She is determined to find a husband this season. He just wants the large fee her father will pay him to help his ailing sister. After a series of dire mishaps, both their desires are thwarted, but each discovers that no matter what, God is in charge.

    So this edition is currently unavailable. You can find this story in a newer edition combined into one story. Look for a Tucker's Way edition that includes this (about 350 pages).Our heroine returns in book two to face new crises.Her daughter, Maisy, decides to try and extort money from the father of her daughter, April. Maisy miscalculates how he will react to her demands. When she threatens a paternity suit against him, he murders Maisy and unwittingly disposes of her body in the same area that Tucker disposed of her murdered father over thirty years ago.Tucker’s limited life skills are put to the test as she experiences grief for the very first time and tries to help her grandchildren deal with the death of their mother. The only friend Tucker has ever had, Ella, reaches out to comfort Tucker in her grief.While Tucker is searching through Maisy's effects, she finds an envelope with the words "For Tucker" on the outside. Inside she finds a letter naming the fathers of Maisy’s children.But the murderer seems to have an airtight alibi.

    a literary pirate; an individual capable of doing all that must be done in the universe of books that publishers, authors, and readers must not have a part inLondon, 1890—Pen Davenport is the most infamous bookaneer in Europe. A master of disguise, he makes his living stalking harbors, coffeehouses, and print shops for the latest manuscript to steal. But this golden age of publishing is on the verge of collapse. For a hundred years, loose copyright laws and a hungry reading public created a unique opportunity: books could easily be published without an author’s permission. Authors gained fame but suffered financially—Charles Dickens, Mark Twain, Robert Louis Stevenson, to name a few—but publishers reaped enormous profits while readers bought books inexpensively. Yet on the eve of the twentieth century, a new international treaty is signed to grind this literary underground to a sharp halt. The bookaneers are on the verge of extinction.From the author of The Dante Club, Matthew Pearl, The Last Bookaneer is the astonishing story of these literary thieves’ epic final heist. On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon Davenport sets out for the South Pacific island. As always, Davenport is reluctantly accompanied by his assistant Fergins, who is whisked across the world for one final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever. But Davenport is hardly the only bookaneer with a mind to pirate Stevenson’s last novel. His longtime adversary, the monstrous Belial, appears on the island, and soon Davenport, Fergins, and Belial find themselves embroiled in a conflict larger, perhaps, than literature itself.In The Last Bookaneer, Pearl crafts a finely wrought tale about a showdown between brilliant men in the last great act of their professions. It is nothing short of a page-turning journey to the heart of a lost era.

    Once on board, Tess catches the eye of two men, one a roughly-hewn but kind sailor and the other an enigmatic Chicago millionaire. But on the fourth night, disaster strikes.Amidst the chaos and desperate urging of two very different suitors, Tess is one of the last people allowed on a lifeboat. Tess’s sailor also manages to survive unharmed, witness to Lady Duff Gordon’s questionable actions during the tragedy. Others—including the gallant Midwestern tycoon—are not so lucky.On dry land, rumors about the survivors begin to circulate, and Lady Duff Gordon quickly becomes the subject of media scorn and later, the hearings on the Titanic. Set against a historical tragedy but told from a completely fresh angle, The Dressmaker is an atmospheric delight filled with all the period's glitz and glamour, all the raw feelings of a national tragedy and all the contradictory emotions of young love.

    But back on firm ground, their vastly different social strata become clear. Cait is a widow who because of her precarious financial situation is forced to chaperone two wealthy Scottish charges. Émile is expected to take on the bourgeois stability of his family's business and choose a suitable wife. As the Eiffel Tower rises, a marvel of steel and air and light, the subject of extreme controversy and a symbol of the future, Cait and Émile must decide what their love is worth. Seamlessly weaving historical detail and vivid invention, Beatrice Colin evokes the revolutionary time in which Cait and Émile live - one of corsets and secret trysts, duels and Bohemian independence, strict tradition and Impressionist experimentation. To Capture What We Cannot Keep, stylish, provocative, and shimmering, raises probing questions about a woman's place in that world, the overarching reach of class distinctions, and the sacrifices love requires of us all.

    This is a story of courage, of women willing to take a stand in the face of corporate greed, and most definitely a tale for our times.” —Fiona Davis, New York Times bestselling author of The Lions of Fifth AvenueMaddie Sykes is a burgeoning seamstress who’s just arrived in Bright Leaf, North Carolina—the tobacco capital of the South—where her aunt has a thriving sewing business. After years of war rations and shortages, Bright Leaf is a prosperous wonderland in full technicolor bloom, and Maddie is dazzled by the bustle of the crisply uniformed female factory workers, the palatial homes, and, most of all, her aunt’s glossiest clientele: the wives of the powerful tobacco executives.When a series of unexpected events thrusts Maddie into the role of lead dressmaker for the town’s most influential women, she scrambles to produce their ornate gowns for the biggest party of the season. But she soon learns that Bright Leaf isn’t quite the carefree paradise that it seems: A trail of misfortune follows many of the women, including substantial health problems. Although Maddie is quick to believe that this is a coincidence, she inadvertently uncovers evidence that suggests otherwise.Maddie wants to report what she knows, but in a town where everyone depends on Big Tobacco to survive, she doesn’t know who she can trust—and fears that exposing the truth may destroy the lives of the proud, strong women with whom she has forged strong bonds.Shedding light on the hidden history of women’s activism during the post-war period, at its heart, The Tobacco Wives is a deeply human, emotionally satisfying, and dramatic novel about the power of female connection and the importance of seeking truth.

    . . . A muscular narrative that humanizes all sides of that bloody conflict—North and South, Black and white, male and female. . . a robust novel that deserves to be set on the shelf alongside Cold Mountain.”  — Orlando SentinelEmma Garnet Tate Lowell, a plantation owner's daughter, grows up in a privileged lifestyle, but it's not all roses. Her family's prosperity is linked to the institution of slavery, and Clarice, a close and trusted family servant, exposes Emma to the truth and history of their plantation and how it brutally affected the slave population.Her father, Samuel P. Tate, has an aggressive and overpowering persona that intimidates many people—including Emma. But she refuses to conform to his ideals and marries a prominent young doctor. Together they face the horrors of the Civil War, nursing wounded soldiers, as Emma begins the long journey toward her own recovery from the terrible forces that shaped her father's life.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    When a whale beaches itself on the shore of the remote coastal town of Paradise Deep, the last thing any of the townspeople expect to find inside it is a man, silent and reeking of fish, but remarkably alive. The discovery of this mysterious person, soon christened Judah, sets the town scrambling for answers as its most prominent citizens weigh in on whether he is man or beast, blessing or curse, miracle or demon. Though Judah is a shocking addition, the town of Paradise Deep is already full of unusual characters. King-me Sellers, self-appointed patriarch, has it in for an inscrutable woman known only as Devine’s Widow, with whom he has a decades-old feud. Her granddaughter, Mary Tryphena, is just a child when Judah washes ashore, but finds herself tied to him all her life in ways she never expects. Galore is the story of the saga that develops between these families, full of bitterness and love, spanning two centuries. With Paradise Deep, award-winning novelist Michael Crummey imagines a realm where the line between the everyday and the otherworldly is impossible to discern. Sprawling and intimate, stark and fantastical, Galore is a novel about the power of stories to shape and sustain us.

    When fifteen-year-old Minke Van Aisma travels to Amsterdam to care for the dying wife of a wealthy man, she has no idea what adventures await her. Within hours of his wife’s death, her employer proposes marriage, and within days the couple has set sail for the oil fields of Argentina. They settle in the rough coastal town of Comodoro Rivadavia, where Minke eventually learns that her husband is not a successful trader, but a morphine producer. The future that seemed so bright takes an even darker turn the morning their toddler son, Zeff, is kidnapped. Soon after, morphine production is outlawed and her husband must immediately emigrate to New York. Already pregnant with their daughter, Minke has little choice but to wait for the new baby’s arrival, then follow Sander to America, and leave her firstborn behind forever. However when she arrives in New York and discovers that her husband has betrayed her, she takes her daughter and leaves him, finds work as a seamstress, and vows to return to Argentina and find her son. How she manages to find her child, and how she takes her revenge on the people who orchestrated his abduction, is a triumphant tale of personal sacrifice, determination, and love. A sweeping saga that crosses three continents--from the opulent life in Amsterdam during the 1900s, to rough living on the Argentine coast, to the impoverished life of a recent immigrant to New York--A YOUNG WIFE is a journey no reader will forget.

    The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, “Stephen King with a whoopee cushion and a double-espresso imagination” has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death…even Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacré Bleu, the immortal Moore takes on the Great French Masters. A magnificent “Comedy d’Art” from the author of Lamb, Fool, and Bite Me, Moore’s Sacré Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed “suicide” of Vincent van Gogh.

    Wells, and central figure in the emergence of modernist fiction Dorothy exists just above the poverty line, doing secretarial work at a dentist's surgery and living in a seedy boarding house in Bloomsbury, when she is invited to spend the weekend with a childhood friend. Jane recently married a writer who is hovering on the brink of fame. His name is H.G. Wells, or Bertie as he is known to friends.Bertie appears unremarkable at first. But then Dorothy notices his grey-blue eyes taking her in, openly signalling approval. He tells her he and Jane have an agreement which allows them the freedom to take lovers, although Dorothy is not convinced her friend is happy with this arrangement.Not wanting to betray Jane, yet unable to draw back, Dorothy free-falls into an affair with Bertie. Then a new boarder arrives at the house—striking unconventional Veronica Leslie-Jones, determined to live life on her own terms—and Dorothy finds herself caught between Veronica and Bertie. Amidst the personal dramas and wreckage of the militant suffragette movement, Dorothy finds her voice as a writer.The Lodger is a beautifully intimate novel that is at once an introduction to one of the most important writers of the 20th century and a compelling story of one woman tormented by unconventional desires.

    When a cleaning sweep of a New York City apartment building brings this lost treasure to light, both the diary and its owner are given a second life.Recovered by Lily Koppel, a young writer working at the New York Times, the journal paints a vivid picture of 1930s New York—horseback riding in Central Park, summer excursions to the Catskills, and an obsession with a famous avant-garde actress. From 1929 to 1934, not a single day's entry is skipped.Opening the tarnished brass lock, Koppel embarks on a journey into the past, traveling to a New York in which women of privilege meet for tea at Schrafft's, dance at the Hotel Pennsylvania, and toast the night at El Morocco. As she turns the diary's brittle pages, Koppel is captivated by the headstrong young woman whose intimate thoughts and emotions fill the pale blue lines. Who was this lovely ingénue who adored the works of Baudelaire and Jane Austen, who was sexually curious beyond her years, who traveled to Rome, Paris, and London?Compelled by the hopes and heartaches captured in the pages, Koppel sets out to find the diary's owner, her only clue the inscription on the frontispiece—"This book belongs to . . . Florence Wolfson." A chance phone call from a private investigator leads Koppel to Florence, a ninety-year-old woman living with her husband of sixty-seven years. Reunited with her diary, Florence ventures back to the girl she once was, rediscovering a lost self that burned with artistic fervor.Joining intimate interviews with original diary entries, Koppel reveals the world of a New York teenager obsessed with the state of her soul and her appearance, and muses on the serendipitous chain of events that returned the lost journal to its owner. Evocative and entrancing, The Red Leather Diary re-creates the romance and glitter, sophistication and promise, of 1930s New York, bringing to life the true story of a precocious young woman who dared to follow her dreams.

    The girls are taken in by a kindly fisherman named Silver, and Frieda begins to feel at home on the water. When Silver sells his fishing boat to WWI veteran Sam Hicks, thinking Sam would be a fine husband for Frieda, she’s outraged. But Frieda manages to talk Sam into teaching her to repair boat engines instead, so she has a trade of her own and won’t have to marry.Frieda quickly discovers that a mechanic’s wages won’t support Bea and Silver, and is lured into a money-making team of rumrunners supplying alcohol to New York City speakeasies. Speeding into dangerous waters to transport illegal liquor, Frieda gets swept up in the lucrative, risky work—and swept off her feet by a handsome Ivy Leaguer who’s in it just for fun.As danger mounts and her own feelings threaten to drown her, can Frieda find her way back to solid ground—and to a love that will sustain her?

    I did not believe he could survive it.” When Major Gryffth Hockaday is called to the front lines of the Civil War, his new bride is left to care for her husband’s three-hundred-acre farm and infant son. Placidia, a mere teenager herself living far from her family and completely unprepared to run a farm or raise a child, must endure the darkest days of the war on her own. By the time Major Hockaday returns two years later, Placidia is bound for jail, accused of having borne a child in his absence and murdering it. What really transpired in the two years he was away? Inspired by a true incident, this saga conjures the era with uncanny immediacy. Amid the desperation of wartime, Placidia sees the social order of her Southern homeland unravel as her views on race and family are transformed. A love story, a story of racial divide, and a story of the South as it fell in the war, The Second Mrs. Hockaday reveals how that generation--and the next--began to see their world anew.

    . . Declan, the Duke of Banbury, has no interest in ushering Rosalie Hughes, his stepsister, into society. Dumped on him with nowhere else to go, he's determined to rid himself of the headstrong debutante by bestowing on her an obscenely large dowry . . . making her the most sought-after heiress of the Season. . . . is about to become the only one he wants. But Rosalie isn't about to go along with Declan's plans. Surrounded by fortune hunters, how is she supposed to find a man who truly wants her? Taking control of her fate, Rosalie dons a disguise and sneaks into Sodom, a private club host to all manner of illicit activity—and frequented by her infuriatingly handsome stepbrother.In a shadowed alcove, Declan can't resist the masked temptress who sets his blood afire . . . any more than Rosalie can deny her longing for a man who will send her into ruin.