For the next three years, he would face the horrors of war as a black soldier in a segregated army. He endured the terrible lies white officers told about the black soldiers to isolate them from anyone who showed kindness—including each other. He received worse treatment than even Nazi POWs. He was assigned the grimmest, most horrific tasks, like burying fallen soldiers…but was told to remove the black soldiers first because the media didn’t want them in their newsreels. And he waited and wanted so desperately to go home, watching every white soldier get safe passage back to the United States before black soldiers were even a thought. For the next forty years, Ashley would keep his time in the war a secret. But now, he tells his story. The story of the kind people who supported him. The story of the bright moments that guided him through the dark. And the story of his passion for art that would save him time and time again. Filled with never-before-seen artwork and handwritten letters and diary entries, this illuminating and moving memoir by Newbery Honor–winning illustrator Ashley Bryan is both a lesson in history and a testament to hope.

    The ship sank in 14 minutes. More than 1,000 men were thrown into shark-infested waters. Those who survived the fiery sinking—some injured, many without life jackets—struggled to stay afloat in shark-infested waters as they waited for rescue. But the United States Navy did not even know they were missing.   The Navy needed a scapegoat for this disaster. So it court-martialed the captain for “hazarding” his ship. The survivors of the Indianapolis knew that their captain was not to blame. For 50 years they worked to clear his name, even after his untimely death. But the navy would not budge—until an 11-year-old boy named Hunter Scott entered the picture. His history fair project on the Indianapolis soon became a crusade to restore the captain’s good name and the honor of the men who served under him. Praise for Left for Dead: Christopher Award WinnerAn ALA-YALSA Best Nonfiction for Young Adults Book“Compelling, dreadful, and amazing.”— VOYA   “This exciting, life-affirming book about war heroics and justice . . . proves without question the impact one student can have on history.”— Booklist “Well written and well documented … this excellent presentation fills a void in most World War II collections “— School Library Journal   “Young readers . . . will no doubt be inspired by the youth’s tenacity—and by the valor of those who served on the Indianapolis.”— The Horn Book

    Streetcars won't stop for Koji, and his classmates accuse him of being an enemy spy. When a letter arrives from the government notifying him that he must go to a relocation center for Japanese Americans, he and his mother are forced to leave everything they know behind. Once there, Koji soon discovers that being half white in the internment camp is just as difficult as being half Japanese in San Francisco.Koji's story, based on true events, is brought to life by Matt Faulkner's cinematic illustrations, which reveal Koji struggling to find his place in a tumultuous world—one where he is a prisoner of war in his own country.

    It was a mystery of sorts: a young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents, who understood the danger they were in all too well. The girl had been raised by her foster family as one of their own, but then, well after the war, there was a falling out, and they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war, and after?So began an investigation that would consume Bart van Es's life, and change it. After some sleuthing, he learned that Lientje was now in her 80s and living in Amsterdam. Somewhat reluctantly, she agreed to meet him, and eventually they struck up a remarkable friendship, even a partnership. The Cut Out Girl braids together a powerful recreation of that intensely harrowing childhood story of Lientje's with the present-day account of Bart's efforts to piece that story together, including bringing some old ghosts back into the light.It is a story rich with contradictions. There is great bravery and generosity--first Lientje's parents, giving up their beloved daughter, and then the Dutch families who face great danger from the Nazi occupation for taking Lientje and other Jewish children in. And there are more mundane sacrifices a family under brutal occupation must make to provide for even the family they already have. But tidy Holland also must face a darker truth, namely that it was more cooperative in rounding up its Jews for the Nazis than any other Western European country; that is part of Lientje's story too. Her time in hiding was made much more terrifying by the energetic efforts of the local Dutch authorities, zealous accomplices in the mission of sending every Jew, man, woman and child, East to their extermination. And Lientje was not always particularly well treated, and sometimes, Bart learned, she was very badly treated indeed.The Cut Out Girl is an astonishment, a deeply moving reckoning with a young girl's struggle for survival during war, a story about the powerful love of foster families but also the powerful challenges, and about the ways our most painful experiences define us but also can be redefined, on a more honest level, even many years after the fact. A triumph of subtlety, decency and unflinching observation, The Cut Out Girl is a triumphant marriage of many keys of writing, ultimately blending them into an extraordinary new harmony, and a deeper truth.

    She also recounts her chilling Holocaust experience— escaping deportation by the Nazis; helplessly watching friends, including Anne, and family members disappear; and starting her life again after the war. Through Jacqueline’s memories and black-and-white photos, Anne Frank will come to life and continue to be remembered.

    In 1941, in Berlin, Helga Schneider's mother abandoned her along with her father and younger brother. Let Me Go recounts Helga's final meeting with her ailing mother in a Vienna nursing home some sixty years after World War II, in which Helga confronts a nightmare: her mother's lack of repentance about her past as a Nazi SS guard at concentration camps, including Auschwitz, where she was responsible for untold acts of torture. With spellbinding detail, Schneider recalls their conversation, evoking her own struggle between a daughter's sense of obligation and the inescapable horror of her mother's deeds.

    Nazi Saboteurs tells the nail-biting tale of this daring plot, buried in history, for young readers for the first time. Black-and-white historical photos throughout paint a picture of a nation on edge, the FBI caught unawares, and the incredible capture of eight dangerous criminals. A thrilling historical narrative for WWII buffs, reluctant readers, and adventure junkies.

    She highlights the artists behind the broadcast, the broadcast itself, the aftermath, and the repercussions which remain relevant today.On the night of October 30, 1938, thousands of Americans panicked when they believed that Martians had invaded Earth. What appeared to be breaking news about an alien invasion was, in fact, a radio drama based on H. G. Wells’ War of the Worlds, performed by Orson Welles and his Mercury Theatre players. Some listeners became angry once they realized they had been tricked, and the reaction to the broadcast sparked a national discussion about fake news, propaganda, and the role of radio.

    In 1942 they made it onto the last boat to escape France before the Germans sealed its harbors. Then, barred from entering the United States, they lived in Cuba for almost two years before emigrating to New York. This sweeping account of one family’s escape from the turmoil of war-torn Europe hangs upon the intimate and deeply personal story of Maitland’s mother’s passionate romance with a Catholic Frenchman. Separated by war and her family’s disapproval, the young lovers—Janine and Roland—lose each other for fifty years. It is a testimony to both Maitland’s investigative skills and her devotion to her mother that she successfully traced the lost Roland and was able to reunite him with Janine. Unlike so many stories of love during wartime, theirs has a happy ending.

    Gypsy. Stopthief. Runt. Happy. Fast. Filthy son of Abraham. He’s a boy who lives in the streets of Warsaw. He’s a boy who steals food for himself and the other orphans. He’s a boy who believes in bread, and mothers, and angels. He’s a boy who wants to be a Nazi some day, with tall shiny jackboots and a gleaming Eagle hat of his own. Until the day that suddenly makes him change his mind. And when the trains come to empty the Jews from the ghetto of the damned, he’s a boy who realizes it’s safest of all to be nobody.Newbery Medalist Jerry Spinelli takes us to one of the most devastating settings imaginable—Nazi-occupied Warsaw of World War II—and tells a tale of heartbreak, hope, and survival through the bright eyes of a young orphan.From the Hardcover edition.

    As Helga witnessed Nazi brutality toward her friends and neighbors and eventually her own family she began documenting her experiences in a diary. In 1941, Helga and her parents were sent to the concentration camp of Terezin, where she continued to write with astonishing insight about her daily life. Before she was sent to Auschwitz in 1944, Helga's uncle, who worked in the Terezin records department, hid her diary and drawings in a brick wall. Miraculously, he was able to reclaim it for her after the war. Of the 15,000 children brought to Terezin and deported to Auschwitz, Helga was one of only 100 survivors. Written in school exercise books and translated here for the first time, Helga's Diary is a strikingly immediate and exceptional firsthand account of the Holocaust.

    But in 1993, the Democratic Republic of Congo, where Michel and his family live, is a country in tumult. One afternoon Michel and his friends are kidnapped by rebel militants and forced to become child soldiers.

    In the midst of his anguish, he nevertheless "brought to his study of the crisis all the critical faculty and all the penetrating analysis of a first-rate historian" (Christian Science Monitor).Bloch takes a close look at the military failures he witnessed, examining why France was unable to respond to attack quickly and effectively. He gives a personal account of the battle of France, followed by a biting analysis of the generation between the wars. His harsh conclusion is that the immediate cause of the disaster was the utter incompetence of the High Command, but his analysis ranges broadly, appraising all the factors, social as well as military, which since 1870 had undermined French national solidarity.

    (Though this isn't a book for nine-year-olds.) And sooner or later you will arrive with Bruno at a fence.Fences like this exist all over the world. We hope you never have to encounter one.

    A reactor at the nuclear power plant where their fathers work--Chernobyl--has exploded. Before they know it, the two girls, who've always been enemies, find themselves on a train bound for Leningrad to stay with Valentina's estranged grandmother, Rita Grigorievna. In 1941 Rifka must flee Kiev before the Germans arrive. Her journey is harrowing and fraught with danger because Germans and Russians alike will revile her for her Jewish blood.In both time periods, the girls must learn who to trust and how to have hope in the midst of horrible events.