Yet the conservative Christian author, Nathan Wilson, bravely sets forth to push it over the top. Tweaked versions of all the original characters work together in an absurd tangle of Evangelical goofiness struggling to make sense of the pathetically gnostic vision of the original story. You won't want to miss all body parts, cats, and youth pastors left behind, Buff Williamson's Ivy League deductions, Haddie the Whore of Babylon, or the climactic struggle with the Tulsa Antichrist in a Christian "book store." If you regret reading Left Behind, read Right Behind to ease that pain with laughter.

    And it’s not just a talking brain tumor. It’s a know-it-all, pain-in-the-arse, jibber-jabbering brain tumor that names itself Jack, and insists on coaching Hector through life even as it’s threatening to take his life away. It’s a pretty good coach, actually. With Jack in control of Hector’s speech and brain chemicals, Hector suddenly finds himself with a cool haircut, a new fashion sense, and tactics for snogging previously unattainable hottie Uma Upshaw. But when Jack begins to force increasingly questionable decisions and behavior, Hector has to find a way to turn the tables – before it’s too late for both of them.Delightfully twisted, desperately funny, and deeply moving, this novel is also the winner of the Booktrust Teenage Prize in the United Kingdom.

    The planes break, the regs break, metal gets bent, students are lost at sea, and a Top Gun wannabe student, who has four hundred hours of flight instruction, still hasn’t made his first solo flight. “CFI! The Book” is an over-the-top satirical aviation comedy that’s loosely based on real world experiences of flight instruction, but if the FAA asks, this is all strictly fictional.

    He’s the toughest private eye in Los Angeles, and he’ll handle anything – if you’re human. If you’re a Toon, that’s another story.Eddie doesn’t like Toons – those cartoon characters who live side-by-side with humans. Not the way they look, and especially not the way they talk: word-filled balloons come out of their mouths and then disintegrate, leaving dust all over his rug.Eddie will work for a Toon if his cash supply is low enough. So he reluctantly agrees when Roger Rabbit, a Toon who plays straight man (or should that be straight rabbit) in the Baby Herman cartoon series, asks him to find out who’s been trying – unsuccessfully – to buy his contract from the DeGreasy Brothers syndicate.Then Rocco DeGreasy is murdered – and Roger is the prime suspect! The rabbit is also, as Eddie soon discovers, very, very dead.Who censored Roger Rabbit? And who shot Rocco DeGreasy? Was it Roger, or was it Rocco’s hot-cha-cha girlfriend, Jessica Rabbit? Why had Jessica – a pretty steamy number for a Toon – ever married a dopey bunny in the first place? And why does everybody want Roger’s battered old teakettle?As Eddie combs L.A. from the executive suites of the DeGreasy Brothers to Sid Sleaze’s porno comic studio, he uncovers art thefts, blackmail plots... and the cagiest killer he’s ever faced.In Who Censored Roger Rabbit?, author Gary K. Wolf has created a wonderfully skewed – and totally believable – world compounded of equal parts Raymond Chandler, Lewis Carroll, and Warner Brothers. This riotously surreal spoof of the hard-boiled detective novel is packed with action and laughs. From first page to last, Who Censored Roger Rabbit? is shear delight.Celebrated author Gary K. Wolf’s cult classic and highly praised novel Who Censored Roger Rabbit? is the basis for the blockbuster Walt Disney/Steven Spielberg Academy Award winning film Who Framed Roger Rabbit.

    Their adventures ring alarmingly true to parents of little ones, too. From doing projects in a cloud of glue and glitter to their nonstop chatter to trying to comprehend a completely incomprehensible world, Thompson's characters make Cul de Sac a must-read.

    As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton—and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she’s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield. Can Elizabeth vanquish the spawn of Satan? And overcome the social prejudices of the class-conscious landed gentry? Complete with romance, heartbreak, swordfights, cannibalism, and thousands of rotting corpses,

    The newest Palahniuk novel concerns Madison, a thirteen year old girl who finds herself in Hell, unsure of why she will be there for all eternity, but tries to make the best of it.The author described the novel as "if The Shawshank Redemption had a baby by The Lovely Bones and it was raised by Judy Blume." And "it's kind of like The Breakfast Club set in Hell."

    But believe me: in this book, I’ll let you know exactly how to become a master spy just like me. Obviously, you won’t be as good at it as I am, but that’s because you’re you, and I’m Sterling Archer. I know, I know, it sucks not being me. But don’t beat yourself up about it, because I’m going to show you all the good stuff—what to wear; what to drink; how to seduce women (and, when necessary, men); how to beat up men (and, when necessary, women); how to tell the difference between call girls and hookers (hint: when they’re dead, they’re just hookers) and everything about weapons, secret devices, lying ex-girlfriends, and turtlenecks. In a word? How to Archer.

    Doing menial tasks and getting hassled by superiors he doesn't respect are definitely not “finer things.” Good police work and bad luck lead him to crack a case that changes quickly from a career-making break into a high-profile humiliation when footage of his pursuit of the suspect—wildly inappropriate murder weapon in hand—becomes an Internet sensation. But the very publicity that has made Rutherford a laughing stock in the department lands him what could be the job opportunity of a lifetime: the chance to work with a team of eccentric experts, at the direction of a demanding but distracted billionaire. Together, they must solve the murder of a psychologist who specialized in the treatment of patients who give people “the creeps.” There is no shortage of suspects.

    Richard, the oldest, always keeps safe; Abba always has hope; Lucy is never lost and Kent can beat anyone in a fight. As for Angie, she always forgives, instantly. But over the years these so-called blessings ended up ruining their lives. Now Annie is dying and she has one last task for Angie: gather her far-flung brothers and sisters and assemble them in her grandmother's hospital room so that at the moment of her death, she can lift these blessings-turned-curses. And Angie has just two weeks to do it. What follows is a quest like no other, tearing up highways and racing through airports, from a sketchy Winnipeg nursing home to the small island kingdom of Upliffta, from the family's crumbling ancestral Toronto mansion to a motel called Love. And there is also the search for the answer to the greatest family mystery of all: what really happened to their father, whose maroon Maserati was fished out of a lake so many years ago?

    What a difference a week makes in a heartfelt, laugh-out-loud novel by the Washington Post bestselling author of The Overdue Life of Amy Byler.Celeste Mason is the Pinterest stay-at-home supermom of other mothers’ nightmares. Despite her all-organic, SunButter-loving, free-range kids, her immaculate home, and her volunteering awards, she still has time to relax with a nice glass of pinot at the end of the day. The only thing that ruins it all is her workaholic, career-obsessed neighbor, who makes no secret of what she thinks of Celeste’s life choices every chance she gets.Wendy Charles is a celebrated productivity consultant, columnist, and speaker. On a minute-by-minute schedule, she makes the working-mom hustle look easy. She even spends at least one waking hour a day with her kids. She’s not apologizing for a thing. Especially to Celeste, who plays her superior parenting against Wendy whenever she can.Who do Celeste and Wendy think they are? They’re about to find out thanks to one freaky week. After a neighborhood potluck and too much sangria, they wake up—um, what?—in each other’s bodies. Everything Celeste and Wendy thought they knew about the “other kind of mom” is flipped upside down—along with their messy, complicated, maybe not so different lives.

    On Saturday, March 8, at 7:12 p.m., Trey Hamburger heard a second hand account of a teleporting Hot Pocket and started wiggin' out bad. So he and his amigo Mike Stevens basically went into combat mode and ended up encountering some of the most seriously messed-up shit ever. And they're STILL FREAKED OUT ABOUT IT. Now, even though these guys aren't SCIENTISTS, it's pretty for sure that they might have extrapolated something HUGE, which will have the intellectual community going nuts for weeks.This is their story.Ghost/Aliens is probably the first time ever a regular person has investigated this sort of thing. So now the people of planet Earth will finally know the truth about all those levitating towels and dead grandpas popping up all over the place.

    During her bumbling quest to unveil the truth, she crosses paths with Terry and Geldof, and together they set out to escape a quarantined Britain with the evidence and vital data that could unlock a cure for the virus.Standing in the way are rampaging hordes of animals, a ruthless security agent and an army ready to shoot anybody with a case of the sniffles on the off-chance the virus has mutated.Three losers. Overwhelming odds. A single outcome: the world is screwed.

    But Frampton and Carly are highly advanced (if bumbling) extraterrestrials. And boy, do they have news. The entire cosmos, they tell him, has been hopelessly hooked on humanity’s music ever since “Year Zero” (1977 to us), when American pop songs first reached alien ears. This addiction has driven a vast intergalactic society to commit the biggest copyright violation since the Big Bang. The resulting fines and penalties have bankrupted the whole universe. We humans suddenly own everything—and the aliens are not amused. Nick now has forty-eight hours to save humanity, while hopefully wowing the hot girl who lives down the hall from him.

    He sleeps in a real bed and eats real food and only jumps into Neuroma to work. All he wanted was to log in, work and log out and live in general obscurity. Getting the attention of a CEO, meeting a stranger in real life, and forced to play in a secret game of corporations were not penciled into his calendar. While that was bad, he started to question whether Odditek was still in control, or had their complacency created the noose tightening around their neck. Bran was not yet aware of the choice before him. He could no longer stand back and watch, and he had to pick a side and fight before he lost the ability to choose. Would he recognize the inevitable in time? Was it possible to make a ‘correct’ choice, or had the lines blurred so much that hero and villain were indistinguishable? This novel is part of an Odditek series and is a LitRPG novel. I realize it’s the first Odditek series, but more are coming. This series started as a companion series to a book called Lantern Online. I wanted a way to build up the world as it now exists, and to explain what Odditek is. Neuroma and Nerves are mentioned in Lantern Online, and I felt all that information was taking away from my story and is mostly not relevant, but good to know information. I took a lot of it out and added it to this series. Anyway, out of that came Office Wars. I hope it's different than most LitRPG you will read, and brings another dimension to the genre. Explicit language! I will not lie, there is a satirical nature to this story, and a lot of the language and scenarios are morally questionable on purpose. In this story and I use a lot of curse words and controversial commentary. Just look on Facebook or any half a dozen social media sites, and you will see similar language, conversations, and other nonsense. If we all moved into a digital world, this is how I view that world.