The novel itself can be found here: Atonement by Ian McEwan

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    Griffin's best-selling series. Millions of readers have been swept away by W.E.B. Griffin's remarkable novels of the Marine Corps, a saga filled with crackling realism and adventure, rich characters, real heroes, and a special flair for the military heart and mind. Here, together for the first time, are books IV,V, and VI of that series: Battleground, Line of Fire, and Close Combat. Together, these three novels present an epic tale of the battle between American and Japanese forces for the Solomon Islands in 1942. A general on a ticklish diplomatic mission finds himself in harm's way A first lieutenant, twenty-one years old but already one of only two pilots remaining from the fighter squadron's original sixteen, must learn what it is like to lead men - and to lose them A dare-devil squad attempts to rescue two Island, under the very noses of the Japanese A young private volunteers for a mission for a mission so secret he cannot be told where it is - or what he'll be doing Sweeping in scope but meticulous in detail, the books bring to life the men of the Corps - generals, colonels, and of an elite fraternity united by a tradition of courage and honor. This is The Corps.

    Wodehouse documented the lives of the inimitable Jeeves and Wooster for nearly sixty years, from their first appearance in 1915 ("Extricating Young Gussie") to his final completed novel (Aunts Aren't Gentlemen) in 1974. These two were the finest creations of a novelist widely proclaimed to be the finest comic English writer by critics and fans alike.Now, forty years later, Bertie and Jeeves return in a hilarious affair of mix-ups and mishaps. With the approval of the Wodehouse estate, acclaimed novelist Sebastian Faulks brings these two back to life for their legion of fans. Bertie, nursing a bit of heartbreak over the recent engagement of one Georgina Meadowes to someone not named Wooster, agrees to "help" his old friend Peregrine "Woody" Beeching, whose own romance is foundering. That this means an outing to Dorset, away from an impending visit from Aunt Agatha, is merely an extra benefit. Almost immediately, things go awry and the simple plan quickly becomes complicated. Jeeves ends up impersonating one Lord Etringham, while Bertie pretends to be Jeeves' manservant "Wilberforce,"—and this all happens under the same roof as the now affianced Ms. Meadowes. From there the plot becomes even more hilarious and convoluted, in a brilliantly conceived, seamlessly written comic work worthy of the master himself.A Kirkus Reviews Best Fiction Book of 2013

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    The life story, character and friends of Jacob are presented in a series for separate scenes and moments from his childhood, through college at Cambridge, love affairs in London, and travels in Greece, to his death in the war. Jacob's Room established Virginia Woolf's reputation as a highly poetic and symbolic writer who places emphasis not on plot or action but on the psychological realm of occupied by her characters.

    Hartley's finest novel, encounters a world of unimagined luxury. But when his friend's beautiful older sister enlists him as the unwitting messenger in her illicit love affair, the aftershocks will be felt for years. The inspiration for the brilliant Joseph Losey/Harold Pinter film starring Julie Christie and Alan Bates, The Go-Between is a masterpiece—a richly layered, spellbinding story about past and present, naiveté and knowledge, and the mysteries of the human heart. This volume includes, for the first time ever in North America, Hartley's own introduction to the novel.

    During her flight in the deep jungles, Miriam crosses paths with Jacob, a young Nephite soldier who saves her life and leads her to safety among the Nephites. Years later, now a young woman, Miriam meets Jacob again. She is surprised to find that the sisterly affection she felt for him so long ago has developed into something deeper. But before she or Jacob can discover their true feelings for one another, war comes to the lands of the Nephites, and both Miriam and Jacob find themselves thrown into a whirlwind of struggles. As they fight to keep their faith alive, they are drawn even closer together.

    Funny, sarcastic, touching, and, yes, nostalgic, this is a novel of character to be enjoyed by all ages.--"Library Journal."

    And it happened -- as such things often so happen -- that this man went back into his days that were gone. Again and again and again he went back. Even as every man, even as you and I, so this man went back into his Yesterdays. Then -- why then there was a woman. And it happened -- as such things sometimes so happen -- that this woman also went back into her days that were gone. Again and again and again she went back. Even as every woman, even as you and I, so this woman went back into her Yesterdays.From the introduction: Behold the child, by Nature's kindly law, Pleased with a rattle, tickled with a straw; Some livelier plaything gives his youth delight, A little louder, but as empty quite; Scarfs, garters, gold, amuse his riper stage, And beads and prayer-books are the toys of age; Pleased with this bauble still, as that before; Till tired he sleeps, and life's poor play is o'er."AN ESSAY ON MAN"--Pope.

    Told through a variety of shifting perspectives- wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son-Falling Angels follows the fortunes of two families in the emerging years of the twentieth century.

    Its central character is Guy Crouchback, head of an ancient but decayed Catholic family, who at first discovers new purpose in the challenge to defend Christian values against Nazi barbarism, but then gradually finds the complexities and cruelties of war too much for him. Yet, though often somber, the Sword of Honour trilogy is also a brilliant comedy, peopled by the fantastic figures so familiar from Waugh's early satires. The deepest pleasures these novels afford come from observing a great satiric writer employ his gifts with extraordinary subtlety, delicacy, and human feeling, for purposes that are ultimately anything but satiric.

    It had become a silhouette barely distinguishable against the darkening twilight sky, but Lemp was close enough to see the foaming white wave thrown up by its bow. He smiled when the spray arched higher, signaling the ship had begun changing course again.“You’re right on schedule,” he said to the image in his eyepiece.Lemp’s pulse quickened with the knowledge that his war was about to begin . . .On September 1, 1939, the passenger liner Athenia set sail from Glasgow for Montreal by way of Belfast and Liverpool. She carried 1,100 passengers, nearly three-quarters of whom were women and children. On September 3, Athenia was torpedoed by a German submarine. In Without Warning, author Thomas C. Sanger tells the harrowing story of the sinking of the Athenia from the perspective of eight people: six passengers, Athenia’s chief officer, and the commander of the German U-boat.Based on accounts written by passengers, personal interviews with survivors and descendants of survivors, books, newspaper stories, and original documents, Without Warning honors the memory of Athenia’s passengers, both living and dead.

    Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand."It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.