It was the worst single act of murder at a school in U.S. history. Few people knew Dylan Klebold or Eric Harris better than Brooks Brown. Brown and Klebold were best friends in grade school, and years later, at Columbine, Brown was privy to some of Harris and Klebolds darkest fantasies and most troubling revelations After the shootings, Brown was even accused by the police of having been in on the massacre simply because he had been friends with the killers.Now, for the first time, Brown, with journalist Rob Merritt, gets to tell his full version of the story. He describes the warning signs that were missed or ignored, and the evidence that was kept hidden from the public after the murders. He takes on those who say that rock music or video games caused Klebold and Harris to kill their classmates and explores what it might have been that pushed these two young men, from supposedly stable families, to harbor such violent and apocalyptic dreams.Shocking as well as inspirational and insightful, No Easy Answers is an authentic wake-up call for all the psychologists, authorities, parents, and law enforcement personnel who have attempted to understand the murders at Columbine High School. As the title suggests, the book offers no easy answers, but instead presents the unvarnished facts about growing up as an alienated teenager in America today.Brooks Brown graduated from Columbine High School in 1999; this is his first book. Most recently, Brooks worked and consulted on Michael Moores latest documentary called Bowling for Columbine. He lives in Littleton, Colorado. Rob Merritt graduated from the University of Iowa School of Journalism in 1998 and currently works as a newspaper writer in Marshalltown, Iowa.

    In The Intellectual Devotional: American History, authors David S. Kidder and Noah D. Oppenheim have turned to the rich legacy of American history for their selections. From Thomas Jefferson and Benjamin Franklin to Martin Luther King Jr., from the Federalist Papers to Watergate, the giant figures, cultural touchstones, and pivotal events in our national heritage provide a bountiful source of reflection and education that will refresh knowledge, revitalize the mind, and open new horizons of intellectual discovery.

    Building on the legacy of two previous editions of The New American History, this volume presents an entirely new group of contributors and a reconceptualized table of contents.The new generation of historians showcased in American History No posed new questions and developed new approaches to scholarship to revise the prevailing interpretations of the chronological periods from the colonial era to the Reagan years. Covering the established subfields of women's history, African American history, and immigration history, the book also considers the history of capitalism, Native American history, environmental history, religious history, cultural history, and the history of "the United States in the world."American History Now provides an indispensable summation of the state of the field for those interested in the study and teaching of the American past.

    Derek Attridge argues that such resistance represents not a dead end, but a crucial starting point from which to explore anew the power and practices of Western art.In this lively, original volume, the author:considers the implications of regarding the literary work as an innovative cultural event, both in its time and for later generations; provides a rich new vocabulary for discussions of literature, rethinking such terms as invention, singularity, otherness, alterity, performance and form; returns literature to the realm of ethics, and argues the ethical importance of the literary institution to a culture; demonstrates how a new understanding of the literary might be put to work in a 'responsible, ' creative mode of reading.The Singularity of Literature is not only a major contribution to the theory of literature, but also a celebration of the extraordinary pleasure of the literary, for reader, writer, student or critic.

     Why doesn't everyone know the Boston Massacre wasn't really a massacre? Subsequent testimony proved the soldiers fired in self-defense. The King Street riot was started by a group of four street thugs who got their rocks off attacking lone British soldiers. Sam Adams and Paul Revere twisted it into a massacre. And, if you think the Boston Tea Party was a response to British taxes that raised the price of tea in the colonies, think again. The Tea Act of 1773 actually reduced the price of tea paid by the colonists. The people hurt by the Tea Act were the smugglers. The lower price of tea undercut their business, and ensured that the East India Company would have a monopoly on tea. The South Carolina Nullification Congress of 1832 was a harbinger of things to come. The question was if a state disagrees with a federal law, does it have the right to nullify it, and disregard that law? Vice-president John C. Calhoun argued state's rights superseded federal laws. President Andrew Jackson believed to his dying day that Calhoun was a damned traitor, and that he should have strung him up from the nearest branch. The Black Hawk War was a mix-up of frontier madness, mayhem, and murder. Illinois Governor John Reynolds called out the militia and raised thousands of volunteer troops. General Winfield Scott marched his regulars half way across the country to Fort Armstrong at Rock Island. Lieutenant Colonel Zachary Taylor led a group of infantrymen in the fighting. In the end, it was a massacre that nearly wiped out the Sac tribe. In the fall of 1845 President Polk offered Mexico five million dollars if they would recognize the Southwestern Boundary of Texas at the Rio Grande. When Mexico refused his offer Polk decided to force the issue. He sent General Zachary Taylor and 3,000 troops to Corpus Christi, Texas. In March of 1846 General Taylor moved his forces into the disputed territory between the Rio Grande and Nueces Rivers. Soon after that, Mexico was provoked into a war with the United States. It has been said that James Buchanan was a "weak, timid, old man" who didn't do anything to prevent the Southern states from seceding. Some historians have even gone so far as to declare Buchanan was an "accessory after the fact." He was a president, Southern sympathizer, and traitor. But, was he? Imagine what it would be like to wake up, flip on the morning news, and discover Bradley Cooper or Ashton Kutcher assassinated President Obama. That's what happened in 1865. People were shocked when they learned John Wilkes Booth killed President Lincoln. Booth was one of the most popular actors of his day. He was young, just twenty-six years old, considered one of the most attractive men in America. At the time he killed Lincoln, Booth was pulling down $20,000 a year as an actor (that's roughly $300,000 in 2015 money). And, yet--he sacrificed it all for his political beliefs. What was going on in the mind of John Wilkes Booth? I could tell you more, but you get the idea.

    One of the most popular series ever published for young Americans, these classics have been praised alike by parents, teachers, and librarians.

    It is a simple, affecting tale of young Indian boys midway between two cultures, reluctant to abandon the ways of their fathers, and puzzled and uncomfortable in their new roles of "make-believe white men." The ambition of the Indian parents for their children, the struggle of the teachers to acquaint their charges with a new world of learning, and especially the problems met by both parents and teachers in controlling and directing schoolboy exuberance contribute to the authen-ticity of this portrait of the "Universal Boy," to whom La Flesche dedicated his book. Regarded by anthropologists as a classic of Native American literature, it is one of those rare books that are valued by the specialist as authentic sources of information about Indian culture and yet can be recommended wholeheartedly to the general reader, especially to young people in high school and the upper grades, as a useful corrective to the often distorted picture of Indian life seen in movies, comics, and television.

    A must-read screenplay for fans of cinema, World War II, and art-lovers, “Monument Men” provides an insightful look into the value and importance we place on art in our society using historical fiction. A labor of love, we spent years knocking on Hollywood doors trying to spark interest in our story. After years of being told the material “had no audience”, it is gratifying to see the story of the Monuments Men finally being released as a feature film this coming December. Although the version on the big screen is based upon the book “The Monuments Men – Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt in History” by Robert M. Edsel, and is unrelated to our version, we encourage you to read our script and judge for yourself which you prefer. We think you’ll love “Monument Men”!

    Rockin' in Time intrigues students by providing a social history of Rock and Roll music and explaining its influence. Story: This book was written to address an area that seldom has been discussed. Rather than a compellation of the many bands in rock history or a guide to teach the musical notation of rock, this book uncovers the reasons for the various trends and types of rock and roll. It places rock and roll in the context of the social issues that surround and shape it, dealing with the influence on rock music of such trends as technological advances, the development of the music business, demographic change and the baby boom, economic shifts, and the civil rights movement.

    It also explains why July 4th isn't really Independence Day.

    With dozens of archival ads and original product shots of Hamburger Helper, Kraft Macaroni and Cheese, Minute Rice, Coffee-mate, Green Giant Canned Peas, Lipton Cup-a-Soup, Pillsbury Crescent Rolls--and many more revolutionary products--Better Than Homemade highlights the fascinating stories behind the food inventions; the histories behind the brands and icons that have become synonymous with them; the jingles that have made them such a large part of our popular culture; and the recipes that have tutored generations of homemakers and comfort food master chefs.

    Written with passion, humor, and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart - to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's Middlemarch. She looks to John Le Carré for a lesson in how to advance plot through dialogue and to Flannery O'Connor for the cunning use of the telling detail. And, most important, Prose cautions readers to slow down and pay attention to words, the raw material out of which all literature is crafted.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Colby Goff had been born to the cavalry – it was in his blood and in his bones. He would live, fight, love and die as a soldier whose first allegiance was to his regiment.He was eighteen the first time he faced death. That was in 1854, at Balaclava – at what would be called the Charge of the Light Brigade. It was on that day that Colby became a man.His love of adventure would take him from the Crimea to the Zulu Wars, from the War between the States to the bloody days of the Paris Commune, proving himself throughout as one of the finest soldiers of his time. An absolutely electrifying thriller of war, combat and loyalty, perfect for fans of Adrian Goldsworthy, Paul Fraser Collard and Allan Mallinson.

    Such items are taught in schools. They are passed down to us by our families and friends and have become part of our shared cultural knowledge. And they are wrong. Touching on a number of topics— including history, current events, government, sports, geography, and popular culture—Lies They Teach in School exposes errors that have been perpetuated for far too long. It will enlighten and entertain. It will certainly start a number of arguments, and settle a few others.