The setting for each is the same--Provence--and each has at its heart a love story. The narratives intertwine seamlessly, but what joins them thematically is an ancient text--"The Dream of Scipio"--a work of neo-Platonism that poses timeless philosophical questions. What is the obligation of the individual in a society under siege? What is the role of learning when civilization itself is threatened, whether by acts of man or nature? Does virtue lie more in engagement or in neutrality? "Power without wisdom is tyranny; wisdom without power is pointless," warns one of Pears's characters.

    But, as Leanda de Lisle’s gripping new history reveals, they are a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’s lap—and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty, and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past—those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, de Lisle enables us to see the Tudor dynasty in its own terms, and presents new perspectives and revelations on key figures and events. De Lisle discovers a family dominated by remarkable women doing everything possible to secure its future; shows why the princes in the Tower had to vanish; and reexamines the bloodiness of Mary’s reign, Elizabeth’s fraught relationships with her cousins, and the true significance of previously overlooked figures. Throughout the Tudor story, Leanda de Lisle emphasizes the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline.Tudor is bristling with religious and political intrigue but at heart is a thrilling story of one family’s determined and flamboyant ambition.

    Six brothers, the sons of Tancred de Hauteville, prepare to experience their first taste of battle. They have been trained since birth to become great warriors, following in their father's footsteps. As knights, they have but one true purpose: to fight. Nothing matters more to a Norman of noble birth than the ability to engage in battle; nothing has greater importance than skilful swordsmanship and winning a fight - and the de Hautevilles are used to winning.Victory and defeat, betrayal and revenge combine as the desperation to rule becomes an intense battle, testing even the strongest of ties. But through it all shines the loyalty of blood that binds families - and warriors - together.

    A young woman painter is given the honor of traveling to Michelangelo's Roman workshop to learn from the Maestro himself. Only men are allowed to draw the naked figure, so she can merely observe from afar the lush works of art that Michelangelo sculpts and paints from life. Sheltered and yet gifted with extraordinary talent, she yearns to capture all that life and beauty in her own art. But after a scandal involving one of Michelangelo's students, she flees Rome and fears she has doomed herself and her family. The Creation of Eve is a riveting novel based on the true but little- known story of Sofonisba Anguissola, the first renowned female artist of the Renaissance. After Sofi's flight from Rome, her family eagerly accepts an invitation from fearsome King Felipe II of Spain for her to become lady-in-waiting and painting instructor to his young bride. The Spanish court is a nest of intrigue and gossip, where a whiff of impropriety can bring ruin. Hopelessly bound by the rules and restrictions of her position, Sofi yearns only to paint. And yet the young Queen needs Sofi's help in other matters- inexperiences as she is, the Queen not only fails to catch the King's eye, but she fails to give him an heir, both of which are crimes that could result in her banishment. Sofi guides her in how best to win the heart of the King, but the Queen is too young, and too romantic, to be satisfied. Soon, Sofi becomes embroiled in a love triangle involving the Queen, the King, and the King's illegitimate half brother, Don Juan. And if the crime of displeasing the King is banishment, the crime of cuckolding him must surely be death. Combining art, drama, and history from the Golden Age of Spain, The Creation of Eve is an expansive, original, and addictively entertaining novel that asks the question: Can you ever truly know another person's heart?

    The resulting account is a treasure trove of first-hand material, from personal memories, diary entries and letters to leave passes, wartime newspaper cuttings, Wehrmacht bulletins and more than 160 photographs.The account follows the unit from its formation in 1943 and the catastrophic events on the Eastern Front, through battles on the Western Front and engagements against the American 3rd Armoured Division to the confusion of retreat, panic-stricken flight and Soviet captivity in the closing stages of the war. Honest and unflinching, this remarkable collection of autobiographies offers a glimpse into life in Hitler's panzer division and is a stark testimony of a generation that sacrificed its best years to the war.This is the first English-language translation of the work.

    The book presents the presuppositions of medieval society in a systematic fashion by integrating brief, self-contained selections from primary texts and carefully captioned photographs into a narrative of the medieval world and its foundations. The text is divided into three parts. Treating both the classical and biblical antecedents of the Middle Ages and ending in Late Antiquity, Part 1 includes a thorough discussion of the monumental figure of St. Augustine. Part 2 deals with the early Middle Ages, beginning with the disintegration of the Roman Empire and continuing through the German invasions, the sixth- and seventh-century founders, and the renaissance associated with the reign of Charlemagne. Part 3 examines the High Middle Ages and beyond, following developments in the Church, in politics, and in arts and culture from the twelfth century through the end of the fourteenth century. This second edition has been thoroughly updated to reflect recent scholarship in the field. It adds a new chapter covering the fourteenth century and pays greater attention to women and gender-related issues. The bibliography has been updated and revised and now provides a useful guide to electronic resources. The Medieval World View, 2/e, handles sophisticated issues with great clarity and ease, making this an ideal text for courses in Medieval history, literature, or art history.

    His monumental decision to split from Rome and the Catholic Church was one that would forever shape the religious and political landscape of Britain.Combining magnificent storytelling with an extraordinary grasp of the pleasures and perils of power, Margaret George delivers a vivid portrait of Henry VIII and Tudor England and the powerhouse of players on its stage: Thomas Cromwell, Cardinal Wolsey, Thomas More and Anne Boleyn. It is also a narrative told from an original perspective: Margaret George writes from the King's point of view, injecting irreverent comments from Will Somers - Henry's jester and confidant.

    Hence: Can Machiavelli, who makes the following observations, be Machiavellian as we understand the disparaging term? 1. So it is that to know the nature of a people, one need be a Prince; to know the nature of a Prince, one need to be of the people. 2. If a Prince is not given to vices that make him hated, it is unsusal for his subjects to show their affection for him. 3. Opportunity made Moses, Cyrus, Romulus, Theseus, and others; their virtue domi-nated the opportunity, making their homelands noble and happy. Armed prophets win; the disarmed lose. 4. Without faith and religion, man achieves power but not glory. 5. Prominent citizens want to command and oppress; the populace only wants to be free of oppression. 6. A Prince needs a friendly populace; otherwise in diversity there is no hope. 7. A Prince, who rules as a man of valor, avoids disasters, 8. Nations based on mercenary forces will never be solid or secure. 9. Mercenaries are dangerous because of their cowardice 10. There are two ways to fight: one with laws, the other with force. The first is rightly man’s way; the second, the way of beasts.

    Brace yourselves. May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the knights' Christian stronghold on the island of Malta. The Turks know the knights as the "Hounds of Hell." The knights call themselves "The Religion." In Messina, Sicily, a French countess, Carla La Penautier, seeks passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amid the most spectacular siege in military history, they must try to find the boy--whose name they do not know and whose face they have never seen--and pluck him from the jaws of Holy War. The Religion is the first book of the Tannhauser Trilogy, and from the first page of this epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged readers headlong into another world and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.

    Cadfael senses the young man's innocence and sets out to solve yet another tangle of human passions where love plays its inevitable part.The Devil's Novice: The Benedictine monastery at Shrewsbury finds its new novice Meriet Aspley a disturbing presence. Meek and bidable by day, his sleep is rent with nightmares so violent as to earn him the nickname of Devil's Novice. Can Meriet be involved in the nearby disappearance of a superior prelate? As events take a sinister turn, it falls to Brother Cadfael to detect the truth behind the young man's predicament.Dead Man's Ransom: In the battle of Lincoln, the sherrif of Shropshire is captured and the King himself taken prisoner by his enemies. Nothing more natural than that an exchange of prisoners should take place. But before this can be completed, one captive is murdered. And to Brother Cadfael, who notices the evidence of unnatural death, falls the task of gathering enough clues to prove it.

    His only hope for survival is a bone marrow transplant. After an exhaustive search, a match turns up three thousand miles away in the form of a most unlikely donor: Joseph Neiman, a rabbi in Brooklyn, New York, who is suffering from a debilitating crisis of faith. As Luca’s young nurse, Nina Vocelli, risks her career and races against time to help save the spirited redheaded boy, she uncovers terrible secrets from World War II—secrets that reveal how a Catholic child could have Jewish genes.Can inheritance be transcended by accidents of love? That is the question at the heart of This Magnificent Dappled Sea, a novel that challenges the idea of identity and celebrates the ties that bind us together.

    Extensive glossary and updated bibliography. 833 illustrations, including 105 in full color.

    Guiding the reader through a church outside Rome, Sant'Agnese fuori le Mura, she draws upon history, theology, anthropology, and folklore to illuminate the spiritual meanings embedded in its architecture.