He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: "It gives us purpose, meaning, a reason for living."Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies, corrupting politics, destroying culture, and perverting the most basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force That Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.Listening Length: 6 hours and 27 minutes

    His celebration of all forms of natural life and his laments for the death of rural England grew directly out of his intimate knowledge of the labourer's life, the wheatfields and hedgerows of his village in Northamptonshire.This authoritative and engaging selection includes poems from every stage of Clare's poetic career, organised by theme, from 'Birds and Beasts' to 'Madhouses, Prisons and Whorehouses'.

    His insights into the human condition are possibly the most profound to come from the Holocaust In Messengers of G-d, Wiesel takes classic characters using classic midrash and make them utterly modern. This book might be a surprise to those familiar with Wiesel only through his Holocaust texts, but it should also be a pleasant surprise. From Adam to Yitchak to Job, Biblical characters are infused with a universality largely forgotten by modern commentators. While this is essentially a Jewish book, it should be enjoyable to anyone who's wanted to study either Classic or Biblical texts. (Amazon customer)

    Now, in the “unknown, unanticipated galaxy” of very old age, he is writing searching essays that startle, move, and delight. In the transgressive and horrifyingly funny “No Smoking,” he looks back over his lifetime, and several of his ancestors’ lifetimes, of smoking unfiltered cigarettes, packs of them every day. Hall paints his past: “Decades followed each other — thirty was terrifying, forty I never noticed because I was drunk, fifty was best with a total change of life, sixty extended the bliss of fifty . . .” And, poignantly, often joyfully, he limns his present: “When I turned eighty and rubbed testosterone on my chest, my beard roared like a lion and gained four inches.” Most memorably, Hall writes about his enduring love affair with his ancestral Eagle Pond Farm and with the writing life that sustains him, every day: “Yesterday my first nap was at 9:30 a.m., but when I awoke I wrote again.”

    The result is lively, funny and moving, especially for anyone who cares about art and the business of writing well.”—Evan Thomas, Newsweek In Writing Places, William Zinsser—the author of On Writing Well, the bestseller that has inspired two generations of writers, journalists, and students—recalls the many colorful and instructive places where he has worked and taught. Gay Talese, author of A Writer’s Life, calls Writing Places, “Wonderful,” while the Pittsburgh Post-Gazette praises this unique memoir for possessing “all the qualities that Zinsser believes matter most in good writing—clarity, brevity, simplicity and humanity.”

    The denial of her diagnosis and the eventual acceptance of her medication and disease. She takes us from her innocence as a child to her adult criminal lifestyle, which led to a subsequent 70 month federal prison sentence for Securities Fraud. A tale so unbelievable and elements so disturbing, you would swear you were reading fiction.

    The feud that erupted as a result has continued for over a century. Lyndall Gordon, an award-winning biographer, tells the riveting story of the Dickinsons, and reveals Emily as a very different woman from the pale, lovelorn recluse that exists in the popular imagination. Thanks to unprecedented use of letters, diaries, and legal documents, Gordon digs deep into the life and work of Emily Dickinson, to reveal the secret behind the poet's insistent seclusion, and presents a woman beyond her time who found love, spiritual sustenance, and immortality all on her own terms. An enthralling story of creative genius, filled with illicit passion and betrayal, "Lives Like Loaded Guns" is sure to cause a stir among Dickinson's many devoted readers and scholars.

    They've become obsessed with Viator to the point that the world beyond seems of consequence only as it relates to the ship. When their putative leader, Thomas Willander, is afflicted by a series of disturbing dreams, he concludes that something on board may be responsible for their erraticism. He seeks the help of a woman in the nearby village of Kaliaska and together they initiate an investigation into the history of Viator, hoping to learn, among other things, why the ship was run aground and who was the mysterious man who hired the four. But their efforts may be too late. The men, whose eccentrities are now verging on the insane, show no sign of intending to abandon their new home, compelled by Viator's eerie allure. To make matters worse, winter will soon be setting in, ominous incidences of sound and light are issuing from the forest surrounding the ship, and Willander's dreams may be coming true...Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    In What It Used to Be Like, she recounts a tale of love at first sight in which two teenagers got to know each other by sharing a two-year long-distance correspondence that soon after found them married and with two small children. Over the next twenty-five years, as Carver's fame grew, the family led a nomadic life, moving from school to school and teaching post to teaching post. In 1972, they settled in Cupertino, California, where Raymond Carver gave his wife one of his sharpened pencils and asked her to write an account of their history. The result is a memoir of a marriage, replete with an intimacy of detail that fully reveals the talents and failings of this larger-than-life man, his complicated relationships, and his profound loves and losses. What It Used to Be Like brings to light for the first time Raymond Carver's lost years and the "stories behind the stories" of this brilliant writer.

    Sulfurously funny and intellectually provocative, 7 Tattoos is a journey without maps through the labyrinth of a human soul. There are only a few landmarks as guideposts: the ones carved on the author's own flesh. Each section of this innovative book is the story of one of Peter Trachtenberg's tattoos, as well as a daring, intelligent exploration of the themes that each tattoo evokes: death, sacrilege, primitivism, rebellion, atonement, sadomasochism, and downfall. 7 Tattoos introduces us to a man responding ingeniously and emotionally to the harrowing events of his life: funerary rites in Borneo, heroin addiction on Manhattan's Lower East Side, the deathwatches of both his parents. Though it features deft portraits of famous tattoo artists like Spider Webb, Trachtenberg's book is not about tattoos; rather it is an arsenal of ideas fired off with great emotional power. At once memoir, wild anthropology, and meditation on love, faithlessness, and faith, this stunningly original book redefines what a literary memoir can be.

    Angelic, devilish, immoral, charming, self-destructive, given to alcoholic binges, he was not what the sober world of American academe had expected. Students loved him—although after his first few encounters with them, the girls had to be protected. And he made quick friends with countless American writers, journalists, and barflies, instantly creating a pop-culture mythology of the doomed artist for the late 20th century. The man who was Thomas’ patron and guide was the young poet John Malcolm Brinnin, who watched horrified—though utterly beguiled by the poet’s charm and genius—at Thomas’ slow descent into hell. This is his harrowing account of the poet’s tragic last years.

    It is a way of life. Randy Harris invites you not just to understand these great teachings but to live them in ways you never before imagined.

    Like them, she has lived an unusually full and remarkable life, and like them she has an inimitable expressive gift. In Counting My Chickens, she has gathered extracts from her diaries and other writings to create a multifaceted portrait of her life at Chatsworth, the home of the Dukes of Devonshire, that is pithy, hilarious, wise, and always richly rewarding.Under the Duchess's inspired supervision, Chatsworth has become one of England's most frequently visited great houses, welcoming over 400,000 visitors a year. The Duchess reveals what it takes to keep such an establishment alive and prospering, tells of transporting a goat by train from the Scottish island of Mull to London, discusses having her portrait painted by Lucian Freud, and provides rich reminisces of growing up a Mitford--along with telling anecdotes about friends from Evelyn Waugh to John F. Kennedy. From Tom Stoppard's adoring Introduction to the author's meditation on the beauty of Elvis Presley's voice, COUNTING MY CHICKENS offers continuous surprise and delight.

    What sort of person was Ngaio Marsh, whose detective novels made her name known throughout the world? With all the insight and sense of style her readers have come to expect of her, her autobiography reveals the influences and environment that have shaped her personality.Widely acclaimed when first published in 1965, Black Beech and Honeydew is a sensitive account of Ngaio Marsh’s childhood and adolescence in Christchurch and the establishment of her theatre and writing careers both there and in the UK. It captures all the joys, fears and hopes of a spirited young woman growing up and transmits an artist’s gradual awareness of the special flavour of life in New Zealand and the individual character of its landscape.Fully revised and updated in 1981, this new edition is reissued 21 years later as a commemoration of Ngaio Marsh’s life and work. It is a sanguine, poised, unpretentious, thoughtful and often moving record of a full life, and – despite its unavailability for nearly 20 years – has been acclaimed as her most distinguished work. No one who had read and enjoyed any of Ngaio Marsh’s 32 novels can afford to overlook this gifted and charming autobiography.

    Topics covered include Bi-polar disorder, self harming, suicide, depression and theauthor also shows how for some famous people mental disorders were part of what may have made them great. Frank, hard hitting and moving.