Held prisoners within a magical orb the Sister Witches wait to be released. When the prophesied one is crowned King he will have the power to set them free. At all costs he must be found and turned away from the evil that is seeping into the world of Talia. Idi’s life so far has been full of sorrow. He longs to leave the village and to go in search of adventure. When Marcus, the Magician, turns up and asks Idi to join him on a Quest Idi doesn’t hesitate. They set off together across the lands of Talia in search of the mother who bring the new King into their world. They must find her before Norvora and his minions do, the Oracle is relying on them to keep the new King safe. But the world of Talia is changing, the demons becoming bolder and time is running out. The Witches must decide which side to fight on and Idi must learn to be the greatest magician Talia has ever seen if he is to save them all.

    

    Throughout her short life, Sallie-Anne Huckstepp lived a dangerous existence. This is a true story, brilliantly told, of someone who was gutsy and determined – and who paid the ultimate price for speaking out against corruption and murder.In 2014, Xoum is proud to release a new edition of this seminal work.Praise for Huckstepp by John Dale‘A marvellous book, brilliantly written and researched.’ Louis Nowra‘A significant, original work that challenges as much as it reveals.’ The Australian‘Dale nails the treachery, corruption and decadence of a part of Sydney society that traces its origins to the Rum Corps.’ Andrew Rule‘A brilliantly constructed record of one of Kings Cross’ most infamous characters. A great city story.’ The Australian‘A fine and disciplined piece of writing.’ HQ‘As gripping as a thriller.’ The Northern Star‘Only the very famous – or infamous – are known by a single name. Huckstepp conjures memories of the bad old days in Sydney; of a time when cops and crims were as likely to be allies as enemies. In the age of Underbelly, John Dale’s new edition of Huckstepp is a timely reminder of the human cost behind the headlines. Through extensive interviews with those who knew, loved and used Sallie-Anne Huckstepp, Dale vividly recreates a time when heroin was currency, and corruption and murder were the everyday tools of violent men. It is a deadly, dangerous, brutal world, depicted with realism, not romanticism. For some, the name Huckstepp will forever carry a frisson of excitement, the promise of secrets, sex, drugs and crime. In this book, Dale ensures that Sallie-Anne’s name will also forever remind us of that fateful moment when a young woman with a gap-toothed smile and a story to tell naively believed that publicity would guarantee her protection. Huckstepp is still famous, but her story runs deeper than the headlines. In this book, Dale takes the reader beyond the underbelly, into the very belly of the beast.’ P.M. Newton

    Where is Kyron Horman? Why hasn't the woman who police suspect is responsible for his disappearance-Kyron's stepmother-been charged? On the last day he was seen, June 4, 2010, the boy with the toothy smile, crew cut, and glasses posed in front of his science project on frogs. Kyron grinned for a photo taken by his stepmother. She said he walked to his second-grade classroom and turned to wave at her. Then he vanished. That Kyron disappeared from his grade school got the attention of parents around the world. The twists of the case -adultery, sexting, murder-for-hire-keep the story in the spotlight. On the tenth anniversary of Kyron's disappearance, New York Times bestselling author Rebecca Morris tells for the first time the story of the investigation and the toll the boy's disappearance took on his family and law enforcement. Based on years of research and interviews with people close to the case, including Kyron's mother, Desiree Young. the book is the story of the boy's disappearance, the suspicion that quickly fell on one member of a messy blended family, and how Desiree Young turned grief into advocacy. "Boy Missing" examines what recourse families have as they wait for a loved one to be found. It challenges a common assumption in no-body cases: that prosecutors must wait until there is a confession or remains are found. No-body cases can be prosecuted successfully. Jeff Guinn, author of "Manson" and "The Road to Jonestown: Jim Jones and Peoples Temple," calls "Boy Missing " "an important book and one readers will never forget." Rebecca Morris is the author of "If I Can't Have You: Susan Powell, Her Mysterious Disappearance, and the Murder of Her Children," "Ted and Ann: They Mystery of a Missing Child and Her Neighbor Ted Bundy," and other books. A veteran journalist, she appears frequently on network and cable TV as a crime expert.

    She's got things mostly under control until a couple weeks before Dad's release, when voices start whispering in her head, and Gabe, the hot lifeguard at the pool, notices the strange brands engraved on her arm...the ones she's trying desperately to hide. Emily doesn't know how the symbols got there or what they mean. They appeared overnight and now they're infected and bleeding. She's pretty sure she's losing her mind. Stress, insomnia, and her wounded egos drive Emily to self-medicate, which has to be why the nightmares from her childhood have resurfaced, why they're commandeering her conscious even when she's awake. It has to be why the fairytale creatures she created as a little girl insist they need her help. Triggered by the return of her childhood abuser and unable to cope with reality, Emily slips completely inside her elaborate fantasy world. She's powerful in the First Realm, maybe even more powerful than her attacker. It would be so easy to stay there, to lose herself in enchantment...to lose herself in love. But something sinister lurks in the forest shadows. Emily soon discovers her demons have followed her inside her fairytale. They're hunting her. With the help of the Fae, she frantically searches for the weapons she needs to defeat her greatest fears and escape back to reality before the man who tortured her can prey on her younger brothers and sister, too. Time is running out...*Non-explicit Trigger Warning: This book deals with issues of child molestation and abuse.

    The poet Donald Davie writes: 'Vikram Seth's poems should have an impact far beyond much noisier pieces; for when did we last see a volume in which the poet's eye is on what is objectively before him, rather than on the intricacies of his own sensibility?'

    But, even so, it's useful that his odd aunt can afford airship tickets to France. On such a quick trip, his hated travel sickness won't be enough to keep him from a chance to stand beneath the impossible Towers of the Moon.Forfeit: Forfeit is the newest game of the Court of the Moon, and one seemingly designed for humans to lose. But Arianne Seaforth is willing to pay a great deal to help her oldest friend – and she is learning to extract a price of her own.Death and the Moon: Eluned Tenning can barely remember all the names of the vast network of cousins making her sixteenth birthday party so overwhelming. But she has no problems with would-be actor Milo, who is so calmly quiet and friendly. She'd never step on a stage herself, but she's happy to help him rehearse.Note: "The side-trip to France." These three stories are set after the conclusion to The Pyramids of London and before the events in Tangleways. While they can be read as stand-alone stories, there are inevitably some minor spoilers for The Pyramids of London."Two Wings" is 7,500 words, "Forfeit" is 20,000 words, and "Death and the Moon" is 2300 words.

    He begins working as a washer of robes at a hotel for itinerant judges. There he meets and falls in love with Prudence, a forensic photographer whose pictures reveal the secrets of the dead.When Prudence disappears, Frank sets out in search of her, a quest that leads him into the shadowy world of a revolutionary salon, then to prison, and finally to discover the city's strange secrets and the secrets of his own heart.A haunting novel that recalls the early work of Paul Auster and Steven Millhauser, The Artist of the Missing is a stunning debut, both a richly imagined evocation of another world and a piercing examination of the mystery of love, and beautifully illustrated by the acclaimed artist Stephen Alcorn.A visionary novel about love, loss, imagination, and despair.

    This is Stefan Bolz at his best." [Amazon Reviewer] "It's one of those books that leave you desperate for more!" [Amazon Reviewer] "Highly, highly recommend this jewel of a book!" [Amazon Reviewer] "A fantastic story, wonderfully developed characters, and an ending that will leave you on edge and begging for Genesis Part 2" [Amazon Reviewer] "I loved this book's prose, characters and story line. Get this. Read it. Experience the awesome that is Stefan Bolz." [Amazon Reviewer The White Dragon: Genesis is the story of the very beginning of an apocalyptic event as seen through the eyes of an eighteen-year-old girl. Nothing could have prepared her for what is about to happen and she has to face some seriously tough stuff before the end. During the thirty-six hours of terror that turn Kasey Byrne's life upside down and strip her of everything dear to her, something inside her awakens. It is gift and curse alike for it can destroy her or turn her into the most powerful weapon against the evil that has reached the shores of our world.

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.

     Boston 1868...At the insistence of her parents, sixteen-year-old Katie O'Neil reluctantly left her beloved Galway. She joined her cousin, Moira Murphy to work as a nanny and domestic. In mid-nineteenth century Boston, Irish domestics were often referred to as Kitchen Canaries and considered property of their employers. The young women are violated by their employer, Charles Brennan. Their shame and guilt is so great, they keep the abuse a secret even from each. When Katie becomes pregnant, Charles Brennan's victims, Moira, his wife Rose, and the negro household help, bond together to hide the newborn. In this post-Civil War era, Boston is bustling with change as wealthy Englishmen and Boston Brahmins expand world trade routes, build railroads and develop land. Immigrants from Ireland, Italy and Poland establish neighborhoods, existing in overcrowded, disease-ridden shacks and tenements. They, and negroes flocking North, suffer hate, humiliation and rejection from the establishment. The only value they have to the rich Bostonians is their willingness to work for little money performing menial or back-breaking, dangerous jobs on the docks, and building railroads. This story is about the goodness of others, black, white, Irish and English whose strength prevails to overcome evil and guide Katie and Moira to true redemption. The sequel, Through the Open Door is now available.

    This bundle of book 2 & 3 continues the saga of NY private eye Michael Derrigan, as he comes into possession of a manuscript that will change the world order if its secrets are aired. Clandestine factions of the U.S. government will do anything to keep the story buried, & a trail of butchery follows Derrigan as he races for his life in a chase that takes him from New York, to Mexico, to Havana. A roller-coaster ride of a thriller, The Delphi Chronicle's unflinching & often disturbing twists and turns question the nature of reality & of the integrity of our governments in a post-modern world of lies, deceit & betrayal.+++Questions & Answers with bestselling author Russell Blake.Question: The Delphi Chronicle posits a troubling & plausible conspiracy. Where did you get the idea?Russell Blake: The idea stemmed from the title. I was originally going to call the trilogy The Pegasus File, & I'd conceptualized a cool cover, so I Googled it to confirm there weren't any other books with that name. The original conspiracy was much tamer than what I wound up with. I had the idea of a literary agent getting a manuscript detailing a shocking scheme, but I hadn't defined what it was, exactly. From that search came this conspiracy, & I have to admit I considered toning it down a lot, because it scared even me. So readers? This is fiction, OK? And U.S. government? No need to send a wet team after me. We all understand it's fictional. As in, an invention, not real. That's my official position. Readers can decide how plausible theinvention is for themselves. Some will hate it, as it portrays the U.S. government in a negative light. Can't please everyone.Q: Why write it as a trilogy?RB: It would have been a long single volume if I'd tried to squeeze it all into one book. Given the success I saw with the Zero Sum trilogy, I wanted to do another one, & this was just naturally written in three volumes, although I think most will get the first one, & then buy the specially-priced bundle of Books 2 & 3 if they're interested in following the story to its thrilling conclusion (wink wink).Q: How do your novels compare to the work of your peers?RB: I think they're faster paced than most. I try to catapult readers through a series of twists & turns at such aggressive velocity they're left gasping by the end. And I dislike books where I can see the ending coming a third of the way through. Just hate that. I try to write racing, intelligent thrillers that don't pander & aren't formulaic. All have gotten raves, so I'm fooling at least some of the people most of the time...Q: Part of Delphi unfolds in Mexico. Any particular reason?RB: I live in Mexico. Have for almost a decade. Modern Mexico is very different than as portrayed by the U.S. media. Many parts are indistinguishable from medium sized cities in the U.S. Strip malls, high rises, melting-pot racial integration, etc. It's not cactus & sombreros. One of the things I find fascinating is how different it is than what my expectations were when I moved here, & I try to impart that. Most novels set in modern Mexico I've read are caricatures of the truth. Mission bells, white-garbed peasants, stereotypical characters. I try to imbue my fiction with reality, not a Hollywood portrayal based on a snapshot from the 1950s. I think readers will find that distinction interesting.

    Danvers."This was a mistake... God damn, Laura! You're supposed to write the stories, not get yourself in them!The thought slithers through the back of my mind for the first time.What kind of people sell drugs and manufacture weapons for a living?And why?Only then do I remember I've been kidnapped.The guards drag me down a twisting, well-marked path. I see the outside of a village. I see tall front doors."Matias Rodriguez" -- he introduces himself. I gulp at the sound of the name I've read in so many reports, so many propaganda campaigns. The fear-inducing leader of the GLF...Even an inch away from me I feel heat radiates from him.But, is he really as bad as the stories say? We'll find out soon enough...This is a novel with a "Happy Ever After" ending, for adults only. The story stands by self, even if the characters, places and situations depicted may be mentioned in other of my books.

    Though things start slowly, Ivan wins her over after a strong pursuit, and the two marry, agreeing never to inflict any “irreparable wounds.” But though Ivan proves to be a fine father, he is a distant husband, and Caroline finds herself daydreaming of other men. So as the years pass, the couple finds ways to bend but not break their cardinal rule. Rough Strife, the first novel from Lynne Sharon Schwartz, was nominated for the National Book Foundation Award. In this sensational debut, Schwartz depicts a marriage that grows painfully into the modern era, despite the changes—both political and personal—that challenge it.

    They announce that the logical and important places to begin to examine that history are eye witnesses. Miriam Brysk’s chronicle is among the more exceptional of these works. It reflects her own life: highly accomplished, intelligent, detailed and thoughtful. At age seven, Miriam, her mother Bronka and father, Chaim Miasnik, a renowned surgeon, escaped the Lida ghetto and joined Jewish partisans in the Lipiczany Forest. Before the end of the war, Miriam estimates that her father had saved hundreds of lives and helped build and supervise a partisan hospital in the swamps of the forest. Constantly hunted by German soldiers, she experienced childhood terror that has remained with her. She lost her innocence, her childhood, her youth as she clung to her mother and her prized possession, a pistol. Her head was shaved so she would look like a boy. Her memory of the details of that time—both in the Lida ghetto and in the forest—remains remarkably sharp and distinguishes this memoir from many others. — Sidney Bolkosky, William E. Stirton Professor in the Social Sciences, Professor of History, University of Michigan-Dearborn