It might make you uncomfortable. If it does—if your stomach knots or your skin prickles—then your answer is yes. You probably don’t want to admit it. I get that. But it doesn’t change the fact that deep down you’re a killer. Like me. My name is Mia Sanguine. I’m a 17-year- old girl, living in Australia. I go to school, play percussion in the orchestra, and study when I have to. I like horror movies, comic books, and punk music. Oh, and yeah, a group of teenagers has ruined my life. So I’m going to kill them. But don’t get me wrong—I’m not talking about some Columbine-styled rubbish. No offense, but this isn’t the United States. All I need is a mask, an outfit, and a pair of knives. You see, I’m going to become a slasher movie villain. Like Jason, Mike, or Ghostface. In real life. Not because it’s right. But because of what I am. A YOUNG SLASHER.

    First she finds out that her boyfriend is cheating on her with the president of the Herbert Hoover High School Chastity Club. Then he’s pegged as the #1 suspect in a murder. And if that weren’t enough, now he’s depending on Hartley to clear his name. But as much as Hartley wouldn’t mind seeing him squirm, she knows he’s innocent, and she’s the only one who can help him. Along with her best friend, Sam, and the school’s resident Bad Boy, Chase, Hartley starts investigating on her own. But as the dead bodies begin to pile up, the mystery deepens, the suspects multiply, and Hartley begins to fear that she may be the killer’s next victim.

    Life isn’t easy, but Judi’s family means everything to her and together, they manage. Then Ben meets Amber. Everyone thinks this is a perfect match for Ben but Judi isn’t sure … there’s just something about Amber that doesn’t add up. Ben can’t see why his mother dislikes his new girlfriend. And Amber doesn’t want Judi anywhere near her new family. Amber just wants Ben and the children. The further Judi delves into Amber’s personal life, the closer she gets to shocking secrets that could change everything. And Judi must make a decision that could lead to the most disastrous consequences.

    As hunger and thirst set in, only one walks away alive.It’s a game more twisted than any Detective Helen Grace has ever seen. If she hadn’t spoken with the shattered survivors herself, she almost wouldn’t believe them.Helen is familiar with the dark sides of human nature, including her own, but this case—with its seemingly random victims—has her baffled. But as more people go missing, nothing will be more terrifying than when it all starts making sense....

    They first met as college roommates and soon became inseparable, even though they are as different as three women can be. Twenty years later, one of them is standing at the edge of a bridge... and someone else is urging her to jump. How did things come to this?As the novel cuts back and forth between their college years and their adult years, you see the exact reasons why these women love and hate each other—but can feelings that strong lead to murder? Or will everyone assume, as is often the case, that it’s always the husband?

    When one of his neighbours is brutally murdered, he gets the chance to investigate a real crime. Unfortunately, the hunt for the killer is far from simple, as winter sets in and he struggles to deal with his wife's disinterest, his friend's bungling enthusiasm, a village that will happily implicate anyone and everyone, and a rising body count.

    But there's no room for him in the 1980s. Thatcher's government is destroying working-class communities across Britain, and the post-war certainties of full employment, educational opportunity and a welfare state are gone. When his family starts to fracture, Mark's life swings out of control and he succumbs to the defeatism which has taken hold in Edinburgh's grimmer areas. The way out is heroin.It's no better for his friends. Spud Murphy is paid off from his job, Tommy Lawrence feels himself being sucked into a life of petty crime and violence - the worlds of the thieving Matty Connell and psychotic Franco Begbie. Only Sick Boy, the supreme manipulator of the opposite sex, seems to ride the current, scamming and hustling his way through it all.Skagboys charts their journey from likely lads to young men addicted to the heroin which has flooded their disintegrating community. This is the 1980s: a time of drugs, poverty, AIDS, violence, political strife and hatred - but a lot of laughs, and maybe just a little love; a decade which changed Britain for ever. The prequel to the world-renowned Trainspotting, this is an exhilarating and moving book, full of the scabrous humour, salty vernacular and appalling behaviour that has made Irvine Welsh a household name.

    I’ve put through a refund to your credit card for the full amount, minus $200 to replace the sheets. I couldn’t get the stain out despite professional laundering and bleaching. . .MirandaAll Dawn wanted was to stay in a beautiful beach house with her husband, to live like money’s no object, for just one long weekend. Then Miranda, the home’s owner, has to send an e-mail like this, full of lies and the suggestion that Dawn’s so dirty, she needs to throw out her sheets. Someone needs to teach Miranda a lesson.Beware of your "host"I wouldn’t leave a review on Getaway.com at all, if I didn’t feel it was my civic duty to warn others . . .DawnMiranda cannot believe her eyes. Yes, she may be a doctor’s wife, but she needs the rental money from the beach house desperately. Someone needs to teach this Dawn a lesson.Two very different women with one thing in common: Each one knows she’s right, and each is determined to win this battle of words and wills and (eventually) worse. Neither will yield, not before they’ve dredged up hidden secrets, old hurts, and painful truths that threaten to shatter the foundations of their lives.Because it’s never really just about the sheets, is it?This is not over.This is so not over.

    He’s the toughest private eye in Los Angeles, and he’ll handle anything – if you’re human. If you’re a Toon, that’s another story.Eddie doesn’t like Toons – those cartoon characters who live side-by-side with humans. Not the way they look, and especially not the way they talk: word-filled balloons come out of their mouths and then disintegrate, leaving dust all over his rug.Eddie will work for a Toon if his cash supply is low enough. So he reluctantly agrees when Roger Rabbit, a Toon who plays straight man (or should that be straight rabbit) in the Baby Herman cartoon series, asks him to find out who’s been trying – unsuccessfully – to buy his contract from the DeGreasy Brothers syndicate.Then Rocco DeGreasy is murdered – and Roger is the prime suspect! The rabbit is also, as Eddie soon discovers, very, very dead.Who censored Roger Rabbit? And who shot Rocco DeGreasy? Was it Roger, or was it Rocco’s hot-cha-cha girlfriend, Jessica Rabbit? Why had Jessica – a pretty steamy number for a Toon – ever married a dopey bunny in the first place? And why does everybody want Roger’s battered old teakettle?As Eddie combs L.A. from the executive suites of the DeGreasy Brothers to Sid Sleaze’s porno comic studio, he uncovers art thefts, blackmail plots... and the cagiest killer he’s ever faced.In Who Censored Roger Rabbit?, author Gary K. Wolf has created a wonderfully skewed – and totally believable – world compounded of equal parts Raymond Chandler, Lewis Carroll, and Warner Brothers. This riotously surreal spoof of the hard-boiled detective novel is packed with action and laughs. From first page to last, Who Censored Roger Rabbit? is shear delight.Celebrated author Gary K. Wolf’s cult classic and highly praised novel Who Censored Roger Rabbit? is the basis for the blockbuster Walt Disney/Steven Spielberg Academy Award winning film Who Framed Roger Rabbit.

    Now, Roisin has discovered a secret—one Erin has kept for over a decade—and she’s determined to make Erin pay for her lies.Erin wants nothing to do with Roisin. She has a new life in London and no intention of going back home. Yet when her father is mysteriously and critically injured, Erin has no choice but to return and face Roisin—and her past. Erin knows if the secret of what she gave up got out, the consequences could be devastating.When Roisin suddenly disappears, suspicion soon lands on Erin. She would do anything to protect her family, but just how far is she willing to go when time is running out…?

    Three families. One killer.It was supposed to be the perfect holiday - a group of families enjoying a week together in the sun. Four women who have been best friends for as long as they can remember making the most of a luxurious villa in the south of France.But Kate has a secret: her husband is having an affair. And a week away might just be the perfect opportunity to get the proof she needs - to catch him in the act once and for all. Because she suspects the other woman is one of her two best friends.One of them is working against her, willing to sacrifice years of friendship to destroy her family. But which one? As Kate closes in on the truth in the stifling Mediterranean heat, she realises too late that the stakes are far higher than she ever imagined . . . Because someone in the villa may be prepared to kill to keep their secret hidden.

    He won’t leave her alone, and he refuses to take no for an answer. He is always there.Being selected for jury service is a relief. The courtroom is a safe haven, a place where Rafe can’t be. But as a violent tale of kidnap and abuse unfolds, Clarissa begins to see parallels between her own situation and that of the young woman on the witness stand.Realizing that she bears the burden of proof, Clarissa unravels the twisted, macabre fairytale that Rafe has spun around them – and discovers that the ending he envisions is more terrifying than she could have imagined.

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?

    A cozy fire, complete silence. It would be perfect, if not for the fact that decades earlier, at this very house, two people were murdered in cold blood and a girl disappeared without a trace.As the storm worsens, Wylie finds herself trapped inside the house, haunted by the secrets contained within its walls—haunted by secrets of her own. Then she discovers a small child in the snow just outside. After bringing the child inside for warmth and safety, she begins to search for answers. But soon it becomes clear that the farmhouse isn’t as isolated as she thought, and someone is willing to do anything to find them.

    Now, after finally getting promoted at work, she is forced to return home and face her past.River Rock is where she’d been abandoned by her two older sisters to suffer alone, and in silence, the unspeakable abuses of her family. It’s also where Sawyer’s best friend disappeared and two teenage girls were murdered. Three cold cases dead and buried with the rest of the town’s secrets.When another girl is slain in a familiar grisly fashion, Sawyer is determined to put an end to the crimes. Pulled back into the horrors of her family history, Sawyer must reconcile with her estranged sisters, who both have shattering memories of their own. As Sawyer’s investigation leads to River Rock’s darkest corners, what will prove more dangerous—what she knows of the past or what she has yet to discover?