Free online fiction from the New Yorker.Short story about the father of a thirteen-year-old boy who recalls the violent fantasies he had when he was younger…

    She had the radio on as she danced around the kitchen waiting for Karl to get back from his business trip in New Orleans. They were married almost 2 months and she had missed him. That is when it happened. There was a knock at the door; she almost didn’t hear it as she sang along to the latest catchy tune that was sure to get annoying in the next few days. She ran from the kitchen thinking Karl was going to be his usual sweet self and try to surprise her with a grand entrance – or maybe he had left his keys. She opened the door with excitement only to see two police officers with solemn faces. Her world came crashing down around her as she invited them in and continued cooking. She couldn’t believe it, Karl was going to come through that door any minute and tell them it was all a mistake. He would want dinner when he got back. She needed to keep cooking so he wouldn’t go hungry. Jessica came around and talked her down, told her that she needed to go with the police officers to identify the body. She would be with her every step of the way. What followed was the realization that her husband was dead and their future was no more. All the things they were going to do; getting a chateaux in France, having a family, getting a cat when they moved to the suburbs and bought their own place. The future was full of life and in a split second it became a blank canvas; all because of a stupid accident.

    From the author of anonymous and pseudonymous tales comes a collection on nine newly discovered stories uncovered by tireless literary detective work.

    Here we meet Roxanne, the tomboy who consistently chooses men who are not her equal; the loving Marta, whose husband keeps a separate house where he retreats when married life overwhelms him; and Bebe, a married mother of two teenagers who leaves it all behind when her lover comes on a motorcycle to claim her. With painfully keen perception, Nelson creates stories that linger in the mind long after they are read, and which create a unique view of relations between the sexes in the small towns and big cities of America.

    Not quite what he expected, and not for the faint of heart.Founded in 2012, The Center for Fiction's Crime Fiction Academy is the first ongoing program exclusively dedicated to crime writing in all its forms. Hone your skills with bestselling crime fiction authors Alison Gaylin and Jason Starr. Attend master classes with crime fiction greats like Mary Higgins Clark, Lee Child, Harlan Coben, Linda Fairstein, Nelson DeMille, Michael Connelly, Lisa Unger, and many more. Students receive a Writers’ Studio membership with access to our extensive circulating collection, and have the opportunity to read their work to an audience filled with editors, agents, and publishing professionals at our seasonal Crime Fiction Slam. Not in New York? Check centerforfiction.org for information about our online classes.

    A time for joy. A time for tears. A time for reflection. A time for hope.And a time for miracles.This Christmas season Dave and Karen Brenner have welcomed a stranger into their lives. A stranger who may change their lives forever.

    You’ll see. Draw me just one more time.”No one knows if his mother will come out of her coma, so fourteen-year-old Jordie memorializes her in the only way he knows how: by drawing her. His older brother doesn’t approve of these sketches, but Jordie’s determined to capture the person she used to be. Unfortunately, Jordie must draw her from memory because his mom didn’t keep pictures, and her body in the hospital no longer looks like her. But the images of her are quickly fading, and if he doesn’t get a drawing right soon, the mother he remembers may slip away forever. No matter how close Jordie gets to completing a drawing, his mom’s most vital feature always evades him.Will Jordie capture his mother’s eyes? Or are they and his mother gone forever?Content Warning:SuicideDeathAnimal Death​Reader discretion advised

    He lands an enviable gig writing about shopping and fashion for the city’s major newspaper, but an ill-fated promotional junket gets Albo into hot water. He becomes a gossip item and finds himself caught in an acrimonious war between Old and New Media. Here's a gimlet-eyed account of the back-biting media scene, a glimpse into the inner workings of the fashion crowd, and a candid portrait of what it takes to survive as a writer in today’s chattering and watchful New York City."I was perilously close to exposing a secret underground economy of promotion: favors and junkets and banquets and gifts that keeps the city in motion, and keeps underpaid writers at work. Basically, I became the Silkwood of Swag."

    Delaney is one of them."When you meet Delaney Robinson, she is a two-year-old with a serious attachment to her wonderful great-grandmother, who guides her through life with the wisdom of a nonagenarian. Margaret's reminiscences, along with the rest you will read, tell the story of how this adorable little girl came to be.There is murder, mayhem, humor, romance--and a bit of heartbreak. The stories are about her parents, grandparents, distant ancestors, and family friends, from Delaney's Irish forebears and how they settled in Alabama to a chapter written entirely from the point of view of a Confederate battle sword hanging on her grandfather's wall.

     The ancient civilisation is enjoying unprecedented prosperity during the 18th Dynasty under some of Egypt’s most famous Pharaohs – Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. But every empire has its rivals – here the Hittites, the Mittani, Nubians and Assyrians – and every royal family its enemies. Smenkhkare is the youngest son of Amenhotep III and brother to Akhenamun – later to become the ruler Akhenaten – and Thutmose, plus three older sisters. The scheming Akhenamun dismisses Smenkhkare as a mere stripling, but the wise warrior Thutmose takes the boy under his wing and sets out to make a man of him. This is crucial for Smenkhkare whose father has decided that the only role for the boy will be through a marriage of convenience to the beautiful Mittani princess Taduheppa. The bride is ravishing – but older and more worldly – and refuses to consummate the coupling. Full of sympathy for his little brother, Thutmose advises patience and also invites Smenkhkare to accompany him on a raid to hunt down bandits who have attacked a caravan in the desert. It is a fateful moment. Thutmose is killed by an arrow through the neck, igniting a calamitous chain of events as Smenkhkare discovers the arrow did not come from a bandit’s bow. Who, then, did fire the fatal missile? Who would benefit most from the death of the man next in line for the pharoah’s throne? Could the murderer be within his own family? Or was someone else close to the family plotting to seize power? Can Smenkhkare trust his favourite sister Nebetah with his thoughts? Can trusted general Coreb help him in his bid to avenge the death of Thutmose? Who would try to eliminate Smenkhkare by placing a deadly cobra in a basket under his bed? And what are the ghastly contents in two other baskets thrust under Smenkhkare’s nose? David Adkins’ absorbing historical re-imagining The Forgotten Pharaoh, explores the extraordinary and dangerous life and times of a real but little known figure from history – from his child-marriage to exile and then reinstatement in Thebes as pharaoh of one of the most influential dynasties of the ancient civilised world. David Adkins is a retired civil servant who worked for many years at English Heritage. He lives in Letchworth Garden City with his wife. His other historical fiction books to date are The Eagle’s Nest and the Wolf’s Lair, The End of a Dynasty and Season of the Gladiatrix.

    Her novels and short stories speak to women and men about their most intense relationships and heartfelt feelings.In this collection of five short stories and a novella, Ms. Godwin is at her best. In the title novella, "Mr. Bedford," a young would-be writer spends time in England under the strange and watchful eye of a rather unusual elderly couple; in "Amanuensis," a charming college student cares for a famous but blocked novelist, with unpredictable results; and in "The Angry Year," a rebellious student is drawn to two different kinds of men until she discovers what she has been running to and from.

    A grove of majestic live-oaks surrounded it.Thirty years later, only the thick walls were standing, with the dull red brick showing here and there through a matted growth of clinging vines. The huge round pillars were intact so to some extent was the stone flagging of hall and portico. There had been no home so stately along the whole stretch of Cote Joyeuse. Every one knew that, as they knew it had cost Philippe Valmet sixty thousand dollars to build, away back in 1840. No one was in danger of forgetting that fact, so long as his daughter Pelagie survived. She was a queenly, white-haired woman of fifty. "Ma'ame Pelagie," they called her, though she was unmarried, as was her sister Pauline, a child in Ma'ame Pelagie's eyes a child of thirty-five.

    Maizes reminds us that even in our most isolated moments, we are never truly alone.In We Love Anderson Cooper, characters are treated as outsiders because of their sexual orientation, racial or religious identity, or simply because they look different. A young man courts the publicity that comes from outing himself at his bar mitzvah. When a painter is shunned because of his appearance, he learns to ink tattoos that come to life. A paranoid Jewish actuary suspects his cat of cheating on him—with his Protestant girlfriend.In this debut collection, humor complements pathos. Readers will recognize themselves in these stories and in these protagonists, whose backgrounds are vastly different from their own—we’ve all been outsiders at some point.