Also known as Andrea Johnson, inmate number 194340. Shade was just released from a federal penitentiary, and headed back to St. Louis. She only has two things on her mind, getting back on top of the game. And, getting back the person who put her in that cage. There’s fire in her soul, because her ex-boyfriend Jefferson was the one who put her there since she wouldn’t tell on her best friend Mike. Shade’s loyalty to the code of the streets, and the love of her friend didn’t give her any other option, but to go to prison. Now faced with putting her life back together, and reconnecting with friends, Shade quickly sees that her best friend Tia, which happens to be Mike’s fiancée, doesn’t share the same sentiment, which was evident when Shade was locked up. And, her other two best friends Cali and Renee know that there’s an underlined envy that Tia carries around against Shade. But, when the truth comes out about why Shade went to jail, Mike’s lust for Shade begins to surface. And, Tia sees it from a mile away. While out celebrating Shade’s release, she meets a handsome Jamaican man named Kingston. He’s captivated by Shade’s beauty, but when he finds out she’s just released from jail, his intrigue and obsession begins. They exchange numbers with the possibility of hooking up later. The only interest Shade has in a man right now, is to use him for what’s in between his legs. Because, she’s on a mission, and a man would only complicate things. But what she doesn’t know is that her life is about to change forever.

    Darcy to a mantelpiece groaning with awards from The King's Speech—the first biography of one of our greatest actors From the moment Colin Firth took on the role of Mr. Darcy in the 1995 BBC adaptation of Pride and Prejudice, emerging from the lake in "that scene," he was set on a path from sex symbol to Hollywood star. This first-ever biography discusses each role in that trajectory, ranging from Hugh Grant's love rival in Bridget Jones, to an Oscar-nominated turn in A Single Man, to a portrayal of George VI in The King's Speech that has elevated him to Hollywood royalty. It also traces the inside story of his rift with Rupert Everett, his playful rivalry with Hugh Grant, his escape to Canada with Meg Tilly, the birth of their first son and his heartbreak as the relationship floundered, the passionate affair with Pride and Prejudice costar Jennifer Ehle, and his whirlwind romance with his Italian wife, Livia. Fascinating, revelatory, and suffused with Firth's own dry wit, this is a must-read book on a fascinating artist.

    No one wants to let them leave the past behind them. Still, the two forge ahead, clearing a path for themselves. With time, Taraj feels this overwhelming desire to be more than just a mother, and someone’s girl, therefore, she finds own niche. Even if it rubs Taz the wrong way. In Promiscuous Girl 2 there’s a new journey with Taraj as she finds herself. Ride with her, as she explores her growing pains in depth, as she struggles with living her dreams, and loving Taz. Can the two exist in the same space? Or will one take precedence over the other?Please Note: The first part of Promiscuous Girl is also included at the end of the book, as well as a sample of an upcoming novel 21 Questions.

    Of his latest play, The New York Times has written, "Uproarious ... wall-to-wall laughs ... Mr. Busch has swum straight into the mainstream and stays comfortably afloat there." Busch is the author of such plays as Vampire Lesbians of Sodom -- one of the longest-running plays in Off-Broadway history -- and Psycho Beach Party, a cross between Gidget and Spellbound. After a successful Off-Broadway run at New York City's Manhattan Theater Club, Busch moves to Broadway with The Tale of the Allergist's Wife, a hilarious comedy about a self-absorbed Upper West Side doctor's wife whose life is devoted to mornings at the Whitney, afternoons at the Museum of Modern Art, and evenings at the Brooklyn Academy of Music. Her world is shaken and transformed when a childhood friend makes an unexpected visit.

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    Paralyzed by grief and unable to put his thoughts into words, Nick, a fire captain, seeks out the help of a writer to compose eulogies for the colleagues and friends he lost in the catastrophic events of September 11, 2001. As Joan, an editor by trade, draws Nick out about “the guys,” powerful profiles emerge, revealing vivid personalities and the substance and meaning that lie beneath the surface of seemingly unremarkable people. As the individual talents and enthusiasms of the people within the small firehouse community are realized, we come to understand the uniqueness and value of what each person has to contribute. And Nick and Joan, two people who under normal circumstances never would have met, jump the well-defined tracks of their own lives, and so learn about themselves, about life, and about the healing power of human connection, through talking about the guys.

    So begins William Broyles, Jr.'s fascinating introduction, written exclusively for this book, about the process and challenges inherent in writing a screenplay that was not, by design, going to have a lot of dialogue in it, and about his collaboration with two extraordinarily gifted artists, actor Tom Hanks and director Robert Zemeckis.Broyles's introduction shows how a movie and its story evolve, shift, and shape while the creators grapple with all manner of internal and external choices: from developing what was Tom Hanks's idea into a story, and building a narrative structure and thematic threads into a screenplay, to researching the details of the specific—and ironic—situation of a FedEx executive stranded on a desert island.Also included in this unique Newmarket Shooting Script® edition is the complete shooting script, a preface to the script by Academy Award®-winning filmmaker Robert Zemeckis (Forrest Gump, Contact), movie stills, and complete cast and crew credits.