But that doesn't seem likely. Ever since his parents--Russian immigrants--invented the stuffed Teddy Bear five months ago, Joseph's life has turned upside down. No longer do the Michtom's gather family and friends around the kitchen table to talk. No longer is Joseph at leisure to play stickball with the guys. Now, Joseph works. And complains. And falls in love. And argues with Mama and Papa. And falls out of love. And hopes. Joseph hopes he'll see Coney Island soon. He hopes that everything will turn right-side up again. He hopes his luck hasn't run out--because you never know. Through all the warmth, the sadness, the frustration, and the laughter of one big, colorful family, Newbery Medalist Karen Hesse builds a stunning story of the lucky, the unlucky, and those in between, and reminds us that our lives--all our lives--are fragile, precious, and connected."Brooklyn Bridge" is a 2009 Bank Street - Best Children's Book of the Year.

    Ever since she swept into the court of King Solomon three thousand years ago, her story has been told and retold, often getting diluted, amended, and reworked along the way. In a quest to collect clues to the mystery of Sheba, Clapp travels to Ethiopia, Yemen, Israel, and even a village in France. Using the latest technology, including satellite images and carbon-14 dating, and some recent archaeological discoveries, he pieces together the facts behind Sheba's multifaceted myth.

    For this book Dury co-operated with author Richard Balls who has produced a vivid portrait, illustrated with many photographs from private collections.

    Jimmy has a joyful heart and a kind word for everyone, and he’s the only person who thinks Ellie is smart and funny and as beautiful as Lana Turner, the movie star. Ellie can hardly stand to see him go. With Jimmy gone, Aunt Toots moves into his bedroom, Ellie’s mother takes a war job at a factory, and everything in Ellie’s life seems upside down. But she figures that the war will be over and Jimmy home by Christmas, so as much as she misses him, she keeps her spirits up. Even as families in the neighborhood begin to receive telegrams informing them that their boys are wounded or worse, Ellie never stops believing in Jimmy.In her second work of historical fiction, Mary Ann Rodman captures all the authentic details of life on the homefront during World War II, as well as the fierce love a sister has for her beloved big brother.Jimmy's Stars is a 2009 Bank Street - Best Children's Book of the Year.

    

    What he discovered was a vast and sparsely settled territory largely ignored by the rest of the United States and Canada; a harsh and beautiful region populated by some of the continent's most independent men and women. Mosher brings the remote North Country vividly to life, and reflects on the powerful characters he has encountered in his own life and how this land has shaped his life and his books.

    This will be the go-to guide for aspiring sommeliers, wine aficionados who want to improve their blind tasting skills, and amateur enthusiasts looking for a straightforward and visceral way to understand and describe wine.In this seminal addition to the wine canon, noted experts Rajat Parr and Jordan Mackay share everything they've learned in their decades of tasting wine. The result is the most in-depth study of the world's greatest wine regions ever published. There are books that describe the geography of wine regions. And there are books that describe the way basic wines and grapes should taste. But there are no books that describe the intricacies of the way wines from various subregions, soils, and appellations should taste. Now, for the first time ever, you can learn about the differences between wines from the 7 grand crus and 40 premier crus of Chablis, or the terroirs in Barolo, Champagne, and Bordeaux. Paying attention to styles, winemakers, soils, and the most cutting-edge of trends, this book explains how to understand the wines of the world not in the classical way, but in the modern way--appellation by appellation, soil by soil, technique by technique--making it an essential reference and instant classic.

    Somewhere in the midst of all this, he also managed to weld rock to country, the Beatles to Springsteen, and bluegrass to punk, establishing himself among the most thoroughly original and politically astute musicians of his generation. Granted unrestricted access to Steve and his family and friends, Lauren St John has given us a sometimes shocking, often moving, and completely unvarnished biography of one of America's most talismanic sons.

    In a series of brief, highly readable vignettes the authors bring to life international trade and its actors - including migrants and merchants, pirates and privateers, sailors and slaves, traders and tree-tappers. In the process they make clear that the seemingly modern concept of economic globalization has deep historical roots. The authors also demonstrate that economic activity cannot be divorced from social and cultural contexts. This second edition provides enhanced coverage of Africa, the Middle East, and the 20th century, and features eighteen new vignettes, including two new pieces on oil.

    There's been much coverage of punk, postpunk and the acid-house rave era of the early 90s, but the scene surrounding independent guitar-based music of the mid-80s has been largely overlooked. "A Scene In Between" looks at Britain's fashions, personalities and youth cultures from that era. Bands featured include Television Personalities, My Bloody Valentine, The Jesus and Mary Chain, The Smiths, The Pastels, The Vaselines and more obscure bands such as The Shop Assistants, The Flatmates and countless others. Author Sam Knee has reconnected with a vast network of people and resources to unearth literally hundreds of previously unpublished photographs of the bands, fans, clubs and street fashion of the time. Taking a sartorial angle, he looks at anoraks, oversized jumpers, leather trousers, bowl-cut hairdos, blouse shirts, stripey tees and box jackets. Dave Conway of My Bloody Valentine and Douglas Hart of The Jesus and Mary Chain contribute reminiscences.

    In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

    Ford’s prose is scabrous and melancholic, incorporating theoretical shards from Guy Debord and Marc Augé, and mapping the transformations to the capital that the property boom and neoliberalist economics have wrought. Each zine is a drift, a wander through landscape that echoes certain strands of contemporary psychogeography. Ford—or a version of her, at least—is an occasional character, offering up narcotic memories of a forgotten metropolis. The images, hand-drawn, photographed and messily laid out, suggest both outtakes from a Sophie Calle project and the dust jacket of an early 1980s anarcho-punk compilation record: that is, both poetry and protest.”—Sukhdev Sandhu, New Statesman Savage Messiah collects the entire set of Laura Oldfield Ford’s fanzine to date. Part graphic novel, part artwork, the book is both an angry polemic against the marginalization of the city’s working class and an exploration of the cracks that open up in urban space.

    

    Two gifted photographers have documented every aspect of this extraordinary urban subculture, complete with 239 full-color photographs.

    By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam. From backstage brawls and drug blow-outs, to riots, superstar punch-ups, hotel room confessionals and tour bus lunacy, these are stories from the madness of a music scene now long gone. Allan Jones is an award-winning British music journalist and editor. In 1974, he applied for a job on the UK's best-selling music paper as a junior reporter, signing off his application with "Melody Maker needs a bullet up the arse. I'm the gun, pull the trigger†?. He was editor of Melody Maker from 1984 to 1997 and until 2014 editor of music and film monthly Uncut.