During that time the country underwent a massive transformation, taking it from days of grandeur under the tsars to the chaos of revolution and the beginnings of the Soviet Union.At the center of all this tumult were four women of the Romanov dynasty. Marie Alexandrovna and Olga Constantinovna were born into the family, Russian Grand Duchesses at birth. Marie Feodorovna and Marie Pavlovna married into the dynasty, the former born a Princess of Denmark, the latter a Duchess of the German duchy of Mecklendburg-Schwerin.In From Splendor to Revolution, we watch these pampered aristocratic women fight for their lives as the cataclysm of war engulfs them. In a matter of a few short years, they fell from the pinnacle of wealth and power to the depths of danger, poverty, and exile. It is an unforgettable epic story.

    WASHINGTON'S SECRET WAR tells the dramatic story of how those several critical months transformed a beaten, bedraggled group of recruits into a professional army capable of defeating the world's most formidable military power. While the British Army relaxed in Philadelphia only 20 miles away, George Washington trained his army under brutal conditions. Fleming reveals that during this difficult winter Washington was simultaneously fighting another war - one for his political life as members of the Continental Congress hatched a plot to unseat him and others plotted to betray him. For the first time, WASHINGTON'S SECRET WAR reveals how Washington's genius at negotiating the gray world of spies, double agents, and palace intrigue vaulted him from losing general to the charismatic father of his country.

    She shows the shocking and hilarious sketches that didn’t make the cut and explains how these are essential stages in the evolution of a cover that stands the test of time but retains its edge. Her book captures contemporary history—from the farce of Monica Lewinsky to the adventures of Michelle and Barack to nuclear meltdown in Japan—in images that are as acute as they are outrageous. More than that, it shows how the magazine that exemplifies journalistic excellence in America also dares to cultivate a sense of humor when grappling with complex moral and political issues.Praise for Blown Covers:“Interesting failures are the driving force behind BLOWN COVERS: New Yorker Covers You Were Never Meant to See (Abrams, $24.95), by Françoise Mouly. Mouly is the art editor of The New Yorker, and paging through this book is like standing in the corner of her office as she pins up rejected covers on the wall. Mouly has dozens of tales about images that failed for one reason or another. Now, presumably with the approval of her bosses at Condé Nast, she has created a tell-all (or tell-most) that even non–illustrators and designers will find enlightening.” —New York Times Book Review “Yes, Blown Covers sometimes offends—and that’s the audacious joy of it.” —NPR.org“[New Yorker] art editor Mouly offers some true delights.” —Sacramento Bee

    From the Nazi purges of 'degenerate art' and Goering's shopping sprees in occupied Paris to the perilous journey of the 'Mona Lisa' from Paris and the painstaking reclamation of the priceless treasures of liberated Italy, The Rape of Europa is a sweeping narrative of greed, philistinism, and heroism that combines superlative scholarship with a compelling drama.The cast of characters includes Hitler and Goering, Gertrude Stein and Marc Chagall--not to mention works by artists from Leonardo da Vinci to Pablo Picasso.

    Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron. The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered "degenerate” in a society that believed women being out in the world went against their feminine "nature"). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her-simple pencil drawings on thin manila paper. And O'Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers' grand palais; of the Austrian government putting the painting on display, stripping Adele's Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, "The Lady in Gold" and proudly exhibited it in Vienna's Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution. The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine. We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court's decision had profound ramifications in the art world. In this book listeners will find riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, The Lady in Gold-the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.

    When we reflect on our nation's history, the American Revolution can feel almost like a foregone conclusion. In reality, the first weeks and months of 1775 were very tenuous, and a fractured and ragtag group of colonial militias had to coalesce rapidly to have even the slimmest chance of toppling the mighty British Army. American Spring follows a fledgling nation from Paul Revere's little-known ride of December 1774 and the first shots fired on Lexington Green through the catastrophic Battle of Bunker Hill, culminating with a Virginian named George Washington taking command of colonial forces on July 3, 1775. Focusing on the colorful heroes John Hancock, Samuel Adams, Mercy Otis Warren, Benjamin Franklin, and Patrick Henry, and the ordinary Americans caught up in the revolution, Walter R. Borneman uses newly available sources and research to tell the story of how a decade of discontent erupted into an armed rebellion that forged our nation.

    #1 New York Times bestselling author Cokie Roberts brings us women who fought the Revolution as valiantly as the men, often defending their very doorsteps. Drawing upon personal correspondence, private journals, and even favoured recipes, Roberts reveals the often surprising stories of these fascinating women, bringing to life the everyday trials and extraordinary triumphs of individuals like Abigail Adams, Mercy Otis Warren, Deborah Read Franklin, Eliza Pinckney, Catherine Littlefield Green, Esther DeBerdt Reed and Martha Washington–proving that without our exemplary women, the new country might have never survived.

    Smallpox. Incurable and horrifying Ebola-related fevers. For two decades, while a fearful world prepared for nuclear winter, an elite team of Russian bioweaponeers began to till a new killing field: a bleak tract sown with powerful seeds of mass destruction—by doctors who had committed themselves to creating a biological Armageddon. Biohazard is the never-before-told story of Russia’s darkest, deadliest, and most closely guarded Cold War secret.   No one knows more about Russia’s astounding experiments with biowarfare than Ken Alibek. Now the mastermind behind Russia’s germ warfare effort reveals two decades of shocking breakthroughs . . . how Moscow’s leading scientists actually reengineered hazardous microbes to make them even more virulent . . . the secrets behind the discovery of an invisible, untraceable new class of biological agents just right for use in political assassinations . . . the startling story behind Russia’s attempt to turn a sample of the AIDS virus into the ultimate bioweapon. And in a chilling work of real-world intrigue, Biohazard offers us all a rare glimpse into a shadowy scientific underworld where doctors manufacture mass destruction, where witnesses to errors are silenced forever, and where ground zero is closer than we ever dared believe.

    For decades Americans have known a Soviet Union clouded by ideological passions and a dearth of information. Today, with the revelations under glasnost and the collapse of the Communist empire, Americans are now able to see the former Soviet Union as a whole, and explore the turbulent tale of a Soviet history that has a beginning, a middle, and an end. One of the eminent Soviet historians of our time, Ronald Grigor Suny takes us on a journey that examines the complex themes of Soviet history from the last tsar of the Russian empire to the first president of the Russian republic. He examines the legacies left by former Soviet leaders and explores the successor states and the challenges they now face. Combining gripping detail with insightful analysis, Suny focuses on three revolutions: the tumultuous year of 1917 when Vladimir Lenin led the Bolshevik takeover of the tsarist empire; the 1930s when Joseph Stalin refashioned the economy, the society, and the state; and the 1980s and 1990s when Mikhail Gorbachev's ambitious and catastrophic attempt at sweeping reform and revitalization resulted in the breakup of the Soviet Union led by Boris Yeltsin. He unravels issues, explaining deeply contradictory policies toward the various Soviet nationalities, including Moscow's ambivalence over its own New Economic Policy of the 1920s and the attempts at reform that followed Stalin's death. He captures familiar as well as little-known events, including the movement of the crowds on the streets of St. Petersburg in the February revolution; Stalin's collapse into a near-catatonic state after Hitler's much-predicted invasion; and Yeltsin's political maneuvering and public grandstanding as he pushed the disintegration of the Soviet Union and faced down his rivals. Students and social scientists alike continue to be fascinated by the Soviet experiment and its meaning. The Soviet Experiment recovers the complexities and contradictions of the 70 years of Soviet Power, exploring its real achievements as well as its grotesque failings. Clearly written and well-argued, this narrative is complete with helpful anecdotes and examples that will not only engage students and offer them an opportunity to learn from new material but also afford them the opportunity to form their own opinions by reading the text and looking into the suggested readings. With insight and detail, Suny has constructed a masterful work, providing the fullest account yet of one of the greatest transformations of modern history.

    Ellis brings the exacting scholarship, shrewd analysis, and lyric prose that have made him one of the premier historians of the Revolutionary era. Training his lens on a figure who sometimes seems as remote as his effigy on Mount Rushmore, Ellis assesses George Washington as a military and political leader and a man whose “statue-like solidity” concealed volcanic energies and emotions.Here is the impetuous young officer whose miraculous survival in combat half-convinced him that he could not be killed. Here is the free-spending landowner whose debts to English merchants instilled him with a prickly resentment of imperial power. We see the general who lost more battles than he won and the reluctant president who tried to float above the partisan feuding of his cabinet. His Excellency is a magnificent work, indispensable to an understanding not only of its subject but also of the nation he brought into being.

    Its aftermath lives on to this day.Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences.When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II.In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.

    In the early 1980s, a Houston socialite turned the attention of maverick Texas congressman Charlie Wilson to the ragged band of Afghan "freedom fighters" who continued, despite overwhelming odds, to fight the Soviet invaders. Wilson, who sat on the all-powerful House Appropriations Committee, managed to procure hundreds of millions of dollars to support the mujahideen. The arms were secretly procured and distributed with the help of an out-of-favor CIA operative, Gust Avrokotos, whose working-class Greek-American background made him an anomaly among the Ivy League world of American spies. Avrakotos handpicked a staff of CIA outcasts to run his operation and, with their help, continually stretched the Agency's rules to the breaking point. Moving from the back rooms of the Capitol, to secret chambers at Langley, to arms-dealers' conventions, to the Khyber Pass, this book presents an astonishing chapter of our recent past, and the key to understanding what helped trigger the sudden collapse of the Soviet Union and ultimately led to the emergence of a brand-new foe in the form of radical Islam.

    "Leon Trotsky is trying to kill me," thinks Joseph Stalin. It's a paranoid lie, but all too real to Stalin. Trotsky, in exile in Mexico City, is writing a biography of Stalin that may offer proof of a secret crime that could force Stalin from power. What will Trotsky disclose before the long hand of Stalin reaches him and eliminates the threat? The prospect leads Stalin to reflect on his own life—the sly and domineering schoolboy battling a sadistic father... a youthful poet, thief, and seminarian who questions morality, evil, and the existence of God until he finds answers that free him to a life of power and slaughter. Stalin takes us deeper and deeper into his life and into the labyrinth of his psyche until we are finally alone with him. The Autobiography of Joseph Stalin is a mesmerizing journey to the very heart of evil.

    Officially, the world's most elite special forces unit was dissolved at the end of the Second World War, and not reactivated until the 1950s. Among their last actions was a disastrous commando raid into occupied France in 1944, which ended in the capture, torture and execution of 31 soldiers. It can now be revealed that the SAS never was dissolved: it lived on, commanded personally by Churchill and hidden even from the British government. They were tasked with hunting through the ruins of the Reich for the SS commanders responsible for the murder of their comrades, including many who had escaped the failed justice of the Nuremberg trials. Along the way, they discovered before anyone else the full horror of Hitler's regime, and the growing threat from Stalin's Russia.Still studied by the SAS today and a central part of their founding myth, the story of the Nazi hunters is now told by bestselling author Damien Lewis.

    No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’ s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve. Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January 1993. Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure.