Whether addressing the smothered desire of suburban housewives, the white-collar despair of Manhattan office workers or the heartbreak of a single mother with artistic pretensions, Yates ruthlessly examines the hopes and disappointments of ordinary people with empathy and humour.Contents: Doctor Jack-o'-Lantern --The best of everything --Jody rolled the bones --No pain whatsoever --A glutton for punishment --A wrestler with sharks --Fun with a stranger --The B.A.R. man --A really good jazz piano --Out with the old --Builders --Oh, Joseph, I'm so tired --A natural girl --Trying out for the race --Liars in love --A compassionate leave --Regards at home --Saying goodbye to Sally --The canal --A clinical romance --Bells in the morning --Evening on the Cote d'Azur --Thieves --A private possession --The comptroller and the wild wind --A last fling, like --A convalescent ego.

    A child's collection of bottle caps becomes the tombstones of a graveyard. A lowly rightfielder's inexplicable death turns him into a martyr to baseball. Strains of Chopin floating down the tenement airshaft are transformed into a mysterious anthem of loss. Combining homely detail and heartbreakingly familiar voices with grand leaps of imagination, The Coast of Chicago is a masterpiece from one of America's most highly regarded writers.

    Boyle has become an acknowledged master of the form who has transformed the nature of short fiction in our time. Among the fourteen tales in his seventh collection are the comic yet lyrical title story, in which a young man wins a vicious African cat in a bar bet; "Dogology," about a suburban woman losing her identity to a pack of strays; and "The Kind Assassin," which explores the consequences of a radio shock jock's quest to set a world record for sleeplessness. Muscular, provocative, and blurring the boundaries between humans and nature, the funny and the shocking, Tooth and Claw is Boyle at his best.

    Can Superman make a baby with Lois Lane, or is he doomed to be the last of his kind? This article discusses the scientific and medical issues involved in copulating with a Kryptonian.27 minutes

    Which leaves him free to fall in love with Poopy herself.A widow and a divorcee tipsily discuss the inadequacy of men in general and their husbands in particular, deciding that women have much more to offer each other by way of variety in sexual love.A wife holidays alone in Jamaica’s cheap season idly hoping for excitement but finding the only man she can have an affair with is far too old and frightened of the dark.Affairs, obsessions, grand passions and tiny ardours . . . this collection contains some of Greene’s saddest observations on the hilarity of sex.ISBN 0140030301

    Lost, teetering on the edge of normalcy, Puchner's characters seek to define themselves in a frequently absurd and hostile world -- a world that threatens to make outcasts of us all. Caught up in loneliness or solitude, they can't quite hear the music of their own lives.In "Children of God," a young loner becomes the caretaker and companion for two mentally retarded men, seeking solace in their outsider status. "Essay #3: Leda and the Swan" is told in the forlorn, be-nighted, and tragically funny voice of a high school girl who longs more than anything to be loved. In "Mission," an idealistic ESL teacher is faced with the inscrutable wrath of one of his immigrant students. And in the unsettling "Child's Play," Puchner explores the price of nonconformity by following a pack of boys wreaking havoc on Halloween.Writing from an impressive range of perspectives -- men and women, children and adults, immigrants and tourists -- Puchner deftly exposes the dark, ten-der undersides of his characters with arresting beauty and precision. Here are people fumbling for identity in a depersonalized world, captured in moments that are hilarious, shocking, and transcendent -- sometimes all at once. Unfailingly true, surprisingly moving, and impossible to forget, these nine stories mark the arrival of a brilliant young writer and one of our most promising literary voices.

    They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These twelve irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam, from the gallery opening of a tinfoil artist to the fitting room of a legendary lingerie shop. Vicious, fresh, and nutty as a poisoned Goo Goo Cluster, American Housewife is an uproarious, pointed commentary on womanhood.

    But unlike her first collection of stories, the women in these tenderly wrought tales face their problems head on, proving powerful and self-possessed even when degraded by others—sometimes by those closest to them. But even as the female protagonists face exploitation, social asymmetries, and casual cruelties, Walker leavens her stories with ample wit and, as always, an eye for the redemptive power of love. A collection that reveals a master of fiction approaching the fullness of her talent, these are the stories Walker produced while penning The Color Purple. This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.

    Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers’ attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear.Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, “is like encountering our national literature in microcosm.”

    Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.

    Other outlandish tales include John Wayne battling cancer using a highly alternative therapy, a gene for integrity being harvested from the brain of an unwilling donor, and the landing of Christopher Columbus in modern-day Manhattan. Included are the Locus and Nebula Award-nominated novelette Auspicious Eggs and several previously unpublished pieces.ContentsIntroduction by Michael Swanwick“Auspicious Eggs”“Come Back, Dr. Sarcophagus”“Director’s Cut”“Fucking Justice”“Isabella of Castile Answers Her Mail”“Martyrs of the Upshot Knothole”“The Cat’s Pajamas”“The Eye That Never Blinks”“The Fate of Nations”“The War of the Worldviews”“The Wisdom of the Skin”“The Zombies of Montrose”

    But during his long lifetime Tolstoy also wrote enough shorter works to fill many volumes. Here reprinted in one volume are his eight finest short novels, together with "Alyosha the Pot", the little tale that Prince Mirsky described as "a masterpiece of rare perfection."The Death of Ivan IlychThe CossacksFamily HappinessThe DevilThe Kreutzer SonataMaster and ManFather SergiusHaji MuradAlyosha the Pot

    The first nonfiction work by one of the most distinctive prose stylists of our era, Joan Didion's Slouching Towards Bethlehem remains, decades after its first publication, the essential portrait of America—particularly California—in the sixties.It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.

    These pieces encompass the pre- and postwar Irish American family life she circles in the early Temporary Shelter series, as well as a wealth of new fiction that brings her contemporary characters into middle age; it is their turn to face bodily decline, mortality, and the more complex anxieties of modern life. Gordon captures the sharp scent of feelings as they shift, the shape of particular lives in their hope and incomprehensibility. In The Neighborhood, a seven-year-old who has lost her father finds birthday parties, with their noisy games and spun-sugar roses on fancy cakes, her greatest trial. City Life explores the dark side of Manhattan apartment living. Intertextuality proposes a dream meeting between Proust's characters and the author's aging grandmother. Throughout, Gordon's surprising path to the center of a story is as much a part of the tale as the self-understanding her characters achieve in the process: What were they all, any of them, feeling?one narrator ventures. This was the sort of question no one in my family would ask. Feelings were for others: the weak, the idle. We were people who got on with things. With their powerful insights into how we make do, both socially and privately, these stories are a treasure of American fiction. Each is a joy to read and a chance to savor Gordon's clear vision: her ability to reveal at every turn what we need and what we wish for, and her willingness, always, to address what comes of such precious wishes.

    There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime - Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day" - sent to her publisher shortly before her death - is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.Contents:The geranium -- The barber -- Wildcat -- The crop -- The turkey -- The train -- The peeler -- The heart of the park -- A stoke of good fortune -- Enoch and the gorilla -- A good man is hard to find -- A late encounter with the enemy -- The life you save may be your own -- The river -- A circle in the fire -- The displaced person -- A temple of the Holy Ghost -- The artificial nigger -- Good country people -- You can't be any poorer than dead -- Greenleaf -- A view of the woods -- The enduring chill -- The comforts of home -- Everything that rises must converge -- The partridge festival -- The lame shall enter first -- Why do the heathen rage? -- Revelation -- Parker's back -- Judgement Day.