This is a rare firsthand expression of native religion, without the filters imposed by translators or anthropologists. Rather than a scientific treatise, Eastman has written a book, "as true as I can make it to my childhood teaching and ancestral ideals, but from the human, not the ethnological standpoint." His discussions of the forms of ceremonial and symbolic worship, the unwritten scriptures, and the spirit world emphasize the universal quality and personal appeal of Native American religion.Excerpt:Thus spoke the great Seneca ora tor, Red Jacket, in his superb reply to Missionary Cram more than a century ago, and I have often heard the same thought expressed by my countrymen.

    He has affirmed his innocence ever since--his case was made fully and famously in Peter Matthiessen's bestselling In the Spirit of Crazy Horse--and many remain convinced he was wrongly convicted. Prison Writings is a wise and unsettling book, both memoir and manifesto, chronicling his life in Leavenworth Prison in Kansas. Invoking the Sun Dance, in which pain leads one to a transcendent reality, Peltier explores his suffering and the insights it has borne him. He also locates his experience within the history of the American Indian peoples and their struggles to overcome the federal government's injustices.

    The Hopis have kept this view a secret for countless generations, and this book was made possible only as a result of their desire to record for future generations the principles of their "Road of Life." The breaking of the Hopi silence is significant and fascinating because for the first time anthropologists, ethnologists, and everyone interested in the field of Indian study have been given rich material showing the Hopi legends, the meaning of their religious rituals and ceremonies, and the beauty of a conception of life within the natural world that is completely untouched by materialistic worlds."Only a person as deeply steeped in Hopi mysticism as the Hopis themselves could have produced this volume. Mr. Waters and Mr. Fredericks have approached the task of combining Hopi art, history, tradition, myth, folklore, and ceremonialism with dignity and authority.... Deserves to be part of the library of any student of the American Southwest."—American Anthropologist

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    It was, as Elliott West shows, a tale of courage and ingenuity, of desperate struggle and shattered hope, of short-sighted government action and a doomed flight to freedom. To tell the story, West begins with the early history of the Nez Perce and their years of friendly relations with white settlers. In an initial treaty, the Nez Perce were promised a large part of their ancestral homeland, but the discovery of gold led to a stampede of settlement within the Nez Perce land. Numerous injustices at the hands of the US government combined with the settlers' invasion to provoke this most accommodating of tribes to war. West offers a riveting account of what came next: the harrowing flight of 800 Nez Perce, including many women, children and elderly, across 1500 miles of mountainous and difficult terrain. He gives a full reckoning of the campaigns and battles--and the unexpected turns, brilliant stratagems, and grand heroism that occurred along the way. And he brings to life the complex characters from both sides of the conflict, including cavalrymen, officers, politicians, and--at the center of it all--the Nez Perce themselves (the Nimiipuu, "true people").

    While never flinching from the realities of Latter-day Saint encroachment on Shoshone land and the racial ramifications of America’s spread westward, Parry offers messages of hope. As storyteller for his people, Parry brings the full weight of Shoshone wisdom to his tales—lessons of peace in the face of violence, of strength in the teeth of annihilation, of survival through change, and of the pliability necessary for cultural endurance. These are arresting stories told disarmingly well. What emerges from the margins of these stories is much more than a history of a massacre from the Shoshone perspective, it is a poignant meditation on the resilience of the soul of a people.--W. Paul Reeve, author of Religion of a Different Color: Race and the Mormon Struggle for Whiteness

    For more than forty years, Theodora Kroeber's biography has captivated readers. Now recent advances in technology make it possible to return to print the 1976 deluxe edition, filled with plates and historic photographs that enhance Ishi's story and bring it to life.Ishi stumbled into the twentieth century on the morning of August 29, 1911, when, desperate with hunger and terrified of the white murderers of his family, he was found in the corral of a slaughter house near Oroville, California. Finally identified as a Yahi by an anthropologist, Ishi was brought to San Francisco by Professor T. T. Waterman and lived there the rest of his life under the care and protection of Alfred Kroeber and the staff of the University of California's Museum of Anthropology.Karl Kroeber adds an informative tribute to the text, describing how the book came to be written and how Theodora Kroeber's approach to the project was a product of both her era and her special personal insight and empathy.

    Her prayer is heard and an angel is dispatched to assist Felicity in finding the answer to her heart's desire. Prescott Jones arrives in Appleton, Idaho with plans to build a cannery, find a woman to marry, and settle down. He and his partner have managed to acquire all the property needed—except for a plot of land owned by an old-maid seamstress. With the help of a large white cat named Angel, Prescott sets out to change Felicity's mind. About the cannery … and about him. A NOTE TO READERS:A Wish & a Prayer is a bit different from my usual fare. It was written for fun and is pure fantasy. It isn't meant to be anything more than that. It definitely isn't theologically correct when it comes to angels. The angels of the Bible are portrayed as quite different from Angel Emeline. Whenever angels appeared to mankind in the Bible, they did it in a human form, and the Bible is what we should trust for an understanding of all things spiritual, including angels.Still, I hope you'll enjoy reading this romantic bit of whimsy. It's a story that made me smile as I wrote it.Robin Lee Hatcher

    He held out boldly against the government's efforts to confine the Sioux on reservations. Finally, in the spring of 1877 he surrendered, one of the last important chiefs to do so, only to meet a violent death. Mari Sandoz, the noted author of Cheyenne Autumn and Old Jules, both available as Bison Books, has captured the spirit of Crazy Horse with a strength and nobility befitting his heroism.

    Young soldier Honus Gant and beautiful Cresta Lee are the only survivors of a wagon train, and Gant must protect Cresta, a former Native American captive, from the legendary Cheyenne chieftain, Spotted Wolf, once Cresta's husband.

    Why does her grandmother have long braided hair and beautifully colored clothing? Why does she speak another language and spend so much time with her family? As she asks her grandmother about these things, she is told about life in a residential school a long time ago, where all of these things were taken away. When We Were Alone is a story about a difficult time in history and, ultimately, one of empowerment and strength.

    Richter, American Historical Review   This absorbing book focuses on the traffic in Indian slaves during the early years of the American South. The Indian slave trade was of central importance from the Carolina coast to the Mississippi Valley for nearly fifty years, linking southern lives and creating a whirlwind of violence and profit-making, argues Alan Gallay. He documents in vivid detail how the trade operated, the processes by which Europeans and Native Americans became participants, and the profound consequences for the South and its peoples.   The author places Native Americans at the center of the story of European colonization and the evolution of plantation slavery in America. He explores the impact of such contemporary forces as the African slave trade, the unification of England and Scotland, and the competition among European empires as well as political and religious divisions in England and in South Carolina. Gallay also analyzes how Native American societies approached warfare, diplomacy, and decisions about allying and trading with Europeans. His wide-ranging research not only illuminates a crucial crossroad of European and Native American history but also establishes a new context for understanding racism, colonialism, and the meaning of ethnicity in early America.

    He had more than his share of adventure when he went by the name Will Scarlet and fought corrupt authority alongside Robin Hood. Now widowed and alone, and estranged from his adult daughter, he has taken holy orders and sought refuge in a remote Benedictine abbey.But even there, trouble and violence follow him. The abbot, John de Wystow, is a good man but a weak leader, and easily undermined by a faction of dissident monks. When the rebels, led by Brother Robert de Flexburgh, run riot in the local community—stealing, drinking, fornicating—Scaflock’s old instincts return. Reluctantly taking charge of the abbey’s moral defence, he finds himself embroiled in a series of fierce clashes with de Flexburgh’s rowdy gang.As the abbey’s tranquillity is shattered, its cloisters stained with blood, Scaflock is forced to reconsider the direction of his life. Has he really left Will Scarlet behind him—or has he simply been running from reality?

    With his single mother in jail, Sequoyah, a fifteen-year-old Cherokee boy, is placed in foster care. Literally and figuratively scarred by his mother’s years of substance abuse, Sequoyah keeps mostly to himself, living with his emotions pressed deep below the surface. At least until he meets seventeen-year-old Rosemary, a troubled artist who also lives with the family.Sequoyah and Rosemary bond over their shared Native American background and tumultuous paths through the foster care system, but as Sequoyah’s feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.

    Following two centuries of broken treaties and virtual government extermination of the "savage redmen," Americans today have recast Native Americans into another, equally stereotyped role, that of eternal victims, politically powerless and weakened by poverty and alcoholism, yet whose spiritual ties with the natural world form our last, best hope of salvaging our natural environment and ennobling our souls.The truth, however, is neither as grim , nor as blindly idealistic, as many would expect. The fact is that a virtual revolution is underway in Indian Country, an upheaval of epic proportions. For the first time in generations, Indians are shaping their own destinies, largely beyond the control of whites, reinventing Indian education and justice, exploiting the principle of tribal sovereignty in ways that empower tribal governments far beyond most American's imaginations. While new found power has enriched tribal life and prospects, and has made Native Americans fuller participants in the American dream, it has brought tribal governments into direct conflict with local economics and the federal government.Based on three years of research on the Native American reservations, and written without a hidden conservative bias or politically correct agenda, Killing the White Man's Indian takes on Native American politics and policies today in all their contradictory--and controversial-guises."