But as Morris Rossabi reveals in this VeryShort Introduction, within two generations of their bloody conquests, the Mongols evolved from conquerors and predators to wise rulers who devised policies to foster the economies of the lands they had subjugated. By adopting political and economic institutions familiar to the local populations andrecruiting native officials, they won over many of their non-Mongol subjects. In addition, Mongol nobles were ardent patrons of art and culture, supporting the production of Chinese porcelains and textiles, Iranian tiles and illustrated manuscripts, and Russian metalwork. Perhaps most important, thepeace imposed by the Mongols on much of Asia and their promotion of trade resulted in considerable interaction among merchants, scientists, artists, and missionaries of different ethnic groups--including Europeans. Modern Eurasian and perhaps global history starts with the Mongol empire.

    When their radically new ballet, The Rite of Spring, was first performed in Paris on May 29, 1913, the reaction was so polarized, there were fistfights and riots! Brilliant or disastrous, the performance marked the birth of modern music and dance. Stringer’s rhythmic text and gloriously inventive, color-rich paintings capture the wild and imaginative collaboration of composer and choreographer. The fascinating author note includes photos of the dynamic duo and The Rite of Spring dancers.

    In this book, Louis Sass, a clinical psychologist, offers a new vision of schizophrenia, comparing it with the works of such artists and writers as Kafka, Beckett, and Duchamp and philosophers including Nietzsche, Heidegger, Foucault and Derrida. It provides a portrait of the world of the madman, along with a commentary on modernist and postmodernist culture.

    Declared unfit for human habitation, the Zones of Exclusion includes the towns of Pripyat (established in the 1970s to house workers) and Chernobyl. In May 2001, Robert Polidori photographed what was left behind in the this dead zone. His richly detailed images move from the burned-out control room of Reactor 4, where technicians staged the experiment that caused the disaster, to the unfinished apartment complexes, ransacked schools and abandoned nurseries that remain as evidence of those who once called Pripyat home. Nearby, trucks and tanks used in the cleanup efforts rest in an auto graveyard, some covered in lead shrouds and others robbed of parts. Houseboats and barges rust in the contaminated waters of the Pripyat River. Foliage grows over the sidewalks and hides the modest homes of Chernobyl. In his large-scale photographs, Polidori captures the faded colors and desolate atmosphere of these two towns, producing haunting documents that present the reader with a rare view of not just a disastrous event, but a place and the people who lived there.

    Its central theme of aestheticized sensuality has drawn comparisons with the work of contemporaries Oscar Wilde and André Gide. The young Vanya Smurov is deeply attached to his mentor, Dr. Larion Stroop, and to the world of Renaissance art which the latter reveals to him. Initially appalled by the sudden discovery of Stroop's homosexual leanings, Vanya abandons him to pursue a "normal" heterosexual existence. In turn disgusted by ensuing encounters, he returns to Dr. Stroop and accompanies him to Italy where he begins his real education—both in the world of art, and that of hedonism.

    Now he brings those stories to new life with in-depth reporting and deep compassion. In The Russian Notebooks, Igort investigates the murder of award-winning journalist and human rights activist Anna Politkoyskaya. Anna spoke out frequently against the Second Chechen War, criticizing Vladimir Putin. For her work, she was detained, poisoned, and ultimately murdered. Igort follows in her tracks, detailing Anna’s assassination and the stories of abuse, murder, abduction, and torture that Russia was so desperate to censor. In The Ukrainian Notebooks, Igort reaches further back in history and illustrates the events of the 1932 Holodomor. Little known outside of the Ukraine, the Holodomor was a government-sanctioned famine, a peacetime atrocity during Stalin’s rule that killed anywhere from 1.8 to twelve million ethnic Ukrainians. Told through interviews with the people who lived through it, Igort paints a harrowing picture of hunger and cruelty under Soviet rule. With elegant brush strokes and a stark color palette, Igort has transcribed the words and emotions of his subjects, revealing their intelligence, humanity, and honesty—and exposing the secret world of the former USSR.