Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    NO EXIT is an unforgettable portrayal of hell. THE FLIES is a modern reworking of the Electra-Orestes story. DIRTY HANDS is about a young intellectual torn between theory and praxis. THE RESPECTFUL PROSTITUTE is an attack on American racism.

    A horribly deformed young man, who has been a freak attraction in traveling side shows, is found abandoned and helpless and is admitted for observation to Whitechapel, a prestigious London hospital. Under the care of a famous young doctor, who educates him and introduces him to London society, Merrick changes from a sensational object of pity to the urbane and witty favorite of the aristocracy and literati. But his belief that he can become a man like any other is a dream never to be realized.

    It is possibly Lorca's harshest play, following a woman's Herculean struggle against the curse of infertility. The woman's barrenness becomes a metaphor for her marriage in a traditional society that denies women sexual or social equality. Her desperate desire for a child drives her to commit a terrible crime at the end of the play.This Student Edition comes complete with a full introduction; plot synopsis; commentary on characters, context and themes; bibliography; chronology; and questions for study.

    

    Or for the intimacy and tenderness you feel as you hold the hand of a suffering friend.A generation after the height of the AIDS crisis, what is it like to be a young gay man in New York? How many words are there now for the different kinds of pain, the different kinds of love?Matthew Lopez's The Inheritance premiered in two parts at the Young Vic Theatre, London, in March 2018, and on Broadway, Oct. 2019.

    It was found again quite some years later under some lighting equipment in a silver trunk belonging to Billy Name. The Andy Warhol Museum has (or had) it on display. Several people now own copies... "Excerpt from the dedication:'I dedicate this play to Me;a continuous source of strength and guidance, and without whose unflinching loyalty, devotion and faith, this play could never have been written.Additional acknowledgements: Myself-For proofreading, editorial comment, helpful hints, criticism and suggestions and an exquisite job of typing.I -for Independent research into men, married women and other degenerates...'"The main character is Bongi Perez. She is a hustler and a panhandler. She is also a lesbian. Bongi Perez says: 'I'm so female, I'm subversive.'She loiters around the street, making money, cruising broads ('lowdown, funky broads'), and generally spouting witticisms and pontificating on the pitfalls of an American male dominated society. She encounters various characters as she goes about her day. One such character is Ginger who catches Bongi's eye as she's searching around the sidewalk for a misplaced turd she needs for a dinner party that she's hosting for two male friends later. Bongi asks Ginger if she's going to serve her guests the turd. Ginger replies, 'You're impossible! I assure you I have no intention, whatsoever, of serving my guests a turd. The turd's for me. Everybody knows that men have much more respect for women who are good at lapping up shit.' Another character is Mrs. Arthur Hazlitt, a housewife who ends up strangling her child with his super glue erection(I shudder to think). These are only two in what seems to be a whole plethora of personalities who have exchanges of one sort or another with Bongi." (Taken from http://everything2.com/title/Up%2520Y...)In 2000, 35 years after being written, the drama premiered on stage in San Francisco, CA. (taken from http://search.sfweekly.com/2000-01-19...)

    Visit to a Small Planet was first presented on February 7, 1957 at the Booth Theatre, New York City.The action of the play takes place in the house of Roger Spelding outside Manassas, Virginia.The time is next summer.Act IEarly evening of a summer's day.Act IIScene 1: The next morning.Scene 2: That evening.Act IIIAn hour later.

    That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.

    When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    This new adaptation by Dorothy Louise captures the remarkable pace of the story in fresh dialogue that is attuned to contemporary American audiences.