Victoria's matchmaking plans were further complicated by the tumultuous international upheavals of the time: revolution and war were in the air, and kings and queens, princes and princesses were vulnerable targets.Queen Victoria's Matchmaking travels through the glittering, decadent palaces of Russia and Europe, weaving in scandals, political machinations and family tensions to enthralling effect. It is at once an intimate portrait of a royal family and an examination of the conflict caused by the marriages the Queen arranged. At the heart of it all is Victoria herself: doting grandmother one moment; determined Queen Empress the next.

    Her father soon started to spend the family fortune, enthusiastically supported by Consuelo's mother, Alva, who was determined to take the family to the top of New York society—forcing a heartbroken Consuelo into a marriage she did not want with the underfunded Duke of Marlborough. But the story of Consuelo and Alva is more than a tale of enterprising social ambition, Gilded Age glamour, and the emptiness of wealth. It is a fascinating account of two extraordinary women who struggled to break free from the world into which they were born—a world of materialistic concerns and shallow elitism in which females were voiceless and powerless—and of their lifelong dedication to noble and dangerous causes and the battle for women's rights.

    His Victoria is not only the formidable, demanding, capricious queen of popular imagination—she is also often shy, diffident, and vulnerable, prone to giggling fits and crying jags. Often censorious when confronted with her mother's moral lapses, she herself could be passionately sensual, emotional, and deeply sentimental. Ascending to the throne at age eighteen, Victoria ruled for sixty-four years—an astounding length for any world leader. During her reign, she dealt with conflicts ranging from royal quarrels to war in Crimea and rebellion in India. She saw monarchs fall, empires crumble, new continents explored, and England grow into a dominant global and industrial power. This personal history is a compelling look at the complex woman whom, until now, we only thought we knew.

    A member of the bourgeoisie rather than an aristocrat, she was physically too cold for the carnal Bourbon king, and had so many enemies that she could not travel publicly without risking a pelting of mud and stones. History has loved her little better. Nancy Mitford's delightfully candid biography recreates the spirit of 18th-century Versailles with its love of pleasure and treachery. We learn and see France increasingly overcome with class conflict. With a fiction writer's felicity, Mitford restores the royal mistress and celebrates her as a survivor, unsurpassed in "the art of living," who reigned as the most powerful woman in France for nearly twenty years

    Edward's controversial match brought his queen's large family to court and into the thick of the Wars of the Roses. This is the story of the family whose fates would be inextricably intertwined with the fall of the Plantagenets and the rise of the Tudors: Richard, the squire whose marriage to a duchess would one day cost him his head; Jacquetta, mother to the queen and accused witch; Elizabeth, the commoner whose royal destiny would cost her three of her sons; Anthony, the scholar and jouster who was one of Richard III's first victims; and Edward, whose military exploits would win him the admiration of Ferdinand and Isabella. This history includes little-known material such as private letters and wills.

    To everyone's great surprise, this playboy prince sobered up and became an extremely effective leader and the founder of England's modern monarchy. For readers of Sally Bedell Smith's Elizabeth the Queen and Robert K. Massie's Catherine the Great."This is not only the best biography of King Edward VII; it's also one of the best books about royalty ever published." So began the London Independent's review of this wonderfully entertaining biography of Britain's playboy king-a Prince Charles of the Victorian age, only a lot more fun-who waited for nearly six decades to get his chance to rule. A notorious gambler, glutton and womanizer (he was dubbed "Edward the Caresser"), the world was his oyster as this aging Prince of Wales took advantage of his royal entitlements to travel, hunt, socialize, over-indulge-he smoked a dozen cigars a day-and bed a string of mistresses and married women in addition to his own wife. His mother Queen Victoria despaired: "Bertie, I grieve to say, shows more and more how totally, totally unfit he is for ever becoming king." And yet by the time he died in 1910, after only nine years on the throne, he had proven to be a hard working, effective king and an ace diplomat, at home and abroad.A bestseller in the UK, this "exhaustively researched, richly colorful and wittily observed biography" (the London Sunday Times) is a tremendously entertaining read for history buffs and royal watchers.

    Earlier this year, the remains of a man with a curving spine, who possible was killed in battle, were discovered underneath the paving of a parking lot in Leicester, England. Phillipa Langley, head of The Richard III Society, spurred on by the work of the historian Michael Jones, led the team of who uncovered the remains, certain that she had found the bones of the monarch. When DNA verification later confirmed that the skeleton was, indeed, that of King Richard III, the discovery ranks among the great stories of passionate intuition and perseverance against the odds. The news of the discovery of Richard's remains has been widely reported by the British as well as worldwide and was front page news for both the New York Times and The Washington Post. Many believe that now, with King Richard III's skeleton in hand, historians will finally begin to understand what happened to him following the Battle of Bosworth Field (twenty miles or so from Leicester) and, ultimately, to know whether he was the hateful, unscrupulous monarch of Shakespeare's drama or a much more benevolent king interested in the common man. Written in alternating chapters, with Richard's 15th century life told by historian Michael Jones (author of the critically acclaimed Bosworth - 1485) contrasting with the 21st century eyewitness account of the search and discovery of the body by Philippa Langley, The King's Grave will be both an extraordinary portrait of the last Plantagenet monarch and the inspiring story of the archaeological dig that finally brings the real King Richard III into the light of day.

    Passionate, witty and moving, the voices of the Lennox sisters reach us with immediacy and power, drawing the reader into their remarkable lives, and making this one of the most enthralling historical narratives to appear for many years

    George V, Wilhelm II and Nicholas II, known in the family as Georgie, Willy and Nicky, were cousins. Between them they ruled over half the world. They had been friends since childhood. But by July 1914 the Trade Union of Kings was falling apart. Each was blaming the other for the impending disaster of the First World War. 'Have I gone mad?' Nicky asked his wife Alix in St Petersburg, showing her another telegram from Willy. 'What on earth does William mean pretending that it still depends on me whether war is averted or not!' Behind the friendliness of family gatherings lurked family quarrels, which were often played out in public. Drawing widely on previously unpublished documents, this is the extraordinary story of their overlapping lives, conducted in palaces of unimaginable opulence, surrounded by flattery and political intrigue. And through it runs the question: to what extent were the King, the Kaiser and the Tsar responsible for the outbreak of the war, and, as it turned out, for the end of autocratic monarchy?

    Together, they presided over the last years of dynastic Europe and the outbreak of the most destructive war the world had ever seen, a war that set twentieth-century Europe on course to be the most violent continent in the history of the world.Miranda Carter uses the cousins' correspondence and a host of historical sources to tell the tragicomic story of a tiny, glittering, solipsistic world that was often preposterously out of kilter with its times, struggling to stay in command of politics and world events as history overtook it. George, Nicholas and Wilhelm is a brilliant and sometimes darkly hilarious portrait of these men--damaged, egotistical Wilhelm; quiet, stubborn Nicholas; and anxious, dutiful George--and their lives, foibles and obsessions, from tantrums to uniforms to stamp collecting. It is also alive with fresh, subtle portraits of other familiar figures: Queen Victoria--grandmother to two of them, grandmother-in-law to the third--whose conservatism and bullying obsession with family left a dangerous legacy; and Edward VII, the playboy "arch-vulgarian" who turned out to have a remarkable gift for international relations and the theatrics of mass politics. At the same time, Carter weaves through their stories a riveting account of the events that led to World War I, showing how the personal and the political interacted, sometimes to devastating effect.For all three men the war would be a disaster that destroyed forever the illusion of their close family relationships, with any sense of peace and harmony shattered in a final coda of murder, betrayal and abdication.

    But through the fog of glamour and gossip, how well do we really know the world’s most famous monarch? Drawing on numerous interviews and never-before-revealed documents, acclaimed biographer Sally Bedell Smith pulls back the curtain to show in intimate detail the public and private lives of Queen Elizabeth II, who has led her country and Commonwealth through the wars and upheavals of the last sixty years with unparalleled composure, intelligence, and grace. In Elizabeth the Queen, we meet the young girl who suddenly becomes “heiress presumptive” when her uncle abdicates the throne. We meet the thirteen-year-old Lilibet as she falls in love with a young navy cadet named Philip and becomes determined to marry him, even though her parents prefer wealthier English aristocrats. We see the teenage Lilibet repairing army trucks during World War II and standing with Winston Churchill on the balcony of Buckingham Palace on V-E Day. We see the young Queen struggling to balance the demands of her job with her role as the mother of two young children. Sally Bedell Smith brings us inside the palace doors and into the Queen’s daily routines—the “red boxes” of documents she reviews each day, the weekly meetings she has had with twelve prime ministers, her physically demanding tours abroad, and the constant scrutiny of the press—as well as her personal relationships: with Prince Philip, her husband of sixty-four years and the love of her life; her children and their often-disastrous marriages; her grandchildren and friends.

    A story that Jane Austen famously declined to tell, declaring: “I could no more write a romance than an epic poem.”Charlotte was the only legitimate royal child of her generation, and her death in childbirth resulted in a public outpouring of grief the like of which was not to be seen again until the death of Diana, over 150 years later. Charlotte’s death was followed by an unseemly scramble to produce a substitute heir. Queen Victoria was the product.James Chambers masterfully demonstrates how the personal and the political inevitably collide in scheming post-Napoleonic Europe, offering a vivid and sympathetic portrait of a couple whose lives are in many ways not their own. From the day she was born, Charlotte won the hearts of her subjects and yet, behind the scenes, she was used, abused, and victimized by rivalries—between her parents; between her father (the Prince Regent, later King George IV) and (Mad) King George III; between her tutors, governesses, and other members of her discordant household; and ultimately between the Whig opposition and the Tory government.Set in one of the most glamorous eras of British history, against the background of a famously dysfunctional royal family, Charlotte & Leopold: The True Story of The Original People’s Princess is an accessible, moving, funny, and entertaining royal biography with alluring contemporary resonance.James Chambers is a professional historian and author of many books on British and colonial history, including The Daily Telegraph History of the British Empire, which sold over 250,000 copies. He has also written extensively for television and made countless BBC TV and radio appearances.

    You've read the Brothers Grimm, you've watched the Disney cartoons, and you cheered as these virtuous women lived happily ever after. But real princesses didn't always get happy endings. Sure, plenty were graceful and benevolent leaders, but just as many were ruthless in their quest for power and all of them had skeletons rattling in their royal closets. Princess Stephanie von Hohenlohe was a Nazi spy. Empress Elisabeth of the Austro-Hungarian empire slept wearing a mask of raw veal. Princess Olga of Kiev slaughtered her way to sainthood while Princess Lakshmibai waged war on the battlefield, charging into combat with her toddler son strapped to her back. Princesses Behaving Badly offers true tales of all these princesses and dozens more in a fascinating read that's perfect for history buffs, feminists, and anyone seeking a different kind of bedtime story.

    Nevertheless their lives were so closely intertwined, their choices, dreams and tragedies so eerily similar, it seems impossible to consider one without the other.Both women became famous writers; fell in love with brilliant but impossible men; and were single mothers who had children out of wedlock; both lived in exile; fought for their position in society; and thought deeply about how we should live. And both women broke almost every rigid convention there was to break: Wollstonecraft chased pirates in Scandinavia. Shelley faced down bandits in Naples. Wollstonecraft sailed to Paris to witness the Revolution. Shelley eloped in a fishing boat with a married man. Wollstonecraft proclaimed that women’s liberty should matter to everyone.Not only did Wollstonecraft declare the rights of women, her work ignited Romanticism. She inspired Coleridge, Wordsworth and a whole new generation of writers, including her own daughter, who – with her young lover Percy Shelley – read Wollstonecraft’s work aloud by her graveside. At just nineteen years old and a new mother herself, Mary Shelley composed Frankenstein whilst travelling around Italy with Percy and roguish Lord Byron (who promptly fathered a child by Mary’s stepsister). It is a seminal novel, exploring the limitations of human nature and the power of invention at a time of great religious and scientific upheaval. Moreover, Mary Shelley would become the editor of her husband’s poetry after his early death – a feat of scholarship that did nothing less than establish his literary reputation.Romantic Outlaws brings together a pair of visionary women who should have shared a life, but who instead shared a powerful literary and feminist legacy. This is inventive, illuminating, involving biography at its best.

    Such was the life of many young women of the age: they had no independent status under the law and were entirely a part of their husband’s property once married.  Marie and Hortense, however, had other ambitions in mind altogether. Miserable in their marriages and determined to live independently, they abandoned their husbands in secret and began lives of extraordinary daring on the run and in the public eye. The beguiling sisters quickly won the affections of noblemen and kings alike. Their flight became popular fodder for salon conversation and tabloids, and was closely followed by seventeenth-century European society. The Countess of Grignan remarked that they were traveling “like two heroines out of a novel.” Others gossiped that they “were roaming the countryside in pursuit of wandering lovers.”  Their scandalous behavior—disguising themselves as men, gambling, and publicly disputing with their husbands—served as more than just entertainment. It sparked discussions across Europe concerning the legal rights of husbands over their wives.Elizabeth Goldsmith’s vibrant biography of the Mancini sisters—drawn from personal papers of the players involved and the tabloids of the time—illuminates the lives of two pioneering free spirits who were feminists long before the word existed.