This clear print title is set in Tiresias 13pt font for easy reading

    They can survive in the harshest of conditions like nobody else. The noble inmouchar Gacel Sayah, is the master of a large extension of the desert. One day, two fugitives arrive from the north and Gacel, following his ancient and sacred hospitality laws, gives them shelter. However, Gacel doesn't realise that his act of kindness will lead him towards a deadly adventure.

    Tragically, the malaise of the society is reflected in the literal self-destruction of the author, a process chronicled in four diaries woven into the novel itself. Arguedas lost his struggle with suicide as he neared the end of the novel and shot himself to death, closing his own life but deliberately leaving his novel open. Fittingly, the forces of destruction in this rich and fascinating work are wondrously transformed by language and emotion, by faith and redemption. As with the other volumes in the Pittsburgh Editions of Latin American Literature, The Fox From Up Above and the Fox From Down Below contains critical essays providing background and analyses of the text for classroom use.

    It is currently being translated into numerous languages, and in 2014 will be published in a dozen countriesIn December of 2013, Killing Pythagoras appears in English for the first timeKilling Pythagoras is a thriller that will keep readers on the edge of their seats from the prologue to the final page. Based on real historical events, the novel is an extraordinary combination of intrigue, romance, and action.Synopsis:The venerable philosopher Pythagoras, one of the most powerful political figures of his time, is preparing to name a successor from among his grand masters when a string of murders rocks the Pythagorean community. The killings, each more baffling and unpredictable than the last, gradually unveil the workings of a dark and powerful mind, more formidable than that of Pythagoras himself.Egyptian investigator Akenon and the enigmatic Ariadne work to identify the murderer while at the same time coming to terms with their own tumultuous relationship. The challenge they face is one in which the ghosts of the past are interwoven with the sinister threats of the present: a challenge from which it seems impossible they will escape alive.Killing Pythagoras, based on real-life historical events, will plunge readers into an apparently unsolvable mystery. Readers will unearth cryptic clues and come face to face with some of the most unnerving characters ever to appear in the pages of fiction: Glaucus the Sybarite, the gruesome Boreas, the vengeful Cylon, and above all, the mysterious stranger who wields his prodigious capabilities to sow death.Media:“Crime, mystery, and romance in a fast-paced action novel.” HISTORIA NATIONAL GEOGRAPHIC“Maximum excitement and fun; [the author] achieves a compelling mix of strong elements.” ONDA CERO RADIO“A fast-paced historical thriller that transports us to the cradle of civilization among intrigues and passion.” LA VANGUARDIA“An edge-of-your-seat narrative driven by suspenseful action, it succeeds in creating a tense atmosphere in the face of the deadly threat that attempts to destroy the main characters.” QUÉ LEERLiterature Blogs:“A supremely interesting novel that surprised and hooked me, by an author who expertly juggles the tension and suspense up to the last second. Highly recommended.” LEER ES VIAJAR“…it has all the ingredients necessary in a book to hook you: crime, mystery, love, action… I loved it. I didn’t know there was a sequel and I’m very happy to hear there is! I can’t wait to read it.” MARIÁNLEEMÁSLIBROS“The meticulous detail with which the era is recreated gives the novel incredible realism… While the novel is fast-moving from the beginning, the pace accelerates even more toward the end, creating an action-packed finish.” ADIVINA QUIÉN LEE“The novel hooks you from the first page to the last. The plot is so intricately woven it’s hard to put down once you begin.” AL RICO LIBRO

    Given surprising leeway by her family for her increasingly erratic behaviour, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the inexplicable brutality of another person carrying your heart forever Die, My Love faces all this with a raw intensity. It's not a question of if a breaking point will be reached, but rather when and how violent a form will it take?

    His long suffering widow Dona Flor devotes herself to her cooking school and her friends, who urge her to remarry. She is soon drawn to a kind pharmacist who is everything Vadinho was not, and is altogether happy to marry him. But after her wedding she finds herself dreaming about her first husband’s amorous attentions; and one evening Vadinho himself appears by her bed, as lusty as ever, to claim his marital rights.

    Spurred on by the desire to please his aunt, and in order to get away from his unfaithful mistress, Teodorico embarks on a journey to the Holy Land in search of a holy relic. The resulting fiasco is a masterpiece of comic irony as religious bigotry and personal greed are mercilessly ridiculed.

    As 1990 Nobel Laureate Octavio Paz makes clear in his book-length study, Hieroglyphs of Desire (translated by Esther Allen), Villaurrutia is a major poet of desire whose beloved is the death we live each day. His poems define life between the nocturnal and diurnal and have taken on added poignancy as uncanny prophecies of individual lives in the age of the AIDS epidemic.

    After centuries of pogrom-like riots encouraged by the Church, the Jews - who have been an important part of Spanish life since the days of the Romans - are expelled from the country by royal edict. Many who wish to remain are intimidated by Church and Crown and become Catholics, but several hundred thousand choose to retain their religion and depart; given little time to flee, some perish even before they can escape from Spain.Yonah Toledano, the 15-year-old son of a celebrated Spanish silversmith, has seen his father and brother die during these terrible days - victims whose murders go almost unnoticed in a time of mass upheaval. Trapped in Spain by circumstances, he is determined to honor the memory of his family by remaining a Jew.On a donkey named Moise, Yonah begins a meandering journey, a young fugitive zigzagging across the vastness of Spain. Toiling at manual labor, he desperately tries to cling to his memories of a vanished culture. As a lonely shepherd on a mountaintop he hurls snatches of almost forgotten Hebrew at the stars, as an apprentice armorer he learns to fight like a Christian knight. Finally, as a man living in a time and land where danger from the Inquisition is everywhere, he deals with the questions that mark his past. How he discovers the answers, how he finds his way to a singular and strong Marrano woman, how he achieves a life with the outer persona of a respected Old Christian physician and the inner life of a secret Jew, is the fabric of this novel. The Last Jew is a glimpse of the past, an authentic tale of high adventure, and a tender and unforgettable love story. In it, Noah Gordon utilizes his greatest strengths, and the result is remarkable and moving.

    The briefcase full of money which he was carrying disappears without a trace. Accident, or assassination? And where is the money?A History of Money revolves around this event, as does the imagination and memory of the unnamed protagonist of the novel, who returns over and over to it even as he reflects on the role of money in his family and his own life. His parents are divorced: his father is a gambler who plays in all-night poker games and carries around all of his money in a wad of cash; his mother is a socialite who squanders her inherited fortune on a lavish lifestyle. Our protagonist, for his part, pays—in every sense of the word.And his individual story is echoed in the larger story of Argentina in the 1970s and ’80s, where money is everything: promise and punishment, dream and disaster. An intensely evocative novel from one of the world’s most exciting new writers.

    In this collection of short stories the author of In Cold Blood explores worlds of fear and doubt: the menacing Deep South, the impenetrable private realms of childhood -- beautiful yet frightening.The book features a total of eight short stories: "Master Misery" "Children on Their Birthdays" "Shut a Final Door" "Jug of Silver" "Miriam" "The Headless Hawk" "My Side of the Matter" "A Tree of Night"

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    A career non-com, he feels safe in his well-ordered life. So when his precious daughter Juana joins the tuned-in, dropped-out generation, Flores breaks into little pieces...with murder the result. THE ASSASSINS is set in the United States during the '70s, a violent time at home and abroad. It's about two specific murders, but more than that it focused on a murderous way of life.

    He writes to comics, corporations, children, presidents, and even his daughter's boyfriend. Here is Groucho swapping photos with T. S. Eliot (”I had no idea you were so handsome!”); advising his son on courting a rich dame (”Don't come out bluntly and say, 'How much dough have you got?' That wouldn't be the Marxian way”); crisply declining membership in a Hollywood club (”I don't care to belong to any social organization that will accept me as a member”); reacting with utmost composure when informed that he has been made into a verb by James Joyce (”There's no reason why I shouldn't appear in Finnegans Wake . I'm certainly as bewildered about life as Joyce was”); responding to a scandal sheet (”Gentleman: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription”); describing himself to the Lunts (”I eat like a vulture. Unfortunately the resemblance doesn't end there”); and much, much more. That mobile visage, that look of wild amazement, and that weaving cigar are wholly captured, bound but untamed, in The Groucho Letters.

    'Mother lies prone on an ironing board under a basket of fruit suspended from the ceiling, while a young couple - the girl in a ball dress, the man stripped to the waist in waders - are frantically changing light bulbs; through a street window at the back a policeman spies on this domestic scene in a posture of frozen astonishment...You see the author at full stretch when the police burst in and embark on a lunatic investigation involving four characters who all see the facts in a totally different light, and pounce on every ambiguous word to shoot off in their own direction: the dialogue operates like a railway junction with a madman switching over the points.' Irving Wardle in The Times.