When ten-year-old Birahima's mother dies, he leaves his native village in the Ivory Coast, accompanied by the sorcerer and cook Yacouba, to search for his aunt Mahan. Crossing the border into Liberia, they are seized by rebels and forced into military service. Birahima is given a Kalashnikov, minimal rations of food, a small supply of dope and a tiny wage. Fighting in a chaotic civil war alongside many other boys, Birahima sees death, torture, dismemberment and madness but somehow manages to retain his own sanity. Raw and unforgettable, despairing yet filled with laughter, Allah Is Not Obliged reveals the ways in which children's innocence and youth are compromised by war.

    Tony, a senior police officer in Maputo, has apparently been supporting four other families for many years. Rami remains calm in the face of her husband's duplicity and plots to make an honest man out of him. After Tony is forced to marry the four other women--as well as an additional lover--according to polygamist custom, the rival lovers join together to declare their voices and demand their rights. In this brilliantly funny and feverishly scathing critique, a major work from Mozambique's first published female novelist, Paulina Chiziane explores her country's traditional culture, its values and hypocrisy, and the subjection of women the world over.

    Meanwhile in London, anthropologist Kelly Kinnear is forced into violent confrontation with the shareholders of the most powerful conglomerate in the City of London, warning them of the destruction of an African country. Now the time has come to act. Together, Armstrong and Kinnear forge a passionate alliance – and begin the fight against the forces of greed, evil and corruption attacking a land they would both give their lives to save . . .Hungry as the Sea: Nick Berg - robbed of his wife and ousted from his huge shipping empire - is hell-bent on vengeance. It is the sea which gives him his opportunity. When his arch-rival's luxury liner is trapped in the tempestuous Antarctic, Nick stakes all to pit his powerful salvage tug, the Warlock, in a desperate race against time and the elements . . .Wild Justice: The hijacking of a jumbo jet off the Seychelles galvanizes anti-terrorist chief Peter Stride into the action for which he has spent a lifetime training. But in the hail of bullets which follows, he knows that this is only the beginning of a nightmare. Stride is the one man who might find the twisted genius who holds the world hostage – if only his every move were not anticipated by the enemy . . .

    Mugezi's hard-won observations form a cri de coeur for a people shaped by untold losses.

    Abandoned by his father as a child, he grows up to become an electoral assistant to the parliamentary office in Tallinn and it is in this position that Ullo witnesses first the Soviet and then the German occupation of Estonia. Forced out of his honest profession Ullo becomes involved with the Resistance but, when many Estonians flee the country, he chooses to remain. An interlude of a decade shows much has changed since the end of the War; Soviet influence is marked in the style of government and the manner of the people. The narrative unfolds in stories imparted to an unknown "author" by a 70-year-old Ullo. Just before the end, however, Kross introduces a teasing ambiguity: Ullo dies before he is able to answer the last question about his life.

    But in a moment of vulnerability he makes a mistake: volunteering his unhinged Arabic-speaking cousin Boris to report on the Iraq War. Boris begins filing Gonzo missives from the conflict zone and Toni decides it is better to secretly rewrite his cousin’s increasingly incoherent ramblings than face up to the truth. But when Boris goes missing, Toni’s own sense of reality—and reliability—begins to unravel.Our Man In Iraq, the first of Robert Perisic’s novels to be translated into English, serves as an unforgettable introduction to a vibrant voice from Croatia. With his characteristic humor and insight, Perisic gets to the heart of life made and remade by war."Robert Perisic depicts, with acerbic wit, a class of urban elites who are trying to reconcile their nineties rebellion with the reality of present-day Croatia. . . . The characters' snide remarks could easily sound cynical but the novel has a levity informed by the sense of social fluidity that comes with democracy." —The New Yorker"Robert Perisic is a light bright with intelligence and twinkling with irony, flashing us the news that postwar Croatia not only endures but matters."—Jonathan Franzen" . . . terrifically witty and original. . . in addition to being a delightfully acerbic primer on a literarily underrepresented part of Europe, Our Man in Iraq may well prove to be one of those rare cases where something is actually gained in translation."— The Toronto Star

    South Asia Studies. Translated from the Tamil by Pritham K. Chakravarthy and Rakesh Khanna. With its mad patchwork of phone sex conversations, nightmarish torture scenes, tender love poems, numerology, mythology, and compulsive name-dropping of Latin American intellectuals, Charu Nivedita's novel ZERO DEGREE stands out as a groundbreaking work of Tamil transgressive fiction that unflinchingly probes the deepest psychic wounds of humanity. "Hide it in the deep recesses of your clothes cupboard or in the general chaos of your office desk, if you must, but read it"--Asha S. Menon, New Sunday Express.

    On a lonely stretch of road a man picks up a hitchhiker. The driver is a minister on his way to a new rural congregation. The passenger, a fugitive. When the minister realizes this, the fugitive kills him. He assumes his vestments and identity, only to discover that one of his first duties as the new minister is to preside over his victim's funeral. As the fugitive and the local police chief play a tense game of cat and mouse, culminating in a pursuit across the desolate veldt, Damon Galgut gives us a spare, devastating combat for man’s most prized attribute: freedom

    For Fauziya Kassindja, an idyllic childhood in Togo, West Africa, sheltered from the tribal practices of polygamy and genital mutilation, ended with her beloved father's sudden death.  Forced into an arranged marriage at age seventeen, Fauziya was told to prepare for kakia, the ritual also known as female genital mutilation.  It is a ritual no woman can refuse.  But Fauziya dared to try.  This is her story--told in her own words--of fleeing Africa just hours before the ritual kakia was to take place, of seeking asylum in America only to be locked up in U.S.  prisons, and of meeting Layli Miller Bashir, a law student who became Fauziya's friend and advocate during her horrifying sixteen months behind bars.  Layli enlisted help from Karen Musalo, an expert in refugee law and acting director of the American University International Human Rights Clinic.  In addition to devoting her own considerable efforts to the case, Musalo assembled a team to fight with her on Fauziya's behalf.  Ultimately, in a landmark decision in immigration history, Fauziya Kassindja was granted asylum on June 13, 1996.  Do They Hear You When You Cry is her unforgettable chronicle of triumph.

    A shrewd mission-educated Maori, Coates/Kooti, perceived as a thorn in the colonial flesh, escapes imprisonment and returns to Poverty Bay with a small band of followers. Kooti becomes the ruthless leader of a considerable native army, his Bible studies leading him to see himself and his people as latter-day Israelites. The story of what follows is told through the eyes of Captain Fairweather, a British army officer turned artist, an eminently humane man whose attempts to mend relations between natives and settlers meet with signal failure; while his wryly professional view of the beleaguered colony changes after a brutal attack on the half-Maori women he loves and her family. All main characters in this strange but true novel are historical and the tragic climax occurred in 1869 with the execution of a harmless and uncomprehending young Maori - an example.

    Ivan Kulik has just become Headmaster of school number 7 in Hlaby, a rural village in the Pinsk Marshes. Through his eyes we witness the tragedy of Stalinist domination where people are randomly deported to labour camps or tortured in Zovty Prison in Pinsk. The author's individual gift that sets him apart from his contemporaries is the range of his sympathies and his unromantic, unsentimental approach to the sensual lives of females. His debt to Chekhov is obvious in his ability to capture the internal drama of his characters with psychological concision.

    It was the beginning of the Ottoman Turkish government’s systematic attempt to eliminate the Armenian people from Turkey; it was a campaign that continued through World War I and the fall of the Ottoman Empire, by which time more than a million Armenians had been annihilated and expunged from their historic homeland. For Grigoris Balakian, himself condemned, it was also the beginning of a four-year ordeal during which he would bear witness to a seemingly endless caravan of blood.Balakian sees his countrymen sent in carts, on donkeys, or on foot to face certain death in the desert of northern Syria. Many would not even survive the journey, suffering starvation, disease, mutilation, and rape, among other tortures, before being slaughtered en route. In these pages, he brings to life the words and deeds of survivors, foreign witnesses, and Turkish officials involved in the massacre process, and also of those few brave, righteous Turks, who, with some of their German allies working for the Baghdad Railway, resisted orders calling for the death of the Armenians. Miraculously, Balakian manages to escape, and his flight—through forest and over mountain, in disguise as a railroad worker and then as a German soldier—is a suspenseful, harrowing odyssey that makes possible his singular testimony.Full of shrewd insights into the political, historical, and cultural context of the Armenian genocide—the template for the subsequent mass killings that have cast a shadow across the twentieth century and beyond—this memoir is destined to become a classic of survivor literature. Armenian Golgotha is sure to deepen our understanding of a catastrophic crime that the Turkish government, the Ottomans’ successor, denies to this day.

    This beautifully written book makes us reckon anew with the deep costs of war."—Eva Hoffman.

    It won the Ahmadou-Kourouma Prize in 2016.Everything changes for Rayhana when foreigners with strange machines arrive to mine for metal near her Bedouin camp. One of them is the enigmatic Yahya. Rayhana’s association with him leads to her abandoning all she knows and fleeing alone to the city. When her tribe discover she’s stolen their sacred drum they pursue her to exact their revenge. Though Rayhana has her own missing person to seek.The Desert and the Drum tells of Rayhana’s rift with her family, the disturbing characters she encounters in the metropolis, her attempts to separate friend from foe and to find a place for herself amidst the contradictions of contemporary Mauritania.

    To the young woman's community, his fleeing confirms his guilt, setting off a chain reaction of pursuit, mob justice, and Nyamugari's attempts at explanation. Young Burundian novelist Roland Rugero's second novel Baho!, the first Burundian novel to ever be translated into English, explores the concepts of miscommunication and justice against the backdrop of war-torn Burundi's beautiful green hillsides.