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    When her boyfriend's company is hired by the lead singer to handle their first world tour it's a dream come true. But discovering her boyfriend's true colors while on the road becomes a nightmare. Her heart is torn as the past and present collide, threatening what could be. Lead singer, Trevor Jameson has trouble written all over him. The world only sees him as the bad boy rock star. But he’s got a heart, bigger than his reputation and he shows it when he’s determined to look out for Emelia. Undeniably drawn together, their friendship quickly smolders into something more. Something neither of them was looking for.

    This album marks the first time a British band topped the Billboard 200 chart with its debut release thanks in no small part to their blockbuster single "What Makes You Beautiful." Our matching folio features piano/vocal/guitar arrangements of all of their catchy songs, including that megahit and: Everything About You * Gotta Be You * I Want * I Wish * More Than This * One Thing * Same Mistakes * Save You Tonight * Stole My Heart * Taken * Tell Me a Lie * Up All Night.

    For a century, the lock of hair was a treasured Hiller family relic, until it somehow found its way to the town of Gilleleje, in Nazi-occupied Denmark. There, it was given to a local doctor, Kay Fremming, who was deeply involved in the effort to help save hundreds of hunted and frightened Jews.After Fremming's death, his daughter assumed ownership of the lock, and eventually consigned it for sale at Sotheby's, where two American Beethoven enthusiasts, Ira Brilliant and Che Guevara, purchased it in 1994. Subsequently, they and others instituted a series of complex forensic tests in the hope of finding the probable causes of the composer's chronically bad health, his deafness, and the final demise that Ferdinand Hiller had witnessed all those years ago. The results, revealed for the first time here, are the most compelling explanation yet offered for why one of the foremost musicians the world has ever known was forced to spend much of his life in silence.In Beethoven's Hair, Russell Martin has created a rich historical treasure hunt, a tale of false leads, amazing breakthroughs, and incredible revelations. This unique and fascinating book is a moving testament to the power of music, the lure of relics, the heroism of the Resistance movement, and the brilliance of molecular science.

    The first and only authorized book about the band, The Phish Book is an extraordinary verbal and visual chronicle of a year in the life of Phish, featuring extensive interviews with the four band members--Trey Anastasio, Jon Fishman, Mike Gordon, and Page McConnell--conducted by writer Richard Gehr, who also serves as guide to the history, mythology, musical context, and unique audience-band relationship in which the Vermont quartet flourishes.        While it contains many of the trappings of other lavish rock monuments--including more than two hundred pieces of previously unpublished art and photography from the band's private archive--The Phish Book elevates the form by means of an innovative roundtable-style discussion format. Richard Gehr and Phish use the events of 1997 as a jumping-off point from which the band members free-associate about themselves, their music, and the dedicated and colorful community that springs up wherever they perform.        Beginning with the backstage scene at Boston's Fleet Center on New Year's Eve, 1996, The Phish Book explores the band's earliest days in Burlington, Vermont; their musical influences, which include James Brown, Frank Zappa, and the Grateful Dead; their legendary Halloween shows; the two European and two American tours the group undertook in 1997; the stories behind their 1996 studio album, Billy Breathes, and the following year's live Slip Stitch and Pass; life onstage and off; the sixty-thousand-fan Maine campout and art project known as the Great Went; and the experimental recording and performing techniques that informed the band's most recent studio album, The Story of the Ghost.        More than a retrospective journal of the group's evolution, The Phish Book is a glorious snapshot of a band much bigger than its parts and at the height of its collective power.

    His work and ideas - about silence, indeterminacy, nonintention, art's role in bringing the everyday object to our attention, the singularity of performance - have had influence not only in the world of music but also in dance, painting, printmaking, video art, and poetry. As an exponent of Zen Buddhism since the early fifties, he has had an important role in introducing Zen spirituality to the American artworld and general culture. Among his friends and collaborators have been longtime associate Merce Cunningham, Jasper Johns, Robert Rauschenberg, Marcel Duchamp, Morton Feldman, Pierre Boulez, and Karlheinz Stockhausen. Those who have acknowledged his influence in their work range from minimalist composer Philip Glass to rock musicians David Byrne and Brian Eno. The Roaring Silence is the first full-length biography of John Cage. Written with Cage's full cooperation, it documents his life in unrivaled detail, interweaving a close account of the evolution of his work with an exploration of his aesthetic and philosophical ideas. David Revill never assumes specialist knowledge on the part of the reader, but sets Cage's work in the context of his personal development and contemporary culture. He draws on numerous interviews with Cage and his associates. Paying due attention to Cage's inventions, such as the prepared piano, and his pioneering use of indeterminate notation and chance operations in composition (utilizing the I Ching), Revill also illuminates Cage the performer, printmaker, watercolorist, expert amateur mycologist, game show celebrity, and political anarchist, and discusses his pronouncements on social and environmental issues. The biography includes comprehensive chronologies of his musical and visual works. Arnold Schoenberg once called Cage, his former student, "not a composer but an inventor - of genius." David Revill shows how this multifacete

    A study of German culture between the two wars, the book brilliantly traces the rise of the artistic, literary, and musical culture that bloomed ever so briefly in the 1920s amid the chaos of Germany's tenuous post-World War I democracy, and crashed violently in the wake of Hitler's rise to power. Despite the ephemeral nature of the Weimar democracy, the influence of its culture was profound and far-reaching, ushering in a modern sensibility in the arts that dominated Western culture for most of the twentieth century. Vivid and eminently readable, Weimar Culture is the finest introduction for the casual reader and historian alike.

    The classic and popular text is back with refreshed pedagogy and programming problems helps the students to have an upper hand on the practical understanding of the subject. Salient Features: Expanded discussion on Recursion (Backtracking, Simulating Recursion), Spanning Trees. Covers all important topics like Strings, Arrays, Linked Lists, Trees Highly illustrative with over 300 figures and 400 solved and unsolved exercises Content 1.Introduction and Overview 2.Preliminaries 3.String Processing 4.Arrays, Records and Pointers 5.Linked Lists 6.S tacks, Queues, Recursion 7.Trees 8.Graphs and Their Applications 9.Sorting and Searching About the Author: Seymour Lipschutz Seymour Lipschutz, Professor of Mathematics, Temple University

    Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicalia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians.Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Ze created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.

    Each chapter in this revised Eighth Edition includes two case studies—one clinical and one pharmaceutical. Content coincides with the CAPE, APhA, and NAPLEX competencies.This edition includes updated drug information and expanded sections on parenterals, excipients, liposomes, and biopharmaceutics. Coverage incorporates all new dosage forms in the current USP Pharmacopoeia-National Formulary. Capsules and tablets are now covered in separate chapters. The thoroughly revamped illustration program includes new product and manufacturing equipment photographs.

    This vision was, of course, the product of his character and his experience. Beethoven the man and Beethoven the composer are not two unconnected entities, and the known history of the man may be used to throw light upon the character of his music."Clifton Fadiman has said of this classic study:"It is the most interesting book on music that I have ever read and it is not written for musical experts; rather for people like myself who like to listen to music but can boast no special knowledge of it. It deals not only with music, on which I do not speak with authority, but with human life in general, about which you and I speak with authority every day of our lives."

    It took forever to get over him. Now I’m stuck with Boyd in the Catskills. Do I hide? Do I protect myself from the insane attraction I still feel? Hell no. I just have to make sure the past doesn’t bite me in the ass because I can’t fall in love with him again. Call me crazy. Call me stupid. But don’t ever call me afraid. Boyd The last person I expected to run into is Echo Mansfield. The girl is a hot mess with more scandals in her back pocket than the Kardashians combined. She’s a pain in the ass. An opinionated, spoiled rich girl with a body made for sin and a mouth I can’t forget. We had one crazy, hot summer. Now she’s stuck here and all I can think about is having her again. And again. This isn’t a good idea. Even I know that. We’re alone in the Catskills for who knows how long. What the hell can go wrong?

    Schindler. Her stepfather, Carl Moll, was instrumental in forming the Secession movement and she became the pupil, friend and lover of many famous men, including Alexander Zemlinsky, Gustav Klimt and Max Burckhard. In 1902 she married Gustav Mahler. After his death she married Walter Gropius, had a liaison with Oskar Kokoschka, and later married Franz Werfel. As a young girl she began writing a diary. This selection from four years of that diary gives a breathtaking (and breathless) account of cultural life in Vienna at the turn of the twentieth century. With their mixture of beady-eyed observation and impassioned confession, the pages of Alma Mahler-Werfel's diary make for gripping reading.

    But when he is ordered to kill a local crack whore and her newborn child he has a revalation that leads him into a desperate battle with a man who might be Satan himself. Caught in a struggle between good and evil, sanity and madness, redemption and damnation, the violence of the streets and the power of the occult, Malik must risk his life to save a newborn crack baby that he believes to be Jesus Christ. But is Malik a force good or were he and his employer both created millenniums ago by an evil geneticist for the same purpose, to ensure strife between the races. "Deeply disturbing in a way that only the most honest stories are, YACCUB is a fiercely written, daring journey through America's urban wilderness and into the souls of our forgotten brothers. But Wrath James White hasn't forgotten about them--and after reading this book, neither will you." --Brandon Massey, author of THE OTHER BROTHER "Wrath James White is the premiere author of hard-core horror. Period." --Edward Lee author of GOLEMESQUE, CITY INFERNAL and INFERNAL ANGEL "If Wrath doesn't make you cringe, then you must be riding in the wrong end of a hearse." --Jack Ketchum, author of THE GIRL NEXT DOOR, RED, and OFF SEASON "Wrath is a warrior. He comes at you on the written page with the intent to overpower you, yet he rarely overwhelms. This carnage has purpose. There's lit tle over-indulgence. His over-the-top cathartic bloodbaths are seldom pointless. Put bluntly, he isn't just going for the gross-out. Wrath is a philosopher, and he loves to flaunt his technique and sense of limitless ethics in each of his tales. He has wit and intelligence and utter ruthlessness..." --CEMETERY DANCE review "Without apologies, White tears through your emotions from sympathy to hate, humor to shock, blending everyday language and poetic imagery as his words wrap around your mind and cause you to pause and appreciate them..." --HorrorWeb

    Features quotes gathered over the years from family, friends and the artists themselves giving the reader a personal insight into their music and world. Fully illustrated throughout with black and white photographs.