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    Enjoy your favorite authors and discover new friends along the trail.

    FOG The Yankee sharpshooter turned out to be a lousy judge of character. He had three officers in his sights, a captain and two lieutenants. If he killed the right one, the Union Army’s victory at the Battle of Martin’s Hill would be guaranteed. So he made his choice and killed the Rebel cavalry’s commanding officer, Captain von Hartz. Big mistake. He should have concentrated on the small, insignificant-looking first lieutenant instead. Because the death of Captain von Hertz put Dusty Fog in command of the Texas Light Cavalry’s hard-riding, harder-hitting Company ‘C’. And with Dusty at their head, there was going to be hell to pay for the Bluebellies. ABOUT THE AUTHOR John Thomas Edson was born at Worksop, Nottinghamshire, on February 17 1928, the son of a miner who was killed in an accident when John was nine. He left Shirebrook Selective Central School at 14 to work in a stone quarry and joined the Army four years later. As a sergeant in the Royal Army Veterinary Corps, Edson served in Kenya during the Emergency, on one occasion killing five Mau Mau on patrol. He started writing in Hong Kong, and when he won a large cash prize in a tombola he invested in a typewriter. On coming out of the Army after 12 years with a wife and children to support, Edson learned his craft while running a fish-and-chip shop and working on the production line at a local pet food factory. His efforts paid off when Trail Boss (1961) won second prize in a competition with a promise of publication and an outright payment of £50. The publishers offered £25 more for each subsequent book, and with the addition of earnings from serial-writing for the comic Victor, Edson was able to settle down to professional authorship. When the comic's owners decided that nobody read cowboy stories any more, he was forced to get a job as a postman (the job had the by-product of enabling him to lose six stone in weight from his original 18). Edson's prospects improved when Corgi Books took over his publisher, encouraged him to produce seven books a year and promised him royalties for the first time. In 1974 he made his first visit to the United States, to which he was to return regularly in search of reference books. He declared that he had no desire to live in the Wild West, adding: "I've never even been on a horse. I've seen those things, and they look highly dangerous at both ends and bloody uncomfortable in the middle. My only contact was to shoot them for dog meat." His heroes were often based on his favourite film stars, so that Dusty Fog resembled Audie Murphy, and the Ysabel Kid was an amalgam of Elvis Presley in Flaming Star and Jack Buetel in The Outlaw. Before becoming a recluse in his last years, JT's favourite boast was that Melton Mowbray was famous for three things: "The pie, Stilton cheese and myself but not necessarily in that order."

    What he doesn’t know is that she carries a fifteen year old secret. She’s brought up her brother’s seven daughters who are now of marriageable age and she wonders what will happen to her once they all leave home. Jeremiah Sherman is free at last, after his domineering mother dies. He lost his wife fifteen years ago and now he feels like it’s time she returns home. The problem is, he has no idea where she is. Enter Molly White, the amateur detective and owner of a bridal agency. This time the task at hand is finding out Matilda’s secrets from the past as well as seven husbands for seven daughters of a man out West. Is she up to the task, and can she reunite the long separated couple? The seven sisters of Oakwood follows the unfurling story of the Wilde sisters, and their hopeful father, Osborne. Burdened with the task of getting these beloved, bright but stubborn young girls married to suitable husbands, Osborne enlists the help of Molly White of the Cozy Bridal Agency to aid his cause – with surprising consequences! Each book is a delightful standalone story, and also part of the full story that spans this joy filled series.

    

    government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.

    But now, after forging cattle trails and fighting off the Comanche, he’s setting his sights on a brighter future. With the help of his older brother Blue, a Civil War veteran who lost his arm in battle, Deed turns the Rafter C homestead into a successful, working cattle ranch. But when a land-grubbing banker tries to wipe out the competition—slaughtering ranchers, robbing farmers, and building an army of hired killers—Deed and Blue have no choice but to fight back with everything they’ve got. That means bringing in the big guns. Settling old scores. And taking a chance on a dangerous outlaw named Holt Corrigan—their long-lost brother…

    A loner, Bitter plans a quick ride home over the Oregon Trail. The good Lord, however, has other plans for him. After a month on the Trail, two gun battles, a bruising fistfight to settle a blood feud, a new wife, and two adopted sons, Bitter tells Rockford, his big, mean, black horse, “This sure complicates the business of getting back to Oregon.” Bitter now finds himself the leader of a mixed entourage going west: a black pioneer family earlier wagon trains shunned; an Irish rebel turned galvanized Yankee; a dispossessed Cherokee turned Cheyenne medicine man; the rescued sister of a Bannock chief; a white boy adopted by the Cheyenne; and a scout for the Union Army who is also one of the richest men in Oregon. Bitter’s Run is a spirited and adventurous tale. Told in three parts, it portrays the realities and uncertainties of life on the Oregon Trail, of the war-weary men seeking or returning to a homestead in Oregon, and of the courageous women who rode with them.

    After discovering that she has only a few weeks to get the crop off the field to save the family farm, she has to make decisions that will affect them all. With help from a man she meets along the way, she works to do whatever she can to save her family. She learns to trust, and she finds a strength she never knew she had. Could she possibly find love during the most difficult time of her life? And, can she save her family from losing everything they have fought so hard to get?

    He travels east in search of his brother, moving on foot against the great push to the west. Driven back over and over again on his journey through vast expanses, Håkan meets naturalists, criminals, religious fanatics, Indians, and lawmen, and his exploits turn him into a legend. Díaz defies the conventions of historical fiction and genre (travel narratives, the bildungsroman, nature writing, the Western), offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.At first, it was a contest, but in time the beasts understood that, with an embrace and the slightest push, they had to lie down on their side and stay until Håkan got up. He did this each time he thought he spied someone on the circular horizon. Had Håkan and his animals ever been spotted, the distant travelers would have taken the vanishing silhouettes for a mirage. But there were no such travelers—the moving shadows he saw almost every day in the distance were illusions. With the double intention of getting away from the trail and the cold, he had traveled south for days.Hernán Díaz is the author of Borges, Between History and Eternity (Bloomsbury 2012), managing editor of RHM, and associate director of the Hispanic Institute at Columbia University. He lives in New York.

    For the Revolucion. For Villa. In return, they received a soldier's highest honor. They shared life -- and death -- with the mightiest hero in all of Mexico.

    An episodic novel set in six parts, El Paso pits the legendary Pancho Villa, a much-feared outlaw and revolutionary, against a thrill-seeking railroad tycoon known as the Colonel, whose fading fortune is tied up in a colossal ranch in Chihuahua, Mexico. But when Villa kidnaps the Colonel’s grandchildren in the midst of a cattle drive, and absconds into the Sierra Madre, the aging New England patriarch and his adopted son head to El Paso, hoping to find a group of cowboys brave enough to hunt the Generalissimo down.Replete with gunfights, daring escapes, and an unforgettable bullfight, El Paso, with its textured blend of history and legend, becomes an indelible portrait of the American Southwest in the waning days of the frontier.

    Written with compassionate tenderness and magical thinking, it explores the courage of conviction, the transformative power of grief, the desire for knowledge and the pull of home, from an exceptionally talented and original British writer. It is a radiant and timeless epic-in-miniature, an eerie, electric monument to possibility.

    A desolate maid. And one cold corpse. Richard Lynche, heir of an 18th century Tipperary estate, can find no peace. His bookish ways disgust his bullying letch of a father. His heartsick mother sinks ever-deeper into a drug-induced lethargy. The teen’s only solace are the loving arms of the homesick new maid, Eveleen. Meanwhile jealousy, lust, and oppression lead to gruesome visions, causing Richard to question his own sanity. Desperate to prevail over his demons, he determines there is only one way to stop the torture—a killing. Aroon is a cauldron of old-fashioned Irish stew. Spiced heavily with Downton Abbey, sprinkled with Shakespeare’s Hamlet and a dash of The Godfather’s Michael Corleone, it explores the underbelly of life during the Protestant Ascendancy.