In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it's like to report on conflicts that are (quite literally) close to home. From sexual harassment on the streets of Cairo to the impossibility of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women or gain entry to places that an outsider would never be able to access. Their daring, shocking, and heartfelt stories, told here for the first time, shatter stereotypes about Arab women and provide an urgently needed perspective on a part of the world that is often misunderstood. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

    Heather Lynn. Evil Archaeology investigates the archaeological record for artifacts and evidence of evil entities, revealing how demons from the ancient world may be dwelling among us. It also looks at the history and lore behind real relics, believed to be haunted, and includes historical accounts of demonic possession, as far back as the accounts of King Solomon invoking demons to help him build his famed Temple. Is there really a prehistoric fertility goddess figure that has been known to bring death to the families of anyone who holds it? Are there real vampire graveyards? Can the archaeological record prove the existence of demons and malevolent entities? Some tantalizing questions Evil Archaeology addresses include: •What is the origin of demons? •What role did Sumerian demons play in the development of civilization? •Are curses real? Can material objects contain evil? What about places? •What can we do to protect ourselves, according to historical records? •Was Jesus an exorcist? If this sounds all too disturbing, try not to worry. Evil Archaeology also includes ways to protect yourself and loved ones against malevolent forces, as well as practical advice from experienced exorcists and demonologists.

    I’ve never trusted him less. Is it murder in his eyes or just jealousy when he insists we’ll find answers in Boston, headquarters of one of our greatest enemies and home to the man I left back in Rio? I haven’t forgotten Kolt’s betrayal nor the blood that’s already been spilled between our families. Inviting him back into my life with the promise of settling our unfinished business is a dangerous gamble that could end in more bloodshed. But as his family’s twisted plan starts to unfold, nothing can prepare me for the horror of what will happen if I do nothing. More people will die, and every death will serve a dark purpose. Tristan and I may be an army of two, but one thing is certain—if we can’t save them, no one will.

    For women who have become caught up in the hectic pace of everyday life, this book offers help and hope. It shares true stories and practical examples of how to find the rest Jesus promised.

    From the illustrator of Rise and Shine and Jesus Loves Me comes the tale of a limitless friendship between a New York City dog and an English country mouse.

    The Anatomy of Peace asks, What if conflicts at home, conflicts at work, and conflicts in the world stem from the same root cause? What if we systematically misunderstand that cause? And what if, as a result, we unwittingly perpetuate the very problems we think we are trying to solve? Through an intriguing story we learn how and why we contribute to the divisions and problems we blame on others and the surprising way that these problems can be solved. Yusuf al-Falah, an Arab, and Avi Rozen, a Jew, each lost his father at the hands of the other's ethnic cousins. The Anatomy of Peace is the story of how they came together, how they help warring parents and children come together, and how we too can find our way out of the struggles that weigh us down. This second edition includes new sections enabling readers to go deeper into the book's key concepts; access to free digital study and discussion guides; and information about The Reconciliation Project, a highly successful global peace initiative based on concepts in The Anatomy of Peace.

    It is divided by subject area into 4 sections for ease of navigation, and then sub-divided into chapters, each of which has been specifically written for this book.Carefully edited by John Ravenhill, the text reads as an integrated whole and is suitable as an introductory text for undergraduates in both coverage and approach, each chapter making full use of learning aids such as boxes to summarize key terms and debates, chronologies, case studies, web links and further reading, which complement the lively presentation of the subject.

    Amos is no more than seven when he kills a Shadow Wolf and becomes a legend in Shiloh. He would be destined for great things were it not for the stories his father tells about a world beyond the Shadow and a time before the Shadow. Only madmen hold to such tales, and in Shiloh, they have always come to bad ends.Amos is fearless. He walks with easy confidence, certain that the Shadow cannot touch him. Even his family is in awe of him. His father marvels at his skill with the bow, his mother thanks the gods that he has all the courage she lacks, and his sister, Phebe, worships him for saving her from an attack of the Shadow Cats.On a trip to the village of Emmerich, Amos rescues the Magistrate’s son, Simeon, from the village bullies. Simeon, fair-skinned and pale-eyed like other Dreamers in Shiloh’s history, becomes Amos’s constant companion and dearest friend. Simeon becomes a part of Amos’s family, listening to fireside stories told in a way he’s never heard them before and learning to wield a bow and arrow.The year the boys turn twelve, they are itching to prove themselves. An impetuous plan to steal a beautiful lantern goes miserably awry, and the lantern’s owner prophecies that Amos will be devoured by the Shadow. For the first time, a seed of fear is planted in Amos’s mind, and when his father is killed by a Shadow Wolf on the last day of the Great Hunt, the fear takes hold. If so great and brave a man as his father could fall to the Shadow, what hope has he?This edition is no longer available and was replaced by ISBN:

    The truth is, he's not trying to be anyone's hero. Anthony Castillo needs a new life. His teachers are clueless autocrats except for Mr. Darren, who’s in charge of the rock band program. The girls at school are either shallow cutebots or out of his league. And his parents mean well, but they just make things worse. It’s as if Anthony is stuck on the bottom level of his favorite video game, Liberation Force 4.5. Except there is no secret escape tunnel and definitely no cheat code. Fed up, pissed off, and feeling trapped, Anthony writes his first song for his rock band, the Rusty Soles. His only problem: Arts Night. If he exercises his right to free speech and sings his original lyrics—where his own bombs will drop—he and his band will be through. The clock is ticking. Time for Anthony to pick his battles and decide what’s really worth fighting for.

    This second poetry collection arises out of a decade of his hearing stories of people who have lived through personal and political conflict in Northern Ireland, the Middle East and other places of conflict. These poems tell stories of individuals who have lived through conflict: their loves and losses, their hope and generosity. One poem, 'Shaking hands' was written when Padraig witnessed the historic handshake between Queen Elizabeth II and Martin McGuinness, who has since used the poem publicly. The phrase 'Sorry for your troubles' is used all over Ireland. It comes directly from an Irish phrase, yet Irish has no word for 'bereavement' - the word used is 'troibloid'. So the phrase would be better translated 'Sorry for your bereavements'. With this in mind, this new book speaks evocatively about a time when thousands of people lost their lives and many thousands more lived through the searing pain of grief.

    You wore black to work the next morning. You berated yourself for your complacency during the Obama years. You ranted on Twitter. You deleted Twitter. You sent emails to your friends saying, “How can we get more involved?” You listened to Pod Save America. You knit­ted a pussyhat. You showed up to the Women’s March on Washington. You protested Donald Trump’s executive orders. You called your congressman. You called other people’s congressmen. You set up monthly donations to Planned Parenthood and the ACLU. You reactivated Twitter (begrudgingly).Here’s what you do next: Run for something.To be specific: Run for local office and become the change you want to see in the world. Forget about Con­gress. Forget about the Senate. Focus on the offices that get the real sh*t done: state legislatures, city councils, school boards, and mayors.It doesn’t matter if you’re not a white man over sixty with an Ivy League law degree. (In fact, it’s better if you’re not!)It doesn’t matter if you don’t understand the first thing about running for office, or never even imagined you would. That’s what this book is for.Amanda Litman, experienced in hard-fought state and national election campaigns, is here to give you guid­ance as well as wisdom and insight from elected officials and political operatives she interviewed for this book.There are half a million elected officials in the United States. Why can’t you be one of them?

    The bright and driven daughter of a Boston-area Irish-Arab family that has risen over the generations from poor immigrants to part of the coastal elite, Rita grows up in a 1980s cultural mishmash. Corned beef and cabbage sit on the dinner table alongside stuffed grape leaves and tabooleh, all cooked by Rita's mother, an Irish nurse who met her Lebanese surgeon husband while working at a hospital together. The unconventional yet close-knit family bonds over summers at the beach, wedding line-dances, and a shared obsession with the Red Sox. Rita charts herself an ambitious path through Harvard to one of the best newspapers in the country. She is posted in cosmopolitan Beirut and dates a handsome Palestinian would-be activist. But when she is assigned to cover the America-led invasion of Baghdad in 2003, she finds herself unprepared for the warzone. Her lifeline is her interpreter and fixer Nabil al-Jumaili, an equally restless young man whose dreams have been restricted by life in a deteriorating dictatorship, not to mention his own seemingly impossible desires. As the war tears Iraq apart, personal betrayal and the horrors of conflict force Rita and Nabil out of the country and into twisting, uncertain fates. What lies in wait will upend their lives forever, shattering their own notions of what they're entitled to in a grossly unjust world.Epic in scope, by turns satirical and heartbreaking, and speaking sharply to America's current moment, Correspondents is a whirlwind story about displacement from one's own roots, the violence America promotes both abroad and at home, and the resilience that allows families to remake themselves and endure even the most shocking upheavals.

    It addresses the most interesting, gruesome, and earthshaking historical murders, the reasons for them, and their consequences. Prepare to be amazed by the daring and determination of the world’s most notorious criminals, and disturbed by the extremes taken by others to commit these crimes.As the saying goes, there is more than one way to skin a cat. The assassinators of history have proven to be inventive, even if not always effective. Read about the creative weapons, from pen guns to a pot of tea, and the various lengths taken to carry out their murderous acts. The book reveals what drives some individuals to commit assassinations, and ponders whether some deaths have been for the greater good. Fascinating paintings and photographs help bring this sinister human history to life.

    In this lush chronicle of far-flung adventure, the military recruit crosses paths with a compatriot who has dismantled a sumptuous palace in Tripoli and is transporting it across the continent on a camel caravan. The protagonist soon takes charge of this hoard of architectural fragments, ferrying the dismantled landmark through Sudan, Egypt and the Arabian Peninsula, attempting to return to his native Beirut with this moveable real estate. Along the way, he encounters skeptic sheikhs, suspicious tribal leaders, bountiful feasts, pilgrims bound for Mecca and T.E. Lawrence in a tent.

    She made up her mind to close them again and return to her dream. She saw a small white candle whose wan light trembled and flickered in the fog. . . Milia's response to her new husband Mansour and to the Middle East of 1947 is to close her eyes and drift into parallel worlds where identities shift, where she can converse with the dead and foresee the future. As the novel progresses, Milia's dreams become more navigable than the strange and obstinate "reality" in which she finds herself, and the two worlds grow ever more entangled. Elias Khoury, born in Beirut in 1948, is a novelist, essayist, playwright, and critic. He was awarded the Palestine Prize for Gate of the Sun, which was named a Best Book of the Year by Le Monde Diplomatique, The Christian Science Monitor, and the San Francisco Chronicle, and a Notable Book by The New York Times and The Kansas City Star. Archipelago Books also published Khoury's Yalo in 2008 and his White Masks in 2010.