But she doesn't feel like one. She feels angry. And lost. And alone. Eleven months after the school shooting that killed her twin brother, May still doesn't know why she was the only one to walk out of the band room that day. No one gets what she went through--no one saw and heard what she did. No one can possibly understand how it feels to be her. Zach lost his old life when his mother decided to defend the shooter. His girlfriend dumped him, his friends bailed, and now he spends his time hanging out with his little sister...and the one faithful friend who stuck around. His best friend is needy and demanding, but he won't let Zach disappear into himself. Which is how Zach ends up at band practice that night. The same night May goes with her best friend to audition for a new band. Which is how May meets Zach. And how Zach meets May. And how both might figure out that surviving could be an option after all.

    It will be her first without her college-bound best friend and (now ex-)boyfriend by her side, so Sadie braces herself for a long, lonely, and boring season working at a farm stand in the Hamptons. But things take an unexpected turn when Sadie steps in to help rescue a baby in peril and footage of her impromptu good deed goes viral.As she’s recovering from “the incident” and adjusting to her Internet fame, Sadie receives an invitation to a lunch honoring teem homegrown heroes. The five honorees instantly connect and soon decide to spend their time together righting local wrongs. Sadie and her new friends embark on escalating acts of vigilante Good Samaritanism, but might be in over her heads when they try to help a heroin-addicted friend. Are good intentions enough to hold unlikely friendships—and an even unlikelier new romance—together?

    shift at GoodFoods Market4) Crashing a cart into a customer’s car right in front of her snarky coworker Sammi3) Trying to rock the “drowned rat” look after being caught in a snowstorm2) Making zero progress with her crush, Tyson (see #3)1) Being accused—along with her fellow teenage employees—of stealing upwards of $10,000 Chloe would rather be anywhere than locked in work jail (aka the break room) with five of her coworkers . . . even if one of them is Tyson. But if they can band together to clear their names, what looks like a total disaster might just make Chloe’s list of Top Ten Best Moments.

    It's inevitable—each of her relationships starts with the perfect guy and ends with him falling in love . . . with someone else. But instead of feeling sorry for herself, Megan focuses on pursuing her next fling, directing theater, and fulfilling her dream college's acting requirement in the smallest role possible.So when she’s cast as Juliet (yes, that Juliet) in her high school’s production, it’s a complete nightmare. Megan’s not an actress, and she’s used to being upstaged—both in and out of the theater. In fact, with her mom off in Texas and her dad remarried and on to baby #2 with his new wife, Megan worries that, just like her exes, her family is moving on without her.Then she meets Owen Okita, an aspiring playwright inspired by Rosaline from Shakespeare's R+J. A character who, like Megan, knows a thing or two about short-lived relationships. Megan agrees to help Owen with his play in exchange for help catching the eye of a sexy stagehand/potential new boyfriend. Yet Megan finds herself growing closer to Owen, and wonders if he could be the Romeo she never expected.In their fresh and funny debut, Emily Wibberly and Austin Siegemund-Broka break down the high school drama to find there's always room for familial love, romantic love, and—most importantly—self-love.

    She’s the kind of girl who sits alone at lunch, drawing pictures of Spider-Man, so she won’t have to talk to anyone; who has a crush on Titus but won’t do anything about it; who has no one to hang out with when her best (and only real) friend Katya is busy.One day, Gretchen wishes that she could be a fly on the wall in the boys’ locker room–just to learn more about guys. What are they really like? What do they really talk about? Are they really cretins most of the time?Fly on the Wall is the story of how that wish comes true.

    Chris is one of the best parts of her new life, the only person who's ever made her feel safe. And now that she's found him, there's no way she can tell the truth:Her real name is Faith, not Leah. She's seventeen, not nineteen. And the baby isn't hers—Faith kidnapped her.Faith's history catches up with her when a cop starts asking questions and Chris's aunt spots her picture in the newspaper. She knows it's time to run again, but if Faith leaves, she'll lose Chris. If Chris is in love with a lie, though, did Faith ever really have him in the first place?

    She's popular, smart, funny...but she's never been one of those girls, the pretty ones who get all the attention from guys. And on top of that, her seven-year-old sister, Mackenzie, is a terror in a tiara, and part of a pageant scene where she gets praised for her beauty (with the help of fake hair and tons of makeup).Lexi's sick of it. She's sick of being the girl who hears about kisses instead of getting them. She's sick of being ignored by her longtime crush, Logan. She's sick of being taken for granted by her pageant-obsessed mom. And she's sick of having all her family's money wasted on a phony pursuit of perfection.The time has come for Lexi to step out from the sidelines. Girls without great personalities aren't going to know what hit them. Because Lexi's going to play the beauty game - and she's in it to win it.

    After putting her own baby up for adoption, she goes looking for her biological family, including—Maya, her loudmouthed younger bio sister, who has a lot to say about their newfound family ties. Having grown up the snarky brunette in a house full of chipper redheads, she’s quick to search for traces of herself among these not-quite-strangers. And when her adopted family’s long-buried problems begin to explode to the surface, Maya can’t help but wonder where exactly it is that she belongs.And Joaquin, their stoic older bio brother, who has no interest in bonding over their shared biological mother. After seventeen years in the foster care system, he’s learned that there are no heroes, and secrets and fears are best kept close to the vest, where they can’t hurt anyone but him.

    But what starts as devotion quickly becomes obsession, and it's almost too late before Clara realizes how far gone Christian is and what he's willing to do to make her stay. Now Clara has left the city and Christian behind. No one back home has any idea where she is, but she still struggles to shake off her fear. She knows Christian won't let her go that easily, and that no matter how far she runs, it may not be far enough....

    Ain’t playing with a full deck. Whacked-out wiring. Missing marbles.” Irreverent, foulmouthed seventeen-year-old Cricket is the oldest ward in a Catholic boys’ home in Maine—and his life sucks. With prospects for the future that range from professional fighter to professional drug dealer, he seems doomed to a life of “criminal rapscallinity.” In fact, things look so bleak that Cricket can’t help but wonder if his best option is one final cliff dive into the great unknown. But then Wynona Bidaban steps into his world, and Cricket slowly realizes that maybe, just maybe, life doesn’t totally suck.

    Sixteen-year-old Petula De Wilde is anything but wild. A family tragedy has made her shut herself off from the world. Once a crafting fiend with a happy life, Petula now sees danger in everything, from airplanes to ground beef. The worst part of her week is her comically lame mandatory art therapy class. She has nothing in common with this small band of teenage misfits, except that they all carry their own burden of guilt.When Jacob joins their ranks, he seems so normal and confident. Petula wants nothing to do with him, or his prosthetic arm. But when they’re forced to collaborate on a unique school project, she slowly opens up, and he inspires her to face her fears.Until a hidden truth threatens to derail everything.

    . . in words and illustrations, Ingrid left behind a painful farewell in her journal for Caitlin. Now Caitlin is left alone, by loss and by choice, struggling to find renewed hope in the wake of her best friend’s suicide. With the help of family and newfound friends, Caitlin will encounter first love, broaden her horizons, and start to realize that true friendship didn’t die with Ingrid. And the journal which once seemed only to chronicle Ingrid’s descent into depression, becomes the tool by which Caitlin once again reaches out to all those who loved Ingrid—and Caitlin herself.

    Then his mom kills herself. And Tyler lets it all go. Now he needs to dodge what his dad is offering (verbal tirades and abuse) and earn what his dad isn’t (money). Tyler finds a job that crashes him into Jordyn, his former childhood friend turned angry-loner goth-girl. She brings Tyler an unexpected reprieve from the never-ending pity party his life has become. How could he not fall for her? But with his dad more brutally unpredictable than ever, Tyler knows he can’t risk bringing Jordyn too deeply into the chaos. So when violence rocks his world again, will it be Jordyn who shows him the way to a hopeful future? Or after everything, will Tyler have to find it in himself?

    Ruth has a secret that she can’t hide forever. Dora wonders if she can ever truly escape where she comes from, even when good luck strikes. Alyce is trying to reconcile her desire to dance, with the life she’s always known on her family’s fishing boat. Hank and his brothers decide it’s safer to run away than to stay home—until one of them ends up in terrible danger. Four very different lives are about to become entangled.

    It’s been two and a half years since Cassie’s mother dumped her in a mental institution against her will, and now, at eighteen, Cassie is finally able to reclaim her life and enter the world on her own terms.But freedom is a poor match against a lifetime of psychological damage. As Cassie plumbs the depths of her new surroundings, the startling truths she uncovers about her own family narrative make it impossible to cut the tethers of a tumultuous past. And when the unhealthy mother-daughter relationship that defined Cassie’s childhood and adolescence threatens to pull her under once again, Cassie must decide: whose version of history is real? And more important, whose life must she save?