Two empty suitcases sit in the corner, if that’s any kind of clue.                                —from “Almost Sixty” Brief, jagged, haiku-like, Jim Moore’s poems in Invisible Strings observe time moving past us moment by moment. In that accrual, line by line, is the anxiety and acceptance of aging, the mounting losses of friends to death or divorce, the accounting of frequent flyer miles and cups of coffee, and the poet’s own process of writing. It is a world of both diminishment and triumphs. Moore has assembled his most emotionally direct and lyrically spare collection, one that amounts to his book of days, seasons, and stark realizations.

    These poems—set in a town that straddles Mexico and Arizona—are lyric adventures, crossing two and three boundaries as easily as one, between cultures, between languages, between senses. Drawing upon fable, parable, and family legend, Ríos utilizes the intense and supple imagination of childhood to find and preserve history beyond facts: plastic lemons turning into baseballs, a grandmother’s long hair reaching up to save her life, the painted faith jumpers leaping to the earth and crowd below. This is magical realism at its shimmering best. The smallest muscle in the human body is in the ear. It is also the only muscle that does not have blood vessels; It has fluid instead. The reason for this is clear: The ear is so sensitive that the body, if it heard its own pulse, Would be devastated by the amplification of its own sound. In this knowledge I sense a great metaphor, But I do not want to be hasty in trying to capture or describe it. Words are our weakest hold on the world. —from "Some Extensions of the Sovereignty of Science" "Ríos is onto something new in his poetry—in the way that the real poets of any time always are."—American Book Review Alberto Ríos teaches at Arizona State and is the author of eight books of poetry, three collections of short stories, and a memoir about growing up on the Mexican border. He is the recipient of numerous awards and his work is included in over 175 national and international literary anthologies. His work is regularly taught and translated, and has been adapted to dance and both classical and popular music.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Responding to the post-industrial landscape of rural life, Jenny George braids together regional plains poetry and the darkly fantastic imagery of medieval painting. Alluding to Goya’s grotesque bestiary, The Dream of Reason is similarly preoccupied with creatures of all kinds: tiny husks of insects, bats crawling across porches like goblins, purring moths, and pigs, in many forms. George names these creatures and documents the traumas of farm life, the role of the handlers involved, and the empathy and horror that comes with it. The collection lingers, transfixed by its strange imaginings, searching for sense in the dark.

    Sharing a number of poems that she wrote when the world went into lockdown, this collection will include the phenomenal Love in the Time of Coronavirus which was shared across social media over 20,000 times, as well as her poems of strength and hope How to Be Strong and Silver Linings. This collection will be fully illustrated by Nikita with beautiful line-drawings, and moves her into an exciting new space in the market as she tackles themes such as mental health and loneliness.

    Lang Leav presents a completely new collection of poetry with a celestial theme in The Universe of Us.Planets, stars, and constellations feature prominently in this beautiful, original poetry collection from Lang Leav.  Inspired by the wonders of the universe, the best-selling poetess writes about love and loss, hope and hurt, being lost and found.  Lang's poetry encompasses the breadth of emotions we all experience and evokes universal feelings with her skillfully crafted words.

    Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic."

    What Would your life say if it could talk?                                                            —from “No Fly Zone”With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like “love” and “illness” now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope.

    Danks AwardHapax is ancient Greek for "once, once only, once and for all," and "onceness" pervades this second book of poems by American expatriate poet A. E. Stallings. Opening with the jolt of "Aftershocks," this book explores what does and does not survive its "gone moment"-childhood ("The Dollhouse"), ancient artifacts ("Implements from the Grave of the Poet"), a marriage's lost moments of happiness ("Lovejoy Street"). The poems also often compare the ancient world with the modern Greece where Stallings has lived for several years. Her musical lyrics cover a range of subjects from love and family to characters and themes derived from classical Greek sources ("Actaeon" and "Sisyphus"). Employing sonnets, couplets, blank verse, haiku, Sapphics, even a sequence of limericks, Stallings displays a seemingly effortless mastery of form. She makes these diverse forms seem new and relevant as modes for expressing intelligent thought as well as charged emotions and a sense of humor. The unique sensibility and linguistic freshness of her work has already marked her as an important, young poet coming into her own.

    With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists.

    Alyssa Karr's beautiful words fill the reader with inspiration and hope to turn darkness into light.

    . . a contemporary genius with the language itself . . . There is simply no contemporary poet like him.” —David Baker, The Kenyon Review Albert Goldbarth has created an unmistakable signature style—learned, copious, hilarious, and heartbreaking—which has so far spanned an award-winning career of thirty-five years. The Kitchen Sink brings together forty new poems with a rich selection of earlier poetry, ranging from the brief, flickering lyric to the long, narrative sequence. In both forms, Goldbarth exerts a wild showmanship and an ever-widening scope to illustrate the complex character and interconnectedness of humanity, history, and art. The Kitchen Sink is the definitive book by one of America’s most original and entertaining poets.

    Featuring brand new stories and some old favorites, many of these tell-all, gritty tales were originally published on the blog Make It MAD between 2010 and 2012, and have been rereleased in their originality for this special print and digital anthology.

    About the experience of violence, abuse, love, loss, and femininity. It is split into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. 'milk and honey' takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.

    A new collection by the much praised poet whose second book THE DEAD AND THE LIVING, was both the Lamont Poetry Selection for 1983 and winner of the National Book Critics Circle Award.