American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" & "Dean Moriarty," the two roam the country in a quest for self-knowledge & experience. Kerouac's love of America, compassion for humanity & sense of language as jazz combine to make On the Road an inspirational work of lasting importance. This classic novel of freedom & longing defined what it meant to be "Beat" & has inspired every generation since its initial publication.

    At age two, Laura Bridgman lost four of her five senses to scarlet fever. At age seven, she was taken to Perkins Institute in Boston to determine if a child so terribly afflicted could be taught. At age twelve, Charles Dickens declared her his prime interest for visiting America. And by age twenty, she was considered the nineteenth century's second most famous woman, having mastered language and charmed the world with her brilliance. Not since The Diving Bell and the Butterfly has a book proven so profoundly moving in illuminating the challenges of living in a completely unique inner world.With Laura—by turns mischievous, temperamental, and witty—as the book's primary narrator, the fascinating kaleidoscope of characters includes the founder of Perkins Institute, Samuel Gridley Howe, with whom she was in love; his wife, the glamorous Julia Ward Howe, a renowned writer, abolitionist, and suffragist; Laura's beloved teacher, who married a missionary and died insane from syphilis; an Irish orphan with whom Laura had a tumultuous affair; Annie Sullivan; and even the young Helen Keller.Deeply enthralling and rich with lyricism, WHAT IS VISIBLE chronicles the breathtaking experiment that Laura Bridgman embodied and its links to the great social, philosophical, theological, and educational changes rocking Victorian America. Given Laura's worldwide fame in the nineteenth century, it is astonishing that she has been virtually erased from history. WHAT IS VISIBLE will set the record straight.

    Izabela and prisoner of war Bill have secretly married and are on the run, with Izzy dressed as a man. The young husband and wife evade capture for as long as possible--until they are cornered by Nazi soldiers with tracking dogs.Izzy's disguise works. The couple are assumed to be escaped British soldiers and transported to a POW camp. However, their ordeal has just begun, as they face appalling living conditions and the constant fear of Izzy's exposure. But in the midst of danger and deprivation comes hope, for the young couple are befriended by a small group of fellow prisoners. These men become their new family, willing to jeopardize their lives to save Izzy from being discovered and shot.The Prisoner's Wife tells of an incredible risk, and of how our deepest bonds are tested in desperate times. Bill and Izzy's story is one of love and survival against the darkest odds.

    Michener guides us through Alaska’s fierce terrain and history, from the long-forgotten past to the bustling present. As his characters struggle for survival, Michener weaves together the exciting high points of Alaska’s story: its brutal origins; the American acquisition; the gold rush; the tremendous growth and exploitation of the salmon industry; the arduous construction of the Alcan Highway, undertaken to defend the territory during World War II. A spellbinding portrait of a human community fighting to establish its place in the world, Alaska traces a bold and majestic saga of the enduring spirit of a land and its people.  Praise for Alaska   “Few will escape the allure of the land and people [Michener] describes. . . . Alaska takes the reader on a journey through one of the bleakest, richest, most foreboding, and highly inviting territories in our Republic, if not the world. . . . The characters that Michener creates are bigger than life.”—Los Angeles Times Book Review   “Always the master of exhaustive historical research, Michener tracks the settling of Alaska [in] vividly detailed scenes and well-developed characters.”—Boston Herald   “Michener is still, sentence for sentence, writing’s fastest attention grabber.”—The New York Times

    For the next 21 years, her pivotal role in his multi-million dollar empire remained one of Tiffany's most closely guarded secrets--a secret that when revealed 118 years later sent the international art world into a tailspin.Torn between his obsession with Clara and his lust for success, Tiffany resorts to desperate measures to keep her creative genius under his command. Clara cleverly navigates both her turbulent relationship with Tiffany and the rigid rules of Victorian and Edwardian societies, in order to embrace all the adventure and romance turn-of-the-century New York City has to offer.Basing her story on a recently discovered cache of letters written between 1888 and 1944, New York Times bestselling author Echo Heron artfully blends fact with fiction to draw the reader into the remarkable life of one of America's most prolific and extraordinary women artists: Clara Wolcott Driscoll, the hidden genius behind the iconic Tiffany lamps.

    During the journey of discovery that was his life, he composed and sang words and music that have become a national heritage. His songs, however, are but part of his legacy. Behind him Woody Guthrie left a remarkable autobiography that vividly brings to life both his vibrant personality and a vision of America we cannot afford to let die.

    Beidler This book was originally published in 1933. It is the first novel by William March, pen name for William Edward Campbell. Stemming directly from the author's experiences with the US Marines in France during World War I, the book consists of 113 sketches, or chapters, tracing the fictional Company K's war exploits and providing an emotional history of the men of the company that extends beyond the boundaries of the war itself. William Edward Campbell served courageously in France as evidenced by his chestful of medals and certificates, including the Croix de Guerre, the Distinguished Service Cross, and the Navy Cross. However, without the medals and citations we would know of his bravery. For it is clear in the pages of Company K that this book was written by a man who had been to war, who had clearly seen his share of the worst of it, who had somehow survived, and who had committed himself afterward to the new bravery of sense-making embodied in the creation of major literary art. It is of that bravery that we still have the record of magnificent achievement, the brave terrible gift of Company K.

    Larson tells the stories of two men: Daniel H. Burnham, the architect responsible for the fair's construction, and H.H. Holmes, a serial killer masquerading as a charming doctor. Burnham's challenge was immense. In a short period of time, he was forced to overcome the death of his partner and numerous other obstacles to construct the famous "White City" around which the fair was built. His efforts to complete the project, and the fair's incredible success, are skillfully related along with entertaining appearances by such notables as Buffalo Bill Cody, Susan B. Anthony, and Thomas Edison. The activities of the sinister Dr. Holmes, who is believed to be responsible for scores of murders around the time of the fair, are equally remarkable. He devised and erected the World's Fair Hotel, complete with crematorium and gas chamber, near the fairgrounds and used the event as well as his own charismatic personality to lure victims. Combining the stories of an architect and a killer in one book, mostly in alternating chapters, seems like an odd choice but it works. The magical appeal and horrifying dark side of 19th-century Chicago are both revealed through Larson's skillful writing. - John Moe

    An inspired fusion of fact and invention, this beautifully realized, hard-bitten, lyrical book is not only Elizabeth Hardwick's finest fiction but one of the outstanding contributions to American literature of the last fifty years.

    It lends to milk cartons the associative richness of Marcel Proust's madeleines. It names the eight most significant advances in a human life -- beginning with shoe-tying. It asks whether the hot air blowers in bathrooms really are more sanitary than towels. And it casts a dazzling light on our relations with the objects and people we usually take for granted.

    He travels east in search of his brother, moving on foot against the great push to the west. Driven back over and over again on his journey through vast expanses, Håkan meets naturalists, criminals, religious fanatics, Indians, and lawmen, and his exploits turn him into a legend. Díaz defies the conventions of historical fiction and genre (travel narratives, the bildungsroman, nature writing, the Western), offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.At first, it was a contest, but in time the beasts understood that, with an embrace and the slightest push, they had to lie down on their side and stay until Håkan got up. He did this each time he thought he spied someone on the circular horizon. Had Håkan and his animals ever been spotted, the distant travelers would have taken the vanishing silhouettes for a mirage. But there were no such travelers—the moving shadows he saw almost every day in the distance were illusions. With the double intention of getting away from the trail and the cold, he had traveled south for days.Hernán Díaz is the author of Borges, Between History and Eternity (Bloomsbury 2012), managing editor of RHM, and associate director of the Hispanic Institute at Columbia University. He lives in New York.

    Leon Uris's novel is set in the midst of the ghetto uprising that defied Nazi tyranny, as the Jews of Warsaw boldly met Wehrmacht tanks with homemade weapons and bare fists. Here, painted on a canvas as broad as its subject matter, is the compelling story of one of the most heroic struggles of modern times.

    She has four mansions on three continents, her own private jet, glittering jewels, designer dresses galore. But in reality she lives in a gilded cage. She has no freedom, no control over her own life, no value but as a bearer of sons. Hidden behind her black floor-length veil, she is a prisoner, jailed by her father, her husband, her sons, and her country.Sultana is a member of the Saudi royal family, closely related to the king. For the sake of her daughters, she has decided to take the risk of speaking out about the life of women in her country, regardless of their rank. She must hide her identity for fear that the religious leaders in her country would call for her death to punish her honesty. Only a woman in her position could possibly hope to escape from being revealed and punished, despite her cloak and anonymity. Sultana tells of her own life, from her turbulent childhood to her arranged marriage--a happy one until her husband decided to displace her by taking a second wife--and of the lives of her sisters, her friends and her servants. Although they share affection, confidences and an easy camaraderie within the confines of the women's quarters, they also share a history of appalling oppression, everyday occurrences that in any other culture would be seen as shocking human rights violations; thirteen-year-old girls forced to marry men five times their age, young women killed by drowning, stoning, or isolation in the women's room, a padded, windowless cell where women are confined with neither light nor conversation until death claims them.By speaking out, Sultana risks bringing the wrath of the Saudi establishment upon her head and the heads of her children. But by telling her story to Jean Sasson, Sultana has allowed us to see beyond the veils of this secret society, to the heart of a nation where sex, money, and power reign supreme.

    The stories are gorgeous in themselves, but the way they speak to each other is truly extraordinary.”—Elizabeth McCracken, author of An Exact Replica of a Figment of My Imagination From the author of the acclaimed memoir The Suicide Index, a virtuosic collection of stories, each a stirring parable of the power of love and the impossibility of understanding, much less controlling, it. In these seven beautifully wrought variations on a theme, a series of characters trace and retrace eternal yet ever-changing patterns of love and longing, connection and loss. The stories range over centuries and continents—from eighteenth-century Vienna, where Mozart and his librettist Da Ponte are collaborating on their operas, to America in the 1940s, where a love triangle unfolds among a doctor, a journalist, and the president’s wife. A race-car driver’s widow, a nursing-home resident and her daughter, a paralyzed dancer married to a famous choreographer—all feel the overwhelming force of passion and renunciation. With uncanny emotional exactitude, Wickersham shows how we never really know what’s in someone else’s heart, or in our own; how we continually try to explain others and to console ourselves; and how love, like storytelling, is ultimately a work of the imagination.

    In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."