The audience was scandalized by this revolutionary satire, developed from a schoolboy farce, which began with a four-letter word, defied all the traditions of the stage, and ridiculed the established values of bourgeois society.Barbara Wright’s witty translation of this riotous work is accompanied with drawings by Franciszka Themerson. Two previously untranslated essays in which Jarry explains his theories of the drama have also been included.

    Gamelin's ideals lead him to the most monstrous mass murder of his countrymen, and the links between Gamelin and his family, his mistress and the humanist Brotteaux are catastrophically severed. This book recreates the violence and devastation of the Terror with breathtaking power, and weaves into it a tale which grips, convinces and profoundly moves. The perfection of Anatole France's prose style, with its myriad subtle ironies, is here translated by Frederick Davies with admirable skill and sensitivity. That The Gods Will Have Blood is Anatole France's masterpiece is beyond doubt. It is also one of the most brilliantly polished novels in French literature.Anatole France was awarded the Nobel Prize in 1921.

    Lautreamont bewildered his contemporaries, but the Surrealists modeled their efforts after his black humor and poetic leaps of logic, exemplified by the oft-quoted line, -As beautiful as the chance meeting on a dissecting table of a sewing machine and an umbrella.- Maldoror 's shocked first publisher refused to bind the sheets of the original edition--and perhaps no better invitation exists to this book, which warns the reader, -Only the few may relish this bitter fruit without danger.- This is the only complete annotated collection of Lautreamont's writings available in English, in Alexis Lykiard's superior translation. For this latest edition, Lykiard updates his introduction to include recent scholarship.

    Set in the Baltic provinces in the aftermath of World War I, Coup de Grace tells the story of an intimacy that grows between three young people hemmed in by civil war: Erick, a Prussian fighting with the White Russians against the Bolsheviks; Conrad, his best friend from childhood; and Sophie, whose unrequited love for Erik becomes an unbearable burden.

    It's about his father, an exquisitely common man whose very ordinariness is a source of grave embarrassment for the boy. It's also the story told to him by his uncle, who shared a family secret with the child in the flickering black and white images of a Sunday matinee.Years before, in the bitter years of World War II, during the Nazi occupation of France, two brothers found themselves at the mercy of a German guard following an explosive act of resistance. Thrown into a deep pit with a small group of terrified prisoners, the men are told that one of them will die by dawn to serve as an example for the others. It's up to the prisoners to propose who will be sacrificed. But in the middle of the night, the guard returns with an extraordinary proposition of his own.A novel of revelation, innocence and ignorance, of the power of language and the strength and complexity of family, In Our Strange Gardens is a fable of nuance and power, a mesmerizing addition to the literature of war.

    He becomes obsessed with a young dancer whom he believes is the double of his beloved wife, leading him to psychological torment and humiliation, culminating in a deranged murder. This 1892 work is a poet's novel, dense, visionary, and haunting. Bruges, the 'dead city', becomes a metaphor for Hugues' dead wife as he follows its mournful labyrinth of streets and canals in a cyclical promenade of reflection and allusion--the ultimate evocation of Rodenbach's lifelong love affair with the enduring mystery and mortuary atmosphere of Bruges.

    But a man like Monsieur?" -- from THE DIARY OF A CHAMBERMAIDThe famous anarchist and art critic Octave Mirbeau (1848-1917) inspired three film versions (Jean Renoir, Bunuel and Benoit Jacquot) with his often forgotten classic THE DIARY OF A CHAMBERMAID. Telling the story of Celestine R., an amoral fisherman's daughter whose motto is live and let live (if you can survive), Mirbeau reveals that "when one tears away the veils and shows them naked, people's souls give off such a pungent smell of decay."Badly subtitled by the publisher as part of "The Naughty French Novel Series," it is not erotic fiction at all, but rather a literary accomplishment. Series editor John Baxter, the author of WE'LL ALWAYS HAVE PARIS, contributed a thoughtful introduction.

    . . Rufin maintains a perfect balance between impatient detachment and compassionate curiosity. "The Abyssinian," like Thackeray's " Vanity Fair," carries the weight of history with good-humoured finesse' "The Times "'An ambitious first novel, dashing, abundant and, when necessary, vividly theatrical' "Times Literary Supplement"'[A] remarkably assured first novel . . . Rufin's writing is elegantly readable' "Independent"'It is old-fashioned enough to be delightful, and new enough to be moving' "Glasgow Herald "'Rufin offers the reader at least three different novels in the space of a single book: a tale of diplomatic intrigue, a voyage of discovery to a virtually unknown civilisation, and a chronicle of the adventures and loves of his irrepressible hero' "Daily Telegraph"

    Determined to liberate five quirky, ragtag orphans not likely to be adopted by caring people, they vowed the children would not end up as they had fourteen years ago. Back then, Merry and Polly and the two boys adopted with them from that orphan train worked as slaves. They received little food, substandard living quarters, and insufficient clothing to protect against the cold winters. Mary and Polly’s children love their new home and family at the sisters’ Mockingbird boarding house. The rescue idea appears to have been a great success—until the supervisor from the Children’s Protection Society arrives. Single women are not allowed to adopt. Merry and Polly each has five days to find a suitable husband who won’t steal her share of the boarding house. Two award winning and bestselling authors conspired to bring readers these two heartwarming stories, A Family For Merry and A Family For Polly in the duet, Orphan Train Brides. In addition to Orphan Train Brides, the authors have in their future projects a duet about the two brothers, Bart and Newton Bird.(The two novellas in Orphan Train Brides are expanded from previous inclusion in the Under A Mulberry Moon anthology.)

    An enemy spy? Who are the men who seek him? What secrets lie in the papers Henri entrusts to her charge?Living alone but for her faithful maid, Grace’s reputation is at stake. But Henri’s safety comes first. If he is to have a chance, she must hold the authorities at bay.Barely has he recovered when his pursuers come calling. Pitting those who would interfere one against the other, Grace risks all to keep her Frenchman alive.Will the truth emerge before Henri’s enemies manage to silence him forever?

    Accidently, he ruined his mother favourite flowers. Will it help if he lies? Or is it better to tell the truth and try to solve the problem in different way? Help your children to learn to be more honest with this fun children’s book.

    Each book describes a classic novel and drama by explaining themes, elaborating on characters, and discussing each author's unique literary style, use of language, and point of view. Extensive illustrations and imaginative, enlightening use of graphics help to make each book in this series livelier, easier, and more fun to use than ordinary literature plot summaries. An unusual feature, "Mind Map" is a diagram that summarizes and interrelates the most important details that students need to understand about a given work. Appropriate for middle and high school students.

    This is the first new translation into English of this work in over 30 years and the only edition available in the English language. This edition presents the text in its entirety in a bilingual format, and includes an extensive essay on Eluard's works by Mary Ann Caws. This book has had a lasting effect on poets and readers since it exploded unto the literary scene in 1926 and has never been out of print in Europe since.

    Air Force Lt. Col. (Ret) Bob Reneau began writing this story as his autobiography for his children, grandchildren, great-grandchildren and succeeding generations. However, he was convinced by many friends to turn it into book form for anyone. Bob has spent twenty-five years as an Air Force pilot. He was an original AC-130 pilot in Laos and Vietnam in 1968 and 1969. As an Airlifter flying the C-130, Bob was stationed and flew out of Sewart AFB, Tennessee, Evreux AB in France, Naha AB; Okinawa (now Japan), and Patrick AFB, Florida, where he flew Gemini Space Mission support. He was on top of all but one splashdown as telemetry and voice relay. Bob was also stationed at Ubon AB, Thailand, Rhein-Main, Germany, and Pope AFB, North Carolina. He flew all over Europe, Southeast Asia, North Africa, South Africa, Australia, and the United States. He has flown around the world two times, He was also a Reconnaissance and Special Operations pilot, logging over 8000 flying hours. He has served in most of the major air commands. His medals include the Silver Star, Distinguished Flying Cross, twelve Air Medals, the Vietnamese Cross of Gallantry (individual award), and many other awards and decorations. Bob hopes to leave more information for his progeny than his father did. Although he talked freely to his sons about his war experiences, Bob’s father neglected to mention them in his limited biography. He served as an unarmed chaplain during WWII. He went ashore onto Omaha Beach during the Normandy invasion where his landing craft was blown out from under him. He made it onto the beach on a floating pontoon and served through many famous battles including the Battle of the Bulge, The Ardennes Forest and others. This is Bob’s interesting, funny, poignant, and informative story.

    The day after the troupe arrives in tiny Morgan’s Crossing, the manager takes all the money and leaves town. By opening a dressmaker shop, Cinnia hopes to make the home she’s always wanted, but Nola, the older sister who has made the decisions for the orphaned sisters, disagrees. Leather worker Nicolai Andrusha is living in hiding as Nic Andrews until the patent on his family’s tanning process is approved. Although he’s under a mandate to keep a low profile, he’s intrigued by the red-haired performer. Controversy arises when miners claim they paid the manager for private appointments with the female performers. Will Nicolai defy his family obligation to help the stranded beauty who has caught his eye?