This exceptional collection of stories is about young women of different ages, from their early teens to their late twenties, coming to terms with what it means to desire, and be desired, with funny, surprising and sometimes confronting results.Ulman first made her mark with the story Chagall's Wife in Meanjin; this collection shows that she's a young Australian writer to put alongside Ceridwen Dovey, Nam Le and Fiona McFarlane.

    Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    For as long as they have lived on the frontier, the Bemis and Webber families have relied on each other. With no other settlers for miles, it is a matter of survival. But when Ernest Bemis finds his wife, Cora, in a compromising situation with their neighbor, he doesn’t think of survival. In one impulsive moment, a man is dead, Ernest is off to prison, and the women left behind are divided by rage and remorse.Losing her husband to Cora’s indiscretion is another hardship for stoic Nettie Mae. But as a brutal Wyoming winter bears down, Cora and Nettie Mae have no choice but to come together as one family—to share the duties of working the land and raising their children. There’s Nettie Mae’s son, Clyde—no longer a boy, but not yet a man—who must navigate the road to adulthood without a father to guide him, and Cora’s daughter, Beulah, who is as wild and untamable as her prairie home.Bound by the uncommon threads in their lives and the challenges that lie ahead, Cora and Nettie Mae begin to forge an unexpected sisterhood. But when a love blossoms between Clyde and Beulah, bonds are once again tested, and these two resilient women must finally decide whether they can learn to trust each other—or else risk losing everything they hold dear.

    Each Christmas Eve thereafter, fans rejoiced when Johnson sent out a new short story featuring an episode in Walt’s life that doesn’t appear in the novels; over the years, many have asked why they can’t buy the stories in book form.Wait for Signs collects those beloved stories—and one entirely new story, “Petunia, Bandit Queen of the Bighorns”—for the very first time in a single volume, regular trade hardcover. With glimpses of Walt’s past from the incident in “Ministerial Aide,” when the sheriff is mistaken for a deity, to the hilarious “Messenger,” where the majority of the action takes place in a Port-A-Potty, Wait for Signs is a necessary addition to any Longmire fan’s shelf and a wonderful way to introduce new readers to the fictional world of Absaroka County, Wyoming.

    In “The Prettiest Girls,” a location scout for a Hollywood film studio falls in love with a young Mexican woman who is more in love with the idea of stardom than with this older American man who takes her with him back to California. “Clear Conscience” focuses on the themes of family loyalty, divorce, motherhood, and whether “doing the right thing” is, in fact, always the right thing to do. In “Beach Vacation,” a mother realizes that her popular and coddled teenaged son has become someone she has difficulty relating to, let alone loving with the same maternal fervor that once was second nature to her. The title story, “The Virginity of Famous Men,” explores family and fortune.Long intrigued by love and loneliness, Sneed leads readers through emotional landscapes both familiar and uncharted. These probing stories are explorations of the compassionate and passionate impulses that are inherent in—and often the source of—both abiding joy and serious distress in every human life.

    Newsweek’s Most Anticipated Books of 2020Forbes.com’s Most Anticipated Books of 2020Publishers Weekly’s Notable TitlesIn 1925, Barnard student Zora Neale Hurston—the sole black student at the college—was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

    An aging feudal landlord's household staff, the villagers who depend on his favor, and a network of relations near and far who have sought their fortune in the cities confront the advantages and constraints of station, the dissolution of old ways, and the shock of change. Mueenuddin bares—at times humorously, at times tragically—the complexities of Pakistani class and culture and presents a vivid picture of a time and a place, of the old powers and the new, as the Pakistani feudal order is undermined and transformed.

    A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughter’s infidelity, even as she keeps a disturbing secret of her own. An artist mourns the end of a romance while painting a dying man’s portrait. An accident on a trip to Italy and an unexpected connection with a stranger cause a woman to question her lifelong assumptions about herself.Brilliant, hopeful, and fearlessly honest, If I Loved You, I Would Tell You. This illuminates the truths of human relationships, truths we come to recognize in these characters and in ourselves.

    Brought in to construct and serve the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force is not given the option of citizenship. Some ride their luck to good fortune. Others suffer different fates. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony of voices, Unnikrishnan maps a new, unruly global English and gives personhood back to the anonymous workers of the Gulf.

    The stories in Fresh Complaint explore equally rich­­—and intriguing—territory. Ranging from the bitingly reproductive antics of “Baster” to the dreamy, moving account of a young traveler’s search for enlightenment in “Air Mail” (selected by Annie Proulx for Best American Short Stories), this collection presents characters in the midst of personal and national emergencies. We meet a failed poet who, envious of other people’s wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art founder under the obligations of marriage and fatherhood; and, in “Fresh Complaint,” a high school student whose wish to escape the strictures of her immigrant family lead her to a drastic decision that upends the life of a middle-aged British physicist. Narratively compelling, beautifully written, and packed with a density of ideas despite their fluid grace, these stories chart the development and maturation of a major American writer.Complainers --Air mail --Baster --Early music --Timeshare --Find the bad guy --The oracular vulva --Capricious gardens --Great experiment --Fresh complaint

    and Addis Ababa through the eyes of Sepha who, seventeen years ago, fled Ethiopia during the Revolution, and now runs a failing convenience store in a poor African-American neighborhood in Washington. Published as The Beautiful Thing That Heaven Bears in the USA, Canada and Australia; and as Children of the Revolution in the UK.Seventeen years ago, Sepha Stephanos fled the Ethiopian Revolution after witnessing soldiers beat his father to the point of certain death, selling off his parents' jewelry to pay for passage to the United States. Now he finds himself running a grocery store in a poor African-American neighborhood in Washington, D.C. His only companions are two fellow African immigrants who share his feelings of frustration with and bitter nostalgia for their home continent. He realizes that his life has turned out completely different and far more isolated from the one he had imagined for himself years ago. Soon Sepha's neighborhood begins to change. Hope comes in the form of new neighbors-Judith and Naomi, a white woman and her biracial daughter-who become his friends and remind him of what having a family is like for the first time in years. But when the neighborhood's newfound calm is disturbed by a series of racial incidents, Sepha may lose everything all over again. Told in a haunting and powerful first-person narration that casts the streets of Washington, D.C., and Addis Ababa through Sepha's eyes, The Beautiful Things That Heaven Bears is a deeply affecting and unforgettable debut novel about what it means to lose a family and a country-and what it takes to create a new home. Published as The Beautiful Thing That Heaven Bears in the USA, Canada and Australia; and as Children of the Revolution in the UK. Winner of the Guardian (UK) 2007 book award.

    They are cast with characters who appear and reappear throughout the collection, their actions equally divided between the praiseworthy and the loathsome. They take place in settings as various as Tuscany, San Francisco, Ethiopia, and New York, but their central stage is the North Loop of Minneapolis, alongside the Mississippi River, which flows through most of the tales. Each story has at its center a request or a demand, but each one plays out differently: in a hit-and-run, an assault or murder, a rescue, a startling love affair, or, of all things, a gesture of kindness and charity. Altogether incomparably crafted, consistently surprising, remarkably beautiful stories.

    In this ambitious, incandescent debut, Malcolm Brooks animates that time and untamed landscape, in a tale of the modern and the ancient, of love and fate, and of heritage threatened by progress.Catherine Lemay is a young archaeologist on her way to Montana, with a huge task before her—a canyon “as deep as the devil’s own appetites.” Working ahead of a major dam project, she has one summer to prove nothing of historical value will be lost in the flood. From the moment she arrives, nothing is familiar—the vastness of the canyon itself mocks the contained, artifact-rich digs in post-Blitz London where she cut her teeth. And then there’s John H, a former mustanger and veteran of the U.S. Army’s last mounted cavalry campaign, living a fugitive life in the canyon. John H inspires Catherine to see beauty in the stark landscape, and her heart opens to more than just the vanished past. Painted Horses sends a dauntless young woman on a heroic quest, sings a love song to the horseman’s vanishing way of life, and reminds us that love and ambition, tradition and the future, often make strange bedfellows. It establishes Malcolm Brooks as an extraordinary new talent.

    They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These twelve irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam, from the gallery opening of a tinfoil artist to the fitting room of a legendary lingerie shop. Vicious, fresh, and nutty as a poisoned Goo Goo Cluster, American Housewife is an uproarious, pointed commentary on womanhood.

    The strong but flawed women of Mothers, Tell Your Daughters must negotiate a sexually charged atmosphere as they love, honor, and betray one another against the backdrop of all the men in their world. Such richly fraught mother-daughter relationships can be lifelines, anchors, or they can sink a woman like a stone.In "My Dog Roscoe," a new bride becomes obsessed with the notion that her dead ex-boyfriend has returned to her in the form of a mongrel. In "Blood Work, 1999," a phlebotomist's desire to give away everything to the needy awakens her own sensuality. In "Home to Die," an abused woman takes revenge on her bedridden husband. In these fearless and darkly funny tales about women and those they love, Campbell’s spirited American voice is at its most powerful.