Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

    To make matters worse, her twin sister is keeping secrets, loan sharks are circling, and the man of her dreams — a newspaper reporter — is on assignment to bring down everyone with the last name St James.Things are certainly looking bleak for the down-and-out socialite until a good deed throws her into the path of the city’s top crime-fighter, Dark Ryder. Suddenly, Bremy has a new goal: apprentice to a superhero, and start her own crime-fighting career.Ryder has no need for a sidekick, but it turns out the city needs Bremy’s help. Atticus St James is planning the crime of the century, and Bremy may be the only one able to get close enough to her father to stop him.Now all she needs to do is figure out this superhero thing in less than a month, keep her identity secret from the man who could very well be The One, and save the city from total annihilation.Well, no one ever said being a superhero would be easy...

    Hand Games, poems of the first section, is the daily bread of my past two years or so. They are the artifacts of loving in a personal way, of struggles in a wide and a narrower frame, of planting and harvesting in the earth and on paper, of building new friendships and mourning the death of friends. They speak of zucchini and oaks and cats, of jogging and writing, of nuclear power plants and suicide, of fat and of street hassling. ”The Lunar Cycle forms the second part. I first heard of the lunar calendar in my childhood, when I asked why Passover falls on a different date every year and was answered that it falls on Nisan 14, the fourteenth day of the lunar month of Nisan. The next time I came across the moon-month was in reading Robert Graves in search of the old goddess religions. But the lunar calendar has really only been an intimate part of my life since I moved near the ocean and the bay and had to become conscious of the tides; for one thing, to get the sweet Wellfleet oysters. For more precise understanding I owe a lot to Nancy F. W.Passmore of the Luna Press, who every year produces The Lunar Calendar with thirteen months, their old Celtic names, associations from around the world, time of moon rise and set and all the phases. It tells me at a glance when my period will come and when I can expect to ovulate, and it is the most beautiful calendar I have ever seen, with the months in the form of spirals rather than grids.”Not being constrained by commerce to produce a calendar to sell by January first, Roman time, I begin when my year opens, in the spring; with Nisan, the first month of the Jewish religious year – although I have used the Celtic names, as does The Lunar Calendar, in homage to that labor of love. Rediscovering the lunar calendar has been a part of rediscovering women’s past, but it has also meant for me a series of doorways to some of the non-rational aspects of being a living woman: Thus The Lunar Cycle, explorations of my last two years.”

    The poems weave between personal narrative and pop-cultural criticism, examining and confronting modern media, consumption, feminism, and Blackness. This collection explores femininity and race in the contemporary American political climate, folding in references from jazz standards, visual art, personal family history, and Hip Hop. The voice of this book is a multifarious one: writing and rewriting bodies, stories, and histories of the past, as well as uttering and bearing witness to the truth of the present, and actively probing toward a new self, an actualized self. This is a book at the intersections of mythology and sorrow, of vulnerability and posturing, of desire and disgust, of tragedy and excellence.

    The daughter of a black mother and white father, a student of history and of the Deep South, she is inspired by everything from colonial paintings of mulattos and mestizos to the stories of people forgotten by history. Meditations on captivity, knowledge, and inheritance permeate Thrall, as she reflects on a series of small estrangements from her poet father and comes to an understanding of how, as father and daughter, they are part of the ongoing history of race in America.Thrall confirms not only that Natasha Trethewey is one of our most gifted and necessary poets but that she is also one of our most brilliant and fearless.

    She can’t see anything beyond the rubble that she’s trapped beneath, but she’s sure someone will come save them soon. As the hours and days tick by, Ruby and Charlie struggle to stay hopeful—and stay alive. Ruby has only Charlie’s voice and her memories to find the hope to keep holding on. Will the two make it out alive? And if they do, what will they have lost to the earthquake? Riveting, tense, and emotionally complex, Aftershocks weaves together the terror and hope of a catastrophic event while showing the ways that disasters can change and unite us.

    Before she enlisted, Lauren, a classically trained singer, and her brother Danny, a bright young boy obsessed with Arctic exploration, made the most of their modest circumstances, escaping into their imaginations and forming an indestructible bond. Joining the army allowed Lauren to continue to provide for her family, but it came at a great cost.When she arrives home unexpectedly, it's clear to everyone in their rural New York town that something is wrong. But her father is so happy to have her home that he ignores her odd behavior and the repeated phone calls from an army psychologist. He wants to give Lauren time and space to acclimate to civilian life.Things seem better when Lauren offers to take Danny on a trip to visit their mother upstate. Instead, she guides them into the glacial woods of Canada on a quest to visit the Jeanne d'Arc basin, the site of an oil field that has become her strange obsession. As they set up camp in an abandoned hunting lodge, Lauren believes she's teaching Danny survival skills for the day when she's no longer able to take care of him.But where does she think she's going, and what happened to her in Iraq that set her on this path? From a writer whom The New York Times Book Review says, writes with a restraint that makes poetry of pain, Be Safe I Love You is a novel about war and homecoming, love and duty, and an impassioned look at the effects of war on women as soldiers and caregivers, both at home and on the front lines.

    This anthology showcases the most exceptional SF stories written by women in recent decades, from classic stars Ursula K. Le Guin and Angélica Gorodischer; science fiction greats Karen Joy Fowler and Nancy Kress; new award-winning talents Elizabeth Bear, Nnedi Okorafor and Aliette de Bodard; and many more.Contents:Girl hours / Sofia Samatar --Excerpt from a letter by a social-realist Aswang / Kristin Mandigma --Somadeva: a sky river sutra / Vandana Singh --The queen of Erewon / Lucy Sussex --Tomorrow is Saint Valentine's Day / Tori Truslow --Spider the artist / Nnedi Okorafor --The science of herself / Karen Joy Fowler --The other graces / Alice Sola Kim --Boojum / Elizabeth Bear & Sarah Monette --The eleven holy numbers of the mechanical soul / Natalia Theodoridou --Mountain ways / Ursula K. Le Guin --Tan-Tan and Dry Bone / Nalo Hopkinson --The four generations of Chang E / Zen Cho --Stay thy flight / Élisabeth Vonarburg --Astrophilia / Carrie Vaughan --Invisible planets / Hao Jingfang --On the Leitmotif of the Trickster Constellation in Northern Hemispheric star charts, post apocalypse / Nicole Kornher-Stace --Valentines / Shira Lipkin --Dancing in the shadow of the once / Rochita Loenen-Ruiz --Ej-Es / Nancy Kress --The cartographer wasps and the anarchist bees / E. Lily Yu --The death of Sugar Daddy / Toiya Kristen Finley --Enyo-Enyo / Kameron Hurley --Semiramis / Genevieve Valentine --Immersion / Aliette de Bogard --Down the wall / Greer Gilman --Sing / Karin Tidbeck --Good boy / Nisi Shwal --The second card of the Major Arcana / Thoraiya Dyer --A short encyclopedia of lunar seas / Ekaterina Sedia --Vector / Benjanun Sriduangkaew --Concerning the unchecked growth of cities / Angélica Gorodischer --The radiant car thy sparrows drew / Catherynne M. Valente.

    But Poe is also the author of some of the most haunting poetry ever written--poems of love, death and loneliness that have lost none of their power to enthrall in this unique Signet Classic edition.

    He has his surgical slate at New York Presbyterian, he has a charitable foundation providing surgical tools to hospitals in Africa, he has his Brit Invasion cover band, Mersey, and he has his secret life as a Dominant in Manhattan’s BDSM community.Into bondage, D/s and the occasional dungeon scene, Drake keeps every part of his life separate, the divisions between them neat and tidy. His weeks are filled with surgeries, music and D/s sex, and none of the well-planned and scheduled parts of his life intersect.That is until Kate McDermott crosses his path and screws everything up.Now, nothing is neat and tidy anymore, for Drake is smitten and things are going to get messy…Drake Restrained is a novella in the Unrestrained Series, which explores the early days of the relationship between Drake and Kate from Drake’s point of view.

    Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, the widows and divorcées struggling to hold their own.The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.

    known for writing unique, raw and captivating pieces on everything from love and politics, to abuse and womanhood, catarine knows how to tug at both your heartstrings and your mind. cover art by mikaela bailey.

    She begins with “how to” poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.Closing the book are poems that celebrate natural wonders—birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees—all speaking to the daring project of belonging to an untamed world beyond ourselves.Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It’s all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

    This book was created with hopes of uplifting and encouraging readers in many ways. There is a journal in the back of the book for readers and fellow writers to indulge in to keep the "conversation" going. Author, Alexandra Elle, wrote this book to shed light on the fact that indeed not all who wander are lost; some are simply still finding their way.

    As Shaughnessy conjures our potential future, she movingly (and often with humor) envisions an age where cephalopods might rule over humankind, a fate she suggests we may just deserve after destroying their oceans. These heartbreaking, terrified poems are the battle cry of a woman who is fighting for the survival of the world she loves, and a stirring exhibition of who we are as a civilization.