Purposefully cutting himself off from what remains of civilization, Cavalo resides in the crumbling ruins of the Northern Idaho Correctional Institution. A mutt called Bad Dog and a robot on the verge of insanity comprise his only companions. Cavalo himself is deteriorating, his memories rising like ghosts and haunting the prison cells.It’s not until he makes the dangerous choice of crossing into the irradiated Deadlands that Cavalo comes into contact with a mute psychopath, one who belongs to the murderous group of people known as the Dead Rabbits. Taking the man prisoner, Cavalo is forced not only to face the horrors of his past, but the ramifications of the choices made for his stark present. And it is in the prisoner that he will find a possible future where redemption is but a glimmer that darkly shines.The world has died.This is the story of its remains.Illustrated by Blake Dorner.

    Poulin, Jr., Poetry Prize. In his foreword he writes, "I was immediately struck by the boldness of imagination, the strange cadences, and wild music of these poems. We should be glad that young poets like Keetje Kuipers are making their voices heard not by tearing up the old language but by making the old language new."Keetje Kuipers, a native of the Northwest, earned her BA at Swarthmore College and MFA at the University of Oregon. A Stegner Fellow at Stanford University, she divides her time between Stanford and Missoula, Montana.From Devils Lake Journal:“Keetje Kuipers’ Beautiful in the Mouth is at once lovely, frank, and haunting. The poems move easily between landscapes, inhabiting the American west, Paris, and New York City with equal ease and yet, they never exploit sympathies of locale for their power. Instead, they rely on nothing but the speaker’s own candor, who is able to speak through such disparate poems as “Bondage Play as Substitue for Prayer” alongside “Waltz of the Midnight Miscarriage,” “Reading Sappho in a Wine Bar,” and “Barn Elegy” with a good spattering of honest-to-goodness sonnets.”From ForeWord Reviews:“The poems move like ghosts themselves: disappearing into walls, circling back, appearing for a moment to be captured, then evaporating into thin air. Kuipers pins moments onto the page with the care of an etymologist collecting rare specimens. Her poems are at once visceral and cosmic, “a wave as well as a particle.””

    The young women who are already there certainly don’t think so. Not Maxine, who is doing everything she can to protect her younger sister Rose in an institution where vicious attendants and bullying older girls treat them as the morons, imbeciles, and idiots the doctors have deemed them to be. Not Alice, either, who was left there when her brother couldn’t bring himself to support a sister with a club foot. And not London, who has just been dragged there from the best foster situation she’s ever had, thanks to one unexpected, life altering moment. Each girl is determined to change her fate, no matter what it takes.

    The introduction is by Doctor Who and Torchwood star John Barrowman, and his sister and frequent collaborator, Carole E Barrowman (Anything Goes, Torchwood: Exodus Code). The book’s cover art is by Colleen Coover (Small Favors).Essay contributors to this collection include Tanya Huff (Blood Ties), Melissa Scott (Trouble and Her Friends), John Richards (Outland), Paul Magrs (Hornets’ Nest), Gary Russell (Doctor Who script editor), Rachel Swirsky (Through the Drowsy Dark), Hal Duncan (Ink: The Book of All Hours), Amal El-Mohtar (The Honey Month), Brit Mandelo (Beyond Binary), Nigel Fairs (In Conversation with an Acid Bath Murderer), David Llewellyn (Night of the Humans), Susan J. Bigelow (Extrahumans), Jennifer Pelland (Machine), Mary Anne Mohanraj (Bodies in Motion), and Jed Hartman (Strange Horizons).

    “Now faith is the substance of things hoped for, the evidence of things not seen.” Hebrews 11:1, MEV What happens when things don’t go as planned? What happens when the storm you face is completely out of your control? The Buchanans’ precious son Christian was born with a medical condition that is so incredibly unique, it’s one of only fifty known cases in the world. This story has captured the hearts of hundreds of thousands. In Through the Eyes of Hope Lacey Buchanan tells this compelling story of trusting God in the face of adversity. You will be moved and inspired to hold on to God’s promises when things go wrong and find joy in midst of any storm.

    He’s at the top of every music chart, every award show, every social media platform, and every sexiest-man-alive list. He’s the bad boy, the enigma, the man everyone on the planet wants a piece of.He’s also burned out and exhausted, isolated and lonely. Not in a good headspace at the start of a tour.Roscoe Hall is Maddox’s personal manager. His job is high-flying, high-demand, high-profile, and he loves it. Maddox has consumed his entire life for the past four years. Roscoe knows him. He sees the real Maddox no one else gets to see.He’s also in love with him.When the tour and stress become too much, when the world begins to close in, Roscoe becomes Maddox’s lifeline. But as Maddox knows already, and as Roscoe is about to learn, the brighter the spotlight, the darker the shadow.Word count: 102K

    Narrated by a speaker in mourning marked as an at-risk juvenile, psychologically troubled, an offender, expelled and sent to alternative school for adolescents with behavioral issues, and eventually, a psychiatric hospital, she survives the school to prison pipeline, the immigrant working class condition, grueling low- pay service jobs, conservative classism against Latinos in Texas, queerness, assimilation, and life wrapped up in frivolous citations, fines, and penalties. The traumatic catalyst for the long line of trouble begins with the death of a beloved young grandmother from preventable cervical cancer—another violence of systemic racism and sexism that prevents regular reproductive and sexual health care to poor immigrant communities—and the subsequent deaths of other immigrant family members who are mourned in the dissociative states amidst the depressive trauma that opens the book. The dissociative states that mark the middle—a surreal kind of shadowland where the narrator encounters her animal self and ancestors imagined as animals faces brutal surreal challenges on the way back to life beyond trauma—is a kind of mictlan, reimagined as a state of constant mourning that challenges American notions of "healing" from trauma, and rather acknowledges sadness, mourning, and memory as a necessary state of constant awareness to forge a "way back" toward a broader healing of earth, time, body, history.

    While staying at his grandmother’s condo in Key Largo, he signs up for introductory dive classes, where he meets Joaquim Oliveira, a Brazilian dive instructor with wanderlust. Driven by an instant, magnetic pull, what could have been just a hookup quickly deepens. As their relationship evolves, they must learn to navigate the challenges of Reid’s mental illness—on their own and with each other.

    A Bulgarian immigrant, Dimitrov writes as both observer of and fervent participant in this "American Youth," as his speakers navigate both the physical and emotional landscapes of desire, intimacy, and longing--whether for a friend, a lover, or a self, "Saint or stranger, I still recklessly seek you."

    But these unpretentious vignettes are laced with compassion, as she learns to balance the sting of death with the tender strangeness of life.

    The moments you know - when you see your parents' marriage dissolving, when you realize you're a boy who likes boys, when you speak the truth and don't know if it will be heard. The moments you don't recognize until later - when you leave things unsaid (even to yourself), when you feel your boyfriend letting go, when you give up on love. And the moment you get love back. In an amazing narrative of poems, Billy Merrell tells an ordinary story in an extraordinary way.

    A routine that keeps him functioning, a job as a tattoo artist that keeps his rent paid and food in his belly, and if he’s alone through it well, there are worse things to be. With his complicated past, Derek is sure no one would ever want to deal with the struggle that comes along with loving someone who has severe PTSD. Especially since the man who spent years abusing him is now in hospice, and Derek has taken over his end-of-life care. Derek’s resigned himself to living and dying alone, and maybe that’s okay. Then one night, during a raging storm, Derek finds himself stuck in an ATM vestibule with a quiet stranger, and it’s in that moment his world begins to change. Basil Shevach is new to Fairfield, taking over his dead aunt’s florist shop. He’s also Deaf in a small town, where he and his sister are the only ones not hearing. It’s not to say he hates it there, but he’s not sure Fairfield is the place for him. At least, not until one night, when a storm leaves him trapped inside the bank with a man quietly panicking against the glass door. He’s immediately intrigued by this unbelievably attractive stranger with bright tattoos covering his arms and haunted eyes, but he’s also bitter because he’s dated a hearing man before and it ended as badly as it could go for him. He had resolved years ago to never make that mistake again, but somehow, the frightened man trapped with him in that little room, crawls under his skin and no matter what he tries, he can’t seem to shake him. Will the two of them be able to find their way together, or will their pasts prevent them from being able to find happiness and contentment when they need it most? Free Hand is the first book in the Irons and Works series. Each book contains an individual storyline with no cheating and HEA.

    This is an amazing collection of erotic pleasures.

    At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making.Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.

    He recovers from bitter disappointment and gradually life returns to a regular rhythm. Safe and predictable. Every day he gains confidence, but with health comes boredom. From the window ledge, he watches people outside and wishes he could be like them. There's another side to Luke. Underneath his bed are five hidden pairs of jeans with matching Dr Martens: yellow, purple, striped, green and tartan. Some days he feels the itch to get them out. Nope. Those days are gone. One day, an amazing thing happens. Dynamic blog artist Formaldehyde Bob comes to town with an exhibition of light and dark! Luke has crushed on him since being fifteen, idolising the man and his unusual creations. Something about the art calls to Luke like nothing else, makes him believe there might after all be someone out there who thinks in the same way. A soul mate. A bird with a similar song. No. Luke isn't going to go and see Formaldehyde Bob. He isn't. Because he's happy with his monotonous lot and doesn't want to see hope sliding down a mountain of sand. Will Luke take a chance and visit Formaldehyde Bob? Can the jeans ever be worn again? Does grumpy Barbara ever smile? And the most important question: is there any magic left in the world? Find out in this snowy tale of young love in the most unexpected places. Content warning: references to self-harm, mental illness.