So why is she caught up in the business of murder?When Jill's elderly friend, Miss Emily, calls in a fit of pique, she already knows the city council is trying to force Emily to sell her dilapidated old house. But Emily's gumption goes for naught when she dies unexpectedly and leaves the house to Jill—along with all of her problems. . .and her enemies. Convinced her friend was murdered, Jill is finding the list of suspects longer than the list of repairs needed on the house. But Jill is determined to uncover the culprit—especially if it gets her closer to South Cove's finest, Detective Greg King. Problem is, the killer knows she's on the case—and is determined to close the book on Jill permanently. . .

    Patrons love her blend of delicious tea tastings and southern hospitality. And Theo enjoys the full-bodied flavor of a town steeped in history—and mystery...—It's tea for two hundred or so at the annual historic homes garden party. And Theodosia, as event caterer, is busy serving steaming teas and blackberry scones while guests sing her praises. But the sweet smell of success turns to suspense when an esteemed guest is found dead—his hand clutching an empty teacup. All eyes are on Theo... who is now trying desperately to save her reputation and track down the real killer. If only she can make sense of it all—before someone else takes their last sip...

    When Evie Mead’s husband, Robert, suddenly drops dead of a heart attack, a mysterious note is found among his possessions. It indicates that Evie may own the rights to an old hotel on Tregarrick Rock, one of the Isles of Scilly. Still grieving, Evie is inclined to leave the matter to the accountant to sort out. Her sister Margot, however, flown in from her glamorous career in LA, has other plans. Envisioning a luxurious weekend getaway, she goes right ahead and buys two tickets—one way—to Tregarrick. Once at the hotel—used in its heyday to house detective novelists, and more fixer-upper than spa resort, after all—Evie and Margot attempt to get to the bottom of things. But the foul-tempered hotel owner claims he's never met the late Robert, even after Evie finds framed photos of them—alongside Robert's first wife—in his office. The rest of the island inhabitants, ranging from an ex-con receptionist to a vicar who communicates with cats, aren't any easier to read. But when a murder occurs at the hotel, and then another soon follows, frustration turns to desperation. There’s no getting off the island at high tide. And Evie and Margot, the only current visitors to Tregarrick, are suspects one and two. It falls to them to unravel secrets spanning generations—and several of their own—if they want to make it back alive.

    George Bonifield Mountclemens, the paper's credentialed art critic, writes almost invariably scathing, hurtful reviews of local shows; delivers his pieces by messenger; lives with his all-knowing cat Koko in a lushly furnished house in a moldering neighborhood, and has a raft of enemies all over town.He offers the newcomer a tiny apartment in his building at a nominal rent, and Qwilleran grabs it, surmising the deal will involve lots of cat-sitting. Meanwhile, a gallery whose artists get happier treatment from Mountclemens is owned by Earl Lambreth. The acerbic critic has praised paintings there by a reclusive Italian named Scrano; the junk assemblages of Nino, who calls himself a ``Thingist,'' as well as works by Lambreth's attractive wife Zoe.It's Zoe who, one night past closing, finds her husband stabbed to death in the vandalized gallery. Days later, Qwilleran, guided by an insistent Koko, finds Mountclemens's knifed corpse on the patio behind his house.

    But the body that's lying in the ancient subterranean Temple of Mithra—the murdered corpse of a repulsive and disliked fellow student—isn't her idea of heavenly. Now she is truly frightened, not just because small "accidents" seem to be occurring around her with disturbing regularity. It's the ever-increasing certainty that someone, for some unknown reason, is ruthlessly determined to do her harm. Jean's innocent underground excursion into a sacred pagan place has trapped her in something dark and terrifying, and even the knowledge that practical, perceptive fellow American Jacqueline Kirby is on the case won't ease her fears. Because there's only so far Jean Suttman can run . . . and no escape for her except death.

    But their first big client is a nightmare. She's a bridezilla who wants 500 custom cupcakes for her wedding. When Mel stumbles upon the bride-to-be dead-by-cupcake, she becomes the prime suspect. To save themselves and their business, the ladies need to find the real murderer, before the cupcake killer ices someone else.

    However, the people of Bruncliffe aren't that welcoming to a man they see as trouble.Delilah Metcalfe, meanwhile, is struggling to keep her business, the Dales Dating Agency, afloat - as well as trying to control her wayward Weimaraner dog, Tolpuddle. Then when Samson gets his first case, investigating the supposed suicide of a local man, things take an unexpected turn, and soon he discovers a trail of deaths that lead back to the door of Delilah's agency. With suspicion hanging over someone they both care for, the two feuding neighbours soon realize that they need to work together to solve the mystery of the dating deaths. But working together is easier said than done . . .

    Four children, running in the woods behind their school, stumble upon a partially buried female body, eyes and mouth glued shut. Close behind the children is their teacher, Anne Navarre, shocked by this discovery and heartbroken as she witnesses the end of their innocence. What she doesn’t yet realize is that this will mark the end of innocence for an entire community, as the ties that bind families and friends are tested by secrets uncovered in the wake of a serial killer’s escalating activity. Detective Tony Mendez, fresh from a law enforcement course at FBI headquarters, is charged with interpreting those now revealed secrets. He’s using a new technique—profiling—to develop a theory of the case, a strategy that pushes him ever deeper into the lives of the three children, and closer to the young teacher whose interest in recent events becomes as intense as his own. As new victims are found and the media scrutiny of the investigation bears down on them, both Mendez and Navarre are unsure if those who suffer most are the victims themselves—or the family and friends of the killer, blissfully unaware that someone very close to them is a brutal, calculating psychopath.