And considering that the "one man" is Neal Stephenson, "the hacker Hemingway" (Newsweek) -- acclaimed novelist, pragmatist, seer, nerd-friendly philosopher, and nationally bestselling author of groundbreaking literary works (Snow Crash, Cryptonomicon, etc., etc.) -- the word is well worth hearing. Mostly well-reasoned examination and partial rant, Stephenson's In the Beginning... was the Command Line is a thoughtful, irreverent, hilarious treatise on the cyber-culture past and present; on operating system tyrannies and downloaded popular revolutions; on the Internet, Disney World, Big Bangs, not to mention the meaning of life itself.

    He also talked a fair amount about mayonnaise. The interview was conducted by Mara Altman, the author of four bestselling Kindle Singles including “Baby Steps” and “Bearded Lady.” Altman has worked as a staff writer for The Village Voice, and has also written for New York Magazine and The New York Times. In 2009, HarperCollins published Altman's first book, “Thanks For Coming: A Young Woman's Quest for an Orgasm,” which was optioned as a comedy series by HBO. Cover design by Adil Dara Kim.

    In the beginning there was the Holy Bible2 Which was a very good book indeed, but so many things happened since the beginning,3 That Maybe it was time for another bible,4 So a punk from Philadelphia wrote a new one,5 And so it is called The Boomer Bible,6 So there.7 And Its Past Testament tells the history of the world, including the Book of Greeks, Book of Brits, Book of Yanks, Book of Russkies, and all the other self-proclaimed Chosen Nations,8 And people sticking each other with pointed sticks, and acting up, which is called civilization,9 And also about religion and art and movies and literature, and TV, and so forth, which is why there are also the Books of Pnowlege,10 Including Psongs, Psayings, and Psomethings,11 Written just like the other Bible but without any big unpronounceable words,12 So that you and I might truly understand it,13 For a change.14 And Its Present Testament tells about the coming of Harry, and The Way of Harry,15 Who may be the messiah everybody has been waiting for,16 Unless he really isn't,17 Which is hard to say,18 So there.19 And there is also The Book of Harrier Brayer together with the Harrier Hymnal,20 And another Testament too,21 And Concordance, and a lenticular hand on the cover.22 And It is not for the faint of heart,23 Or the easily offended,24 Or the priggish or the prudish,25 But who cares,26 Because neither was Candide, or Swift's A Modest Proposal, or Rabelais, or Lenny Bruce28 Or all the other satires and satirists who felt the need to warn us when we have gone astray,29 Which we have,29 Which you'll know all about,31 If you read your Boomer Bible,32 Or there.Over 87,000 copies in print.

    Few writers have been to so many disparate and desperate corners of the globe. Fewer still have met the standard of great journalism more consistently. None has provided more starkly memorable evocations of extreme events. From the murderous mechanics of the diamond trade in Sierra Leone, to an inferno forest fire burning out of control in the steep canyons of Idaho, to the forensics of genocide in Kosovo, this collection of Junger's reporting will take readers to places they need to know about but wouldn't dream of going on their own. In his company we travel to these places, pass through frightening checkpoints, actual and psychological, and come face-to-face with the truth.

    Famed for his dictatorial style, his political cunning and admired – initially – by Hitler, Mussolini led the National Fascist Party and ruled Italy as Prime Minister from 1922 until his ousting in 1943. In so doing, he paved the way towards Italy’s defeat in World War Two, and some of the 20th century’s most destructive ideologies and practices.Following expulsion from Italian Socialist Party, Mussolini denounced all efforts of class conflict, and instead later commanded a Fascist March on Rome to become the youngest Prime Minister in Italian history. Thereafter he set about dismantling the apparatus of democracy and initiated what would become known as the one-party totalitarian state. With World War II came defeat, humiliation and his bloody deposing. Explaining his ideologies, policies, actions and flaws, ‘Mussolini: History in an Hour’ is the concise life of the man whose ideas helped create some of the worst horrors of the modern history.Love history? Know your stuff with History in an Hour…

    He has played everyone from Ned Ryerson in "Groundhog Day" to Sandy Ryerson in "Glee." He has amused thousands with his true stories on "The Tobolowsky Files" at Slashfilm.com. Here he shares some homespun philosophy and more true stories that prove tales of sex, drugs, and rock and roll are often the most humiliating and almost always the most enjoyable.

    He helps a widower search for his wife's wedding ring amid plane-crash wreckage in Borneo and accompanies topless dancers on a bird-watching expedition in California. From the Maldives to Sacramento, from Cannes to Washington Heights, Eric Hansen has a way of getting himself into the most sacred ceremonies and the most candid conversations.

    In this his FIRST book, TRUE GHOST STORIES: Jim Harold's Campfire, Jim shares 73 of the best stories ever featured on the program. You'll read REAL PEOPLE's experiences with ghosts plus some UFO and monster stories added for flavor. Real World Paranormal Activity If you like The Conjuring, or The Exorcist you'll love the real thing! BUY TRUE GHOST STORIES: Jim Harold's Campfire TODAY!NOTE: PREVIOUSLY RELEASED AS "Jim Harold's Campfire: True Ghost Stories" by another publisher in 2011. If you have that book, this is virtually identical except it is now published via re-acquired rights by Jim Harold Media LLC with a new cover and minor corrections.

    Four Oxrun Station horror novellas each from a different 20th century decade starting with 1950, keyed to the seasons.

    W. Norton changed the way world literature is taught by introducing The Norton Anthology of World Masterpieces, Expanded Edition. Leading the field once again, Norton is proud to publish the anthology for the new century, The Norton Anthology of World Literature, Second Edition. Now published in six paperback volumes (packaged in two attractive slipcases), the new anthology boasts slimmer volumes, thicker paper, a bolder typeface, and dozens of newly included or newly translated works from around the world. The Norton Anthology of World Literature represents continuity as well as change. Like its predecessor, the anthology is a compact library of world literature, offering an astounding forty-three complete longer works, more than fifty prose works, over one hundred lyric poems, and twenty-three plays. More portable, more suitable for period courses, more pleasant to read, and more attuned to current teaching and research trends, The Norton Anthology of World Literature remains the most authoritative, comprehensive, and teachable anthology for the world literature survey.

    Interspersed throughout are quotes from Christie, a list of the Christie novels that were her personal favorites and three of her classic short stories: The Affair at the Victory Ball, Greenshaw’s Folly and A Fairy in the Flat.Clues to Christie Table of Contents: “Agatha Christie: An Introduction” by John Curran; The Hercule Poirot Mysteries; “The Affair at the Victory Ball”; The Miss Marple Mysteries; “Greenshaw’s Folly”; The Tommy and Tuppence Mysteries; “A Fairy in the Flat”; Agatha Christie’s Stand-Alone Mysteries and Short-Story Collections; The Queen of Mystery’s Personal Favorites; Ten Other Ways to Read Agatha Christie; “On Agatha Christie and Poisons”; The A to Z of Agatha Christie

    Published together for the first time are selections from all Kafka's writings: The Metamorphosis, Josephine The Singer, plus his short stories, parables, and his personal diaries and letters.

    One of the most imaginative, exciting talents to appear on the SF scene in recent years.--Publishers Weekly

    A cornucopiac vocabulary is married to a strict economy of expression; an offbeat curiosity is married to the courage of difficult witnessing. . . .”—Albert Goldbarth “Purpura's prose is a system of delicate shocks—leaps and connections and syncopated revelations, all in the service of the spirit negotiating the truth of its experience.”—Sven Birkerts Lia Purpura's daring new book of lyric essays, On Looking, is concerned with the aesthetics and ethics of seeing. In these elegantly wrought meditations, patterns and meanings emerge from confusion, the commonplace grows strange and complex, beauty reveals its flaws, and even the most repulsive object turns gorgeous. Purpura's hand is clearly guided by poetry and behaves unpredictably, weaving together, in one lit instance, sugar eggs, binoculars, and Emerson's words: "I like the silent church before the sermon begins." In "Autopsy Report," Purpura takes an intimate look at the ruin of our bodies after death, examining the "dripping fruits" of organs and the spine in its "wet, red earth." A similar reverence is held for the alien jellyfish in "On Form," where she notes that "in order to see their particular beauty...we have to suspend our fear, we have to love contradiction." Her essays question art and its responses as well as its responsibilities, challenge familiar and familial relationships, and alter the borders between the violent and the luminous, the harrowing and the sensual.  Above all, Purpura's essays are a call to notice. She is writer-as-telescope, kaleidoscope, microscope, and mirror.  As she says: "By seeing I called to things, and in turn, things called me, applied me to their sight and we became each as treasure, startling to one another, and rare." This is, indeed, a rare and startling treasure of a book.Lia Purpura is the author of Increase (essays), Stone Sky Lifting (poems), The Brighter the Veil (poems), and Poems of Grzegorz Musial: Berliner Tagebuch and Taste of Ash (translations). Her awards include a National Endowment for the Arts Fellowship in Prose, a Pushcart Prize, a Fulbright Fellowship, the Associated Writing Programs Award in Creative Nonfiction, and the Ohio State University Press/The Journal Award in Poetry. Her poems and essays have appeared in Agni, DoubleTake, The Georgia Review, The Iowa Review, Parnassus: Poetry in Review, Ploughshares, and elsewhere. She is Writer-in-Residence at Loyola College in Baltimore, Maryland, and teaches at the Rainier Writing Workshop MFA Program in Tacoma, Washington.

    In this single, from n+1 (Issue 12), Kent Russell gives a remarkable (and very funny) report on the festival and a sympathetic account of the situation of the white poor in the US.