Misty Copeland became the first African American Female Principal Dancer for the American Ballet Theatre, but how did she get there? A Girl Named Misty describes the defining moments that made up her childhood and adolescence with full-color illustrations throughout. In addition to stories and facts about Misty's upbringing and accomplishments, the book includes a timeline and a glossary, plus a profile of a noteworthy and contemporary American girl following in Misty's graceful footsteps to lead the way for African American women in the arts.

    There are lots of facts about the artists and their lives, and how they created their work, to help beginners understand what art is and why people think it is important. There are also Internet links to recommended websites where you can view lots more pictures, play art games and create your own art online."

    This collection presents fifty large-scale artworks from the American master's color field period (1949–1970) alongside essays by Rothko's son, Christopher Rothko, and San Francisco Museum of Modern Art curator of painting and sculpture Janet Bishop. Featuring illuminating details about Rothko's life, influences, and legacy, and brimming with the emotional power and expressive color of his groundbreaking canvases, this essential volume brings the renowned artist's luminous work to light for both longtime Rothko fans and those discovering his work for the very first time. A textured case and large-scale tip-on on the front cover round out this sumptious package.

    With tips, how-to's, letters from girls, and facts from the experts, here's straightforward advice you can really use.

    Each shape has two spreads. Full color.

    In the only photo-essay book about the quilts of Gee’s Bend for children, award-winning author Susan Goldman Rubin explores the history and culture of this fascinating group of women and their unique quilting traditions. Rubin uses meticulous research to offer an exclusive look at an important facet of African American art and culture.   In the rural community of Gee’s Bend, African American women have been making quilts for generations. They use scraps of old overalls, aprons, and bleached cornmeal sacks—anything they can find. Their traditions have been passed down through the decades. Much to the women’s surprise, a selection of the quilts was featured in an exhibition at the Museum of Fine Arts, Houston, in 2002. The exhibition then traveled to the Whitney Museum in New York City. “Eye-poppingly gorgeous,” wrote a critic for the New York Times about the exhibition. He continued, “Some of the most miraculous works of modern art America has produced.” The Metropolitan Museum of Art will exhibit its newly acquired collection of Gee’s Bend quilts in 2017.   Rubin is known for producing well-researched, highly praised, and sophisticated biographies of artists and other important figures. Through similar research, The Quilts of Gee’s Bend shares specifics about this rare community and its rich traditions, allowing children to pause to consider history through the eyes of the people who lived it and through a legacy that is passed on to the next generation.   This book should be of great interest to classrooms, libraries, and those interested in African American art in the United States, in addition to quilting, life in early emancipated colonies in the South, and Gee’s Bends importance in the Civil Right’s movement. The quilts and the incredible stories behind them are powerful motivators for anyone who wishes to accomplish anything. A map, directions on how to make a quilt square, endnotes, and an index round out this stunning nonfiction book.

    The little girl wears it to school proudly, and when the other children laugh, she gives them a quick lesson about what it means to be rich. Judith Sutton's beautiful paintings bring one of Dolly Parton's best-loved songs to life. "The heartfelt verses are imbued with the same genuine, infectiously likeable spirit Parton herself projects." Publishers Weekly

    A wealthy painter, an art collector, an Italian journalist, a war hero, a celebrated actress, and Renoir's future wife, among others, share this moment of la vie moderne, a time when social constraints were loosening and Paris was healing after the Franco-Prussian War. Parisians were bursting with a desire for pleasure and a yearning to create something extraordinary out of life. Renoir shared these urges and took on this most challenging project at a time of personal crises in art and love, all the while facing issues of loyalty and the diverging styles that were tearing apart the Impressionist group. Narrated by Renoir and seven of the models and using settings in Paris and on the Seine, Vreeland illuminates the gusto, hedonism, and art of the era. With a gorgeous palette of vibrant, captivating characters, she paints their lives, loves, losses, and triumphs in a brilliant portrait of her own.

    Indian folk art triumphantly meets 17th-century English trick verse in this sophisticated graphic venture fit for middle graders on up." - Starred, Kirkus Reviews"A stunning reminder of why people keep making real-live books... Visually delicious and beautifully made. . . a testament to the vitality of two art forms that just won't answer to their death knells: poetry and the book." - NPR Summer Reads PickThis 17th century British poem is a form of trick verse. Here, the very design of the book brings clarity to the verse, as whimsical die-cuts in each page reveal the poem's nuanced meaning. Read straightforwardly, the poem sounds interestingly surreal. But if the lines are broken up in the middle, then everything falls into place. Illustrations by award-winning Gond artist Ramsingh Urveti (of The Night Life of Trees), book design by Jonathan Yamakami.US Grade Level Equivalent: 2US Guided Reading Level: K

    "To understand it, you have to see how it mirrors my life." Richardson, who lived near the artist in Provence for ten years and became a trusted friend, was able to observe and record this phenomenon at first hand. Later, Picasso's widow continued to give Richardson access to the artist's studios and storerooms. This close personal friendship and the privilege of working in hitherto inaccessible archives make Richardson uniquely qualified to write the artist's life, rescuing his renown from sensationalist legend and specialist pleading and analyzing anew the traumas and obsessions that triggered his explosive genius.Richardson is the first biographer to make sense of the myriad contradictions that leave so many statements about Picasso's nature equally true in reverse. The artist's ambivalence is one of the author's central themes. At last we are able to see how his courage and terror misogyny and tenderness, generosity and thrift, superstition and skepticism, cynicism and sentiment, are reflected in the conflicts and paradoxes in his work.Richardson's eye is finely attuned to the complexities of Picasso's art, and his extensive knowledge of cultural history enables him to show how Picasso plundered the art of the past, the imaginations of his poet friends, the beliefs of mystics and magi, to create a revolutionary new synthesis. The author's evocation of Picasso's ferocious ego, demonic loves and hates and black fears is the more absorbing for its terse and lively prose and freedom from jargon.This first volume of Richardson's prodigiously detailed and documented four-volume study takes Picasso to the age of twenty-five. It reveals how the adolescent Picasso struggled, through determination and study, to escape the shadow of his father's artistic failures. It describes his precocious success in Barcelona and Paris and the period of rejection and despair that followed. We watch Picasso transform the prostitutes of the Saint-Lazare prison into Blue period madonnas and, later, the performers of the Montmartre circuses into Rose period harlequins. Volume I culminates in Picasso's dawning perception of himself as the messiah of the modern movement.Some nine hundred illustrations, many of them unfamiliar, enable the reader to follow Picasso's mesmerizing development in images as well as words.

    In this introduction to poetry and contemporary art, brief biographies of Angelou and Basquiat accompany the text and artwork.

    Subsequent pages illustrate the various habitats that are home to flora such as pitcher plants, the giant water lily, and the weirdly wonderful corpse flower. Readers will discover which flowers are endangered and why some blooms are fragrant or colorful, not to mention grisly details about carnivorous and poisonous flowers.This title pairs picture-book charm and concise, informative text to create a beautiful book for children to return to. Zommer’s quirky illustrations appeal to young readers, who will relish these fun and amazing facts about the world’s most exciting plants.

    This biography explores the childhood and early career of a jazz legend as he finds his voice and shapes a new musical sound. Follow his progression from East St. Louis to rural Arkansas, from Julliard and NYC jazz clubs to the prestigious Newport Jazz Festival. Rhythmic free verse imbues his story with musicality and gets readers in the groove. Music teachers and jazz fans will appreciate the beats and details throughout, and Miles’ drive to constantly listen, learn, and create will inspire kids to develop their own voice.With evocative illustrations, this glimpse into Miles Davis’ life is sure to captivate music lovers young and old.

    Ten-year-old Mary Anning, her brother Joe, and their widowed mother are eking out a meager existence running a little fossil shop in the seaside town of Lyme Regis. After a storm wipes out most of the shop's merchandise, Mary and Joe begin the slow work of restocking the shelves. They search high and low for fossils, and one day Mary spots a huge eye in a cliff face high above the town. She resolves to bring the creature down --- no matter what the risk. The exciting discovery and recovery of the first complete fossil of an Ichthyosaurus is told in an attractive graphic novel format, perfect for reluctant readers.

                    As a young Nahua girl in Mexico during the early 1900s, Luz learned how to grind corn in a metate, to twist yarn with her toes, and to weave on a loom. By the fire at night, she listened to stories of her community’s joys, suffering, and survival, and wove them into her heart. But when the Mexican Revolution came to her village, Luz and her family were forced to flee and start a new life. In Mexico City, Luz became a model for painters, sculptors, and photographers such as Diego Rivera, Jean Charlot, and Tina Modotti. These artists were interested in showing the true face of Mexico and not a European version. Through her work, Luz found a way to preserve her people's culture by sharing her native language, stories, and traditions. Soon, scholars came to learn from her.