents to help raise our kids. And we scripted the Kamasutra. Easy to forget, since we also ruined sex.So how do we tell the real from the farcical? The farcical from the nutty? And the nutty from the downright ridiculous?Easy. We just go along.Daksh Tyagi's funny and insightful 'A Nation of Idiots' is the ideal guide to surviving the modern Indian life with your scruples intact.

    Circling themes of intimacy and time, they return to the urgency of conversation: that fragile bridge across the frozen attitudes that divide our world. But at the heart of the collection is a deeper preoccupation, with those blurry places where humans might walk with gods, where the body might touch the beyond, where the enchanted might intersect effortlessly with the everyday. Where one stumbles upon what the poet simply calls ‘love without a story’.

    But there were restrictions too, that come with growing up in an orthodox Tamil Brahmin family, as well as the rarely spoken about dangers of predatory male relatives. Ruskin College, Oxford, gave her her first taste of freedom in 1955, at the age of 22. Oxford brought her a degree in philosophy and economics—as well as hardship, as she washed dishes in a cafe to pay her fees. It was here, too, that she had her early encounters with the sensual life. With rare candour, she writes of her romantic liaisons in Oxford and Harvard, and falling in love with her ‘unsuitable boy’—her husband, Lakshmi Jain, whom she married against her beloved father’s wishes.Devaki’s professional life saw her becoming deeply involved with the cause of ‘poor’ women—workers in the informal economy, for whom she strove to get a better deal. In the international arena, she joined cause with the concerns of the colonized nations of the south, as they fought to make their voices heard against the rich and powerful nations of the former colonizers. Her work brought her into contact with world leaders and thinkers, amongst them, Vinoba Bhave, Nelson Mandela, Desmond Tutu, Henry Kissinger, Amartya Sen, Doris Lessing and Iris Murdoch, her tutor at St Anne’s College, Oxford, who became a lifelong friend.In all these encounters and anecdotes, what shines through is Devaki Jain’s honesty in telling it like it was—with a message for women across generations, that one can experience the good, the bad and the ugly, and remain standing to tell the story.

    Laxman has always had a rather unique way of looking at things. His Common Man cartoons have lampooned just about every aspect of political and social life over the past five decades. Now that he has, at long last, decided to write the story of his life, the narrative is imbued with the same acerbic wit and quizzical insights we are so familiar with, while the tone is that of a relaxed after-dinner conversation.There are anecdotes here that can rival the most uncanny adventures of the Common Man. Laxman is tormented by gamblers who are convinced they can see lucky numbers concealed in his cartoons, mistaken for a Mexican and debarred from attending an invitation dinner on Park Avenue because he is carrying a raincoat, and charged with importing obscene literature into the country because a friend has sent him a copy of Playboy. These descriptions are interspersed with delightful thumbnail sketches of luminaries ranging from Graham Greene to V.K. Krishna Menon.Always looking for the contradictions that make life unpredictable and reveling in absurd juxtapositions, Laxman embellishes his canvas with a keen sense of humour and the satirist’s ability to take a whimsical, cock-eyed look at just about anything under the sun. He is a gifted storyteller and pulls the reader along on an enchanting, comical journey down the corridors of time.