His fame rests mainly on the achievement of the epic Aubrey/Maturin novels, but few readers know that O'Brian first made his reputation as a writer of short fiction. Collected here are twenty-seven stories that O'Brian wished to preserve: stories of uncommon lyricism and beauty that will confirm his rightful place in the front rank of short-story writers as well as of novelists.Although the tone of this collection ranges effortlessly from the humorous to the dramatic, the most characteristic and memorable stories often have to do with a glimpse of savage, destructive forces through the fragile shell of human civilization. The threatened chaos may be psychological, as in "On the Wolfsberg," or it may be lurking in the natural world, as in "A Passage of the Frontier," or, as in the dark masterpiece "The Chian Wine," it is suddenly discovered in the ancient, irrational impulses of human nature.The setting may be the marshes of western Ireland, the Pyrenees, or the claustrophobic confines of a clockmender's house, but each story is a showcase for Patrick O'Brian's fresh and meticulous prose; each story reaffirms his sympathetic understanding of human passion and suffering. This collection proves that O'Brian is not simply the master of a genre, but an author who will long be honored as one of our most eminent literary figures.

    His name was Death and Hell was following close behind...Book zero of the America Falls series is an action-packed novella that tells the story of a mysterious traveler with a hook hand who travels the post-apocalyptic eastern states of America spreading a message of hope about 'The Cities' and the budding rebirth of the United States.It isn't always smooth travelling at the end of the world though, and when he stumbles across a gang of cannibals out for the blood of the innocent, he must decide whether to interrupt his mission and risk death at the hands of psychopaths to help someone in need.

    They are as different as Clyde Merriman, who "had no particular ambitions" but whose future is quickly decided when his girlfriend gets pregnant; the Maloney brothers, one the student body president, the other an outcast; Janet Salterlee, who trained for fifteen years to be Queen of the Rose Festival; Blaze Cooney, who attempts to write a novel; Anne Tressman, whose only interest is ballet; and Tommy German, the hanger-on, who tries desperately to meet girls on the seaside boardwalk—yet behind their fantasies and foibles lies a common rite of passage."One Pocket" traces the fascination of a writer, stuck in the air force, with the game of pool. He discovers that on occasion he can shoot "in a 'zone' way over his head," a discovery at once exhilarating and alarming. Finally, in "Glitter: A Memory," the writer, at work on a screenplay for a fading star, learns the lesson of Hollywood that things are not as they seem in a world of fantasy, deception, and calculated illusion.Comical, lively, and tender, The Class of '49 shows Don Carpenter's voice to be one of the most vital in contemporary American writing.

    Ruth Wyatt grew up in an orphanage after she lost her parents in a stage coach robbery. The family had thought she had also died in that robbery until 16 years later, someone told her cousin that they had seen a girl who could be his sister. From there, the family tracked her down and sent her a train ticket to come home. But it wasn't as easy as that.

    Discriminated against because of his breed, he is greeted with cruelty from nearly every avenue. Though all he desires is a loving home, he finds himself in the clutches of abusive villains. Despite being broken by hunger and abuse, he takes a second chance at joining a family when a kind musician offers him a helping hand. In a struggle for acceptance, Lucky the pit bull is confronted with his greatest fear and is threatened with losing what he loves the most.Will his heroic efforts secure him the life of simplicity and happiness he’s always wanted? Or will he be turned out of the house because of social bias? Discover what fate lies ahead of our canine narrator in this emotional story filled with struggles and triumphs.

    The work delightfully bridges the gap between the mundane and arcane writings of today and provides an interesting, yet intellectually stimulating, treat for the discerning reader. New Life is a long story written from the perspective of a successful adult whose mother had deserted the family for another man. The teenage angst and the scars it has left behind on the psyche of the protagonist are subtly reflected in the character. The different elements and characters of the story are beautifully interwoven to produce an intense and compelling story of an adult haunted by the trauma of being deserted by his mother. The work is interspersed with thought-provoking views on issues like love and socio-economic conditions in India. The traditional rhyme and metre dominated poems are on love, loss and longing. Unshackled by the bonds of rhyme and metre, Sabarna s free verses evoke the stark reality of urban life, hitting you straight in the guts. The use of everyday urban imagery adds to the appeal of the compositions. The concrete prison of urban life and the unfulfilled desire to escape to a simple life is aptly brought out in The Tower. The other poems of the collection are more biographical in nature with the protagonist being the member of the fairer sex. The free verses sketch out their life story with its attendant pathos, poignancy and logic. The best part of all the compositions is that the reader will definitely identify with the poet and will, in one form or other, have similar stories to narrate.

    2nd in the Fergus O'Neill Series

    A crowded fairground. A simple sequence of numbers that appear over and over again... and a horrible feeling that something is very, very wrong.Nina Vogel is haunted by a recurring nightmarish vision - but what does it mean?In this powerful short story by Jack Harding, step into this nerve-racking, fast-paced fever dream that blurs the lines between the real and the unreal.

    The first few chapters are available as 'The Chronicles of Engella Rhys (Preview).' Would you sacrifice your future to save your past? Engella Rhys is alone, adrift and on the run. Pursued by a secret agency, known only as the Hunters, she must stay ahead to stay alive. As she travels through space-time using dangerously experimental technology, she only has one wish: to be reunited with her lost parents. After a close shave with a Hunter on the streets of New Shanghai, Engella escapes to find herself on a deserted beach. When she meets a kind stranger, who offers her food and shelter, Engella feels safe and protected for the first time in years. But who is this woman? And why did their paths cross at the most convenient of times? Engella soon discovers their lives are intertwined in more ways than she could ever imagine.

    

    A cross between William Faulkner (Times-Picayune) and John Irving (Detroit Free Press), Dufresne once again masterfully charts the power of truth and lies and the magic hidden in the mundane.

    These stories hold the readers enthrall from the opening sentence itself, bringing the various characters to life in vivid detail.

    Her infant son, already dead, lies on her chest still clinging to his mother.On the morning that is Patty found, she is not expected to survive but is taken to hospital where she eventually recovers. But, severely emotionally disturbed, Patty soon finds herself a patient at Hillside Asylum. There, Patty’s condition deteriorates, and the staff and doctors perform unnecessary experimental procedures on their patient.But when someone from Patty’s past learns about her incarceration, they vow to get her out. And those responsible for the abuse will be made to suffer . . .

    The stories range in style from the gritty noir of David Means' "Sault Ste. Marie" to the mesmerizing mythmaking of Louise Erdrich's "The Plague of Doves," while the settings include a village perched on top of an enormous whale (David Lawrence Morse's "Conceived") as well as a swank suite at the Plaza Hotel (Xu Xi's "Famine"). The three most powerful stories seem to have in common the ability to immerse readers in a character's sudden, searing moment of self-knowledge and the way that insight impacts the course of a life. In Edward P. Jones' elegiac, masterful "Old Boys, Old Girls," a hard-bitten con comes to see that redemption is within his reach. Deborah Eisenberg delicately deconstructs a young girl's attraction to an abusive man in the haunting "Windows." And, finally, the storied Alice Munro, in "Passion," conveys the complex inner world of a teenager who discovers she values risk over security.

    Author of the New York Times bestsellers “Let the Great World Spin” and “Transatlantic,” McCann has been called “a giant among us” (Peter Carey), “dazzlingly talented” (O: The Oprah Magazine), and “that rare species in contemporary fiction: a literary writer who is an exceptional storyteller” (The Independent). He’s received a National Book Award, an Oscar nomination, and a slew of international prizes. His talents are on full display in his new short story, “Gone,” a deeply affecting literary thriller about a mother and son, alone in a cottage on the west coast of Ireland, and the search that ensues when the boy—whom she adopted years before, deaf and with “already a whole history written in him”—goes missing. He slips away in early morning, down to the cold sea with his new Christmas wetsuit, and as the hours and days drag on, the coast guard, police, dogs, fishermen, farmers, and schoolchildren holding hands search the sea and walk the fields while the television crews and detectives come and go, the police at the cottage seeming to “ghost into one another: almost as if they could slip into one another’s faces.” The mother, Rebecca, now under suspicion, is racked with guilt over the decisions that led to her son’s disappearance, and tormented by the judgment of others: "You bought what? A wetsuit? Why in the world? What sort of mother? How much wine did you drink?" For Rebecca, “every outcome was unwhisperable.” “Gone” is a charged narrative that propels you forward, heart in your throat, and a moving, intimate look at life’s struggles toward grace and a kind of redemption.