Even on the ship's voyage across, the Russian sensibility begins to pervade: lots of secrets and lots of vodka. When his American wife is stricken by a painful rash and he is interrogated at his hotel by Soviet agents who know that he is trying to sell stylish synthetic dresses to the masses starved for fashion, his precarious inner balance is thrown off for good. More drink follows, discoveries of his wife's illicit affair with another woman, and his own submerged sexual feelings come breaking through the surface, bubbling up in Russian champagne and caviar.

    Burroughs wrote Junky, his first novel. It is a candid eye-witness account of times and places that are now long gone, an unvarnished field report from the American post-war underground. Unafraid to portray himself in 1953 as a confirmed member of two socially-despised under classes (a narcotics addict and a homosexual), Burroughs was writing as a trained anthropologist when he unapologetically described a way of life - in New York, New Orleans, and Mexico City - that by the 1940's was already demonized by the artificial anti-drug hysteria of an opportunistic bureaucracy and a cynical, prostrate media. For this fiftieth-anniversary edition, eminent Burroughs scholar Oliver Harris has painstakingly recreated the author's original text, word by word, from archival typescripts and places the book's contents against a lively historical background in a comprehensive introduction. Here as well, for the first time, are Burroughs' own unpublished introduction and an entire omitted chapter, along with many "lost" passages, as well as auxiliary texts by Allen Ginsberg and others.

    After being kicked out of a Catholic orphanage when it is discovered that he is of Jewish descent, a confused and deeply distraught Frankie turns to a life of crime, the only life he knows, and he’s good at it. Frankie quickly makes a name for himself and becomes one of New York’s most dangerous men, ruling the city with an iron fist and indulging in his passion for sex, power and the best things life has to offer—regardless of whether they’re for sale.In Stiletto, Cesare Cardinale is an amoral, aristocratic Italian playboy—an entrepreneur and race car driver who wants for nothing—whether it’s fast cars, beautiful women, or orgies of debauchery. Cesare, however, has two dirty secrets: First, he has a penchant for violence that borders on the sadistic and sociopathic; second, he owes his extravagant life to a Sicilian Mafia don, creating a seemingly perfect relationship—as he leads a double life as a Mafia assassin.“Robbins’s books are packed with action, sustained by strong narrative drive, and are given vitality by his own colorful life.” —The Wall Street JournalThe Harold Robbins Organized Crime Double includes: Never Love A Stranger and Stiletto.

    

    she has left it too late to ask the crucial questions about scenes confusedly remembered from her childhood, and above all about the identity of her own father, 'lost in the war'. Out of the hundreds of paintings in her mother's studio, one, a portrait of a young man, is inscribed 'For Marion'. Is this her father? And who was he?Marion's search takes her to the Cornish town of St Ives. In the remote and closeknit town where communities of fisherfolk and artists have coexisted for many years, she learns of a tragedy which is intrinsically tied up with her father's life. Over fifty years before, the St Ives lifeboat went down with all hands bar one. Marion must delve deep into the past to discover the identity of a man she never knew,a nd in so doing confront the demons which have tortured her own adult life.The Serpentine Cave is an imagined story containing a true one - a powerful novel about memory and loss, birth and rebirth, and past regrets which still have the power to plague the present.

    Although she was acclaimed by John Buchan and by Rebecca West, who hailed her as a genius, and won the Prix Femina of La Vie Heureuse for Precious Bane (1924), she won little respect from the general public. It was only after her death that the Prime Minister of the United Kingdom, Stanley Baldwin, earned her posthumous success through his approbation, referring to her as a neglected genius at a Literary Fund dinner in 1928. Her writing is notable for its descriptions of nature, and of the human heart. She had a deep sympathy for all her characters and was able to see good and truth in all of them. Among her most famous works are: The Golden Arrow (1916), Gone to Earth (1917), and Seven for a Secret (1922).

    As Algren admitted, it wasn't written until long after it had been walked... I found my way to the streets on the other side of the Southern Pacific station, where the big jukes were singing something called "Walking the Wild Side of Life." I've stayed pretty much on that side of the curb ever since".Perhaps his own words describe the book best: The book asks why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind.Cover Photograph: Jason Fulford

    For Emily, romance is in the air. For the mysterious Mrs Forester, there is scandal brewing. And for the Bishop of Simla, rainclouds are not the only storms on the horizon...The Hill Station is the novel on which J.G. Farrell was working at the time of his tragically early accidental death. It demonstrates powerfully what a great loss to world literature this was.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    With this poignant, odd, confusing, moving, heartfelt, troubling book he's tried to do an even trickier thing: extend his range and readership upmarket. The tenor of deadkidsongs is Just William meets Lord of the Flies with a nod to the latter-day works of Nick Hornby, which gives you some idea of what a different-but interesting-book it is. The story concerns four pre-pubescent boys, all members of a gang called Gang, growing up in darkest Devon in the 70s. Against a background of Cold War rumours and Last War memories they play their conkers and cowboys an' injuns, their war and show-us-yer-willy games. Then their clumsy and wistfully innocent Arcadia is overturned when one of them dies; from there the narrative unravels until the reader is not sure who is telling what to whom, nor quite how reliable the teller might be. To recapture a lost childhood is ambitious enough; Litt's aim is to do that and then some: he wants to say profound things about masculinity, nostalgia, violence and nationhood. Whether he succeeds or not is moot; anyone sincerely interested in the modern British novel will want to read this to decide for themselves. --Sean Thomas

    Achsa is a lonely, passionate and precocious fourteen-year-old. Isolated at school by her intelligence and disfigurement, troubled at home by the undercurrents in her parents' relationship, she finds comfort and inspiration in the tunes and rhythms she hears on her radio. Hearing a recording by an unknown 20-year-old country singer named Elvis Presley, she fires off a fan letter, telling him she knows he's going to be a star.

    Here live the Starkadders - Aunt Ada Doom, Judith, Amos, Seth, Reuben, Elfine...They lead messy, untidy lives, full of dark thoughts, moody silences, and sudden noisy quarrels. That is, until their attractive young cousin arrives from London. Neat, sensible, efficient, Flora Poste cannot bear messes (they are so uncivilized). She begins to tidy up the Starkadders' lives at once ...

    Like Fever Pitch, it is not exclusively a novel about football. This is a chronicle of a lost tribe - the white, Anglo-Saxon, heterosexual who is fed up with being told he is crap. It is the story of a flight from fear by a group of Londoners who have seen the present and know it does not work-King writes powerfully with a raw realism and clear grasp of a culture which has been denied but cannot be ignored' Glasgow Herald

    Now he's a drifter, on the run after escaping from a mental institution. One afternoon he meets Fay, a beautiful young widow. She is smart and decent -- at least when she's sober. Soon Collins finds himself involved in a kidnapping scheme that goes drastically wrong almost before it even begins. Because the kid they've picked up isn't like other kids: he's diabetic and without insulin, he'll die. Not the safest situation for Collins, a man for whom stress and violence have long gone hand-in-hand.