Translated by David Frye, these linked stories craft a picture of a dystopian future: Aliens called xenoids have invaded planet Earth, and people are looking to flee the economically and socially bankrupt remains of human civilization. Yoss' smart and entertaining novel tackles themes like prostitution, immigration and political corruption. Ultimately, it serves as an empathetic yet impassioned metaphor for modern-day Cuba, where the struggle for power has complicated every facet of society.” —NPR, Best Books of 2015Out of the modern-day dystopia of Cuba comes an instant classic from the island’s most celebrated science fiction author: a raucous tale of a future in which a failing Earth is at the mercy of powerful capitalist alien colonizers.In A Planet for Rent, Yoss critiques life under Castro in the ‘90s by drawing parallels with a possible Earth of the not-so-distant future. Wracked by economic and environmental problems, the desperate planet is rescued, for better or worse, by alien colonizers, who remake the planet as a tourist destination. Ruled over by a brutal interstellar bureaucracy, dispossessed humans seek better lives via the few routes available—working for the colonial police; eking out a living as black marketeers, drug dealers, or artists; prostituting themselves to exploitative extraterrestrial visitors—or they face the cold void of space in rickety illegal ships.This inventive book marks the English-language debut of an astonishingly brave and imaginative Latin American voice.

    Blending radical formal fluidity and caustic humor, Mean turns what might be tragic into piercing, revealing comedy. This is a confident, funny, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously.We act mean to defend ourselves from boredom and from those who would cut off our breasts. We act mean to defend our clubs and institutions. We act mean because we like to laugh. Being mean to boys is fun and a second-wave feminist duty. Being mean to men who deserve it is a holy mission. Sisterhood is powerful, but being mean is more exhilarating.Being mean isn't for everybody.Being mean is best practiced by those who understand it as an art form.These virtuosos live closer to the divine than the rest of humanity. They're queers.Myriam Gurba is a queer spoken-word performer, visual artist, and writer from Santa Maria, California. She's the author of Dahlia Season (2007, Manic D) which was a finalist for the Lambda Literary Award, Wish You Were Me (2011, Future Tense Books), and Painting Their Portraits in Winter (2015, Manic D). She has toured with Sister Spit and her work has been exhibited at the Museum of Latin American Art in Long Beach. She lives in Long Beach, where she teaches social studies to eighth-graders.

    Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.

    In Rain of Gold, Victor Villasenor weaves the parallel stories of two families and two countries…bringing us the timeless romance between the volatile bootlegger who would become his father and the beautiful Lupe, his mother–men and women in whose lives the real and the fantastical exist side by side…and in whose hearts the spirit to survive is fueled by a family’s unconditional love.

    Every time she looked in the mirror, Cepeda saw a mystery—a tapestry of races and ethnicities that came together in an ambiguous mix. With time running out, she decided to embark on an archaeological dig of sorts by using the science of ancestral DNA testing to excavate everything she could about her genetic history.Digging through memories long buried, she embarks upon a journey not only into her ancestry but also into her own history. Born in Harlem to Dominican parents, she was sent to live with her maternal grandparents in the Paraíso (Paradise) district in Santo Domingo while still a baby. It proved to be an idyllic reprieve in her otherwise fraught childhood. Paraíso came to mean family, home, belonging. When Cepeda returned to the US, she discovered her family constellation had changed. Her mother had a new, abusive boyfriend, who relocated the family to San Francisco. When that relationship fell apart, Cepeda found herself back in New York City with her father and European stepmother: attending tennis lessons and Catholic schools; fighting vicious battles wih her father, who discouraged her from expressing the Dominican part of her hyphenated identity; and immersed in the ’80s hip-hop culture of uptown Manhattan. It was in these streets, through the prism of hip-hop and the sometimes loving embrace of her community, that Cepeda constructed her own identity.Years later, when Cepeda had become a successful journalist and documentary filmmaker, the strands of her DNA would take her further, across the globe and into history. Who were her ancestors? How did they—and she—become Latina? Her journey, as the most unforgettable ones often do, would lead her to places she hadn’t expected to go. With a vibrant lyrical prose and fierce honesty, Cepeda parses concepts of race, identity, and ancestral DNA among Latinos by using her own Dominican-American story as one example, and in the process arrives at some sort of peace with her father.

    Viridiana spends her days watching the dead sharks piled beside the seashore, as the fishermen pull their nets. There is nothing else to do, nothing else to watch, under the harsh sun. She’s bored. Terribly bored. Yet her head is filled with dreams of Hollywood films, of romance, of a future beyond the drab town where her only option is to marry and have children.Three wealthy American tourists arrive for the summer, and Viridiana is magnetized. She immediately becomes entwined in the glamorous foreigners’ lives. They offer excitement, and perhaps an escape from the promise of a humdrum future.When one of them dies, Viridiana lies to protect her friends. Soon enough, someone’s asking questions, and Viridiana has some of her own about the identity of her new acquaintances. Sharks may be dangerous, but there are worse predators nearby, ready to devour a naïve young woman who is quickly being tangled in a web of deceit.Silvia Moreno-Garcia is one of the most exciting voices in fiction, and with her first crime novel, UNTAMED SHORE, she crafts a blazing novel of suspense with an eerie seaside setting and a literary edge that proves her a master of the genre.

    But growing up in the United States to immigrant parents, he quickly noticed that their house rules and traditions didn’t always match up with his friends’. Years later, the result was a lifetime of laugh-out-loud, relatable moments that he reenacted on camera and shared with the world online. Now, LeJuan is taking a closer look at everything he loves about his family, culture, and community. Definitely Hispanic is a collection of heartfelt memoiristic essays that explores the themes LeJuan touches upon in his videos, and celebrates the values and traditions being kept alive by Hispanic parents raising US–born children. He shares anecdotes about discovering the differences between his and his friends’ households, demystifies “La Pela” (the Spanking), explains the vital role women play in Hispanic families, and pays reverence to universal cultural truths like “food is love” and “music is in Hispanics’ DNA.” From the chapter “#Home”—in which LeJuan talks about how his family moved back and forth between the United States and Puerto Rico until settling in Orlando, Florida—to “#TheHouse”—in which he was finally able to buy his parents the home they deserve thanks to his online success—this wide-ranging collection celebrates being Latino and offers a humorous yet warm-hearted look at the lives of second-generation immigrants in the US. LeJuan’s hilarious online persona comes to life on every page.

    Under the yoke of Spanish oppression, the Caribbean island is forced to prepare to wage war with the United States. Up in the mountainous coffee region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their small farm from the creditors. When the Spanish-American War and the great San Ciriaco Hurricane of 1899 bring devastating upheaval, the young couple is lured, along with thousands of other puertorriqueños, to the sugar plantations of Hawaii—another US territory—where they are confronted by the hollowness of America’s promises of prosperity. Writing in the tradition of great Latin American storytelling, Marisel Vera’s The Taste of Sugar is an unforgettable novel of love and endurance, and a timeless portrait of the reasons we leave home.

    But is there more to these professional hotties than meets the eye?…The day Robyn Flores meets Zac Fallon is one of those days. You know, when you’re already late for work. Mostly because you haven’t really slept since your best friend abandoned you for her fiancé and her exponentially better life. The kind of day you drag yourself to the cleaners to pick up your laundry, only to discover you’ve got the wrong bag—Star Spangled sequined thong, anyone? So Robyn is definitely not ready for the ridiculously gorgeous guy at her front door, except that they have each other’s clothes. But then, is any woman ever ready to meet the love of her life?There’s just one problem: Zac Fallon is not the love of Robyn’s life. Zac knows, despite the all-too-intimate dinner they share, he doesn’t have a shot at her. Because the next time Zac sees Robyn, he’s front and center of the male revue headlining her best friend’s bachelorette party. So much for wooing the pretty schoolteacher, much less impressing her old-fashioned family, with his upstanding lifestyle. Now he’s only got one way to win his dream girl. It’s gonna be the steamiest, most irresistible seduction she’s ever seen. And this time it will be no act…

    She vows to keep her vacation a man-free zone but when a cute guy is seated next to her on the plane, Tori can’t resist a little harmless flirting.Hollywood heartthrob Carter Stone underwent a dramatic physical transformation for his latest role and it’s clear his stunning seat mate doesn’t recognize the man beneath the shaggy beard and extra lean frame. Now Carter needs help rebuilding his buff physique and Tori is perfect for the job. It doesn’t hurt that she makes his pulse pound in more ways than one.Sparks are flying, until a pesky paparazzo reveals Carter’s identity. Tori is hurt and pissed. She wants nothing to do with another man in the limelight, but she’s still got to whip him into shape. Can Carter convince Tori he’s worth the threat to her privacy that comes with dating a famous actor, or will Tori chisel him down to nothing before he even gets the chance?Grab the popcorn…

    Upon turning thirty, she ventured to her mother's native Mexico to do some root-searching and stumbled upon a social movement that shook the nation to its core. Mexican Enough chronicles her adventures rumbling with luchadores (professional wrestlers), marching with rebel teachers in Oaxaca, investigating the murder of a prominent gay activist, and sneaking into a prison to meet with indigenous resistance fighters. She also visits families of the undocumented workers she befriended back home. Travel mates include a Polish thief, a Border Patrol agent, and a sultry dominatrix. Part memoir, part journalistic reportage, Mexican Enough illuminates how we cast off our identity in our youth, only to strive to find it again as adults -- and the lessons to be learned along the way.

    No one in this story was a ghost. This was not a story.”When Marcelo Hernandez Castillo was five years old and his family was preparing to cross the border between Mexico and the United States, he suffered temporary, stress-induced blindness. Castillo regained his vision, but quickly understood that he had to move into a threshold of invisibility before settling in California with his parents and siblings. Thus began a new life of hiding in plain sight and of paying extraordinarily careful attention at all times for fear of being truly seen. Before Castillo was one of the most celebrated poets of a generation, he was a boy who perfected his English in the hopes that he might never seem extraordinary.With beauty, grace, and honesty, Castillo recounts his and his family’s encounters with a system that treats them as criminals for seeking safe, ordinary lives. He writes of the Sunday afternoon when he opened the door to an ICE officer who had one hand on his holster, of the hours he spent making a fake social security card so that he could work to support his family, of his father’s deportation and the decade that he spent waiting to return to his wife and children only to be denied reentry, and of his mother’s heartbreaking decision to leave her children and grandchildren so that she could be reunited with her estranged husband and retire from a life of hard labor.Children of the Land distills the trauma of displacement, illuminates the human lives behind the headlines and serves as a stunning meditation on what it means to be a man and a citizen.

    

    Except apparently “happily ever after” for Carmen involves being stuck in an unpaid summer internship! All she has to do is perform! In a ball gown! During the summer. In Miami. Fine. Except that Carmen’s company is hired for her spoiled cousin Ariana’s over the top quinceañera.And of course, her new dance partner at work is none other than Mauro Reyes, Carmen’s most deeply regrettable ex.If Carmen is going to move into the future she wants, she needs to leave the past behind. And if she can manage dancing in the blistering heat, fending off Mauro’s texts, and stopping Ariana from ruining her own quinceañera Carmen might just get that happily ever after after all.

    Mal porque tengo miedo. Miedo porque yo era como t�, llena de ideas y verdad, y por mi sabidur�a lo perd� todo. T� no eres Malcriada. Lo que pasa es que tu sabes demasiado." __In the middle of the Caribbean Sea, aboard an illegal voyage from the Dominican Republic to Puerto Rico, a twelve year old learns her name; a former cacao farmer finds a constellation on his lover's thighs; best friends become strangers and find the essence of themselves in the face of deception; an old man exchanges his homeland for a New York City bodega storefront; preteen boys grapple with authority; female cousins come to terms with their first shared sexual experience; an alcoholic woman finds serenity at the bottom of the sea; feminism is deconstructed by opposing views; on the back of a motorcycle, self-awareness is found; and a woman discovers that healing is a series of choices.__ "My mother didn't teach me dependency, I want to yell and enunciate. I cannot force myself to need you. Mami taught me to use my tongue like a sword, and I haven't sharpened it in years. Too afraid, I find myself, to pain him, to say things that might strike him the wrong way. Some feelings just don't translate. " __ " You know that Malcriadas can love the world awake."