Growing up a tough, wild tomboy, swimming, fighting, and fishing in a remote village where the land slips into the green ocean on the edge of the world, Lisamarie has always been different. Visited by ghosts and shapeshifters, tormented by premonitions, she can't escape the sense that something terrible is waiting for her. She recounts her enchanted yet scarred life as she journeys in her speedboat up the frigid waters of the Douglas Channel. She is searching for her brother, dead by drowning, and in her own way running as fast as she can toward danger. Circling her brother's tragic death are the remarkable characters that make up her family: Lisamarie's parents, struggling to join their Haisla heritage with Western ways; Uncle Mick, a Native rights activist and devoted Elvis fan; and the headstrong Ma-ma-oo (Haisla for "grandmother"), a guardian of tradition. Haunting, funny, and vividly poignant, Monkey Beach gives full scope to Robinson's startling ability to make bedfellows of comedy and the dark underside of life. Informed as much by its lush living wilderness as by the humanity of its colorful characters, Monkey Beach is a profoundly moving story about childhood and the pain of growing older--a multilayered tale of family grief and redemption.

    Abandoned and set adrift on a small boat when she was just hours old, Crow's only companions are Osh, the man who rescued and raised her, and Miss Maggie, their fierce and affectionate neighbor across the sandbar.Crow has always been curious about the world around her, but it isn't until the night a mysterious fire appears across the water that the unspoken question of her own history forms in her heart. Soon, a chain of events is triggered, leading Crow down a path of discovery and danger.

    She wrote a letter to Robert Munsch, and together they made her letter into this book.

    And now that her parents are divorced (and getting along WORSE than ever), Isabella feels more like a push-me-pull-me toy.One week she’s Isabella with her dad, his girlfriend Anastasia, and her son Darren living in a fancy house where they are one of the only black families in the neighborhood. The next week she’s Izzy with her mom and her boyfriend John-Mark in a small, not-so-fancy house that she loves.Being split between Mom and Dad is more than switching houses, switching nicknames, switching backpacks: it’s also about switching identities. If you’re only seen as half of this and half of that, how can you ever feel whole?

    Starving and lonely, an orphaned timber wolf is befriended by a boy named Red Wolf. But under the Indian Act, Red Wolf is forced to attend a residential school far from the life he knows, and the wolf is alone once more. Courage, love and fate reunite the pair, and they embark on a perilous journey home. But with winter closing in, will Red Wolf and Crooked Ear survive? And if they do, what will they find?

    Owens grabbed a brick and hurled it at the trash picker. Arthur had his reasons, and the brick hit the Junk Man in the arm, not the head. But none of that matters to the judge—he is ready to send Arthur to juvie for the foreseeable future. Amazingly, it’s the Junk Man himself who offers an alternative: 120 hours of community service . . . working for him. Arthur is given a rickety shopping cart and a list of the Seven Most Important Things: glass bottles, foil, cardboard, pieces of wood, lightbulbs, coffee cans, and mirrors. He can’t believe it—is he really supposed to rummage through people’s trash? But it isn’t long before Arthur realizes there’s more to the Junk Man than meets the eye, and the “trash” he’s collecting is being transformed into something more precious than anyone could imagine. . . . Inspired by the work of American folk artist James Hampton.

    He's embarking on the most painful yet important journey of his life—he's leaving home to build a better future for his family. Shaun Tan evokes universal aspects of an immigrant's experience through a singular work of the imagination. He does so using brilliantly clear and mesmerizing images. Because the main character can't communicate in words, the book forgoes them too. But while the reader experiences the main character's isolation, he also shares his ultimate joy.

    He goes about his day, calling on a friend, going to the store for his mom and visiting his grandfather's grave. But all the while, his mind strays to his father who is digging for coal deep under the sea.Written by Joanne Schwartz, this beautifully understated and haunting story brings a piece of history to life. Stunning illustrations by Sydney Smith, the award-winning illustrator of Sidewalk Flowers, show the striking contrast between a sparkling seaside day and the darkness underground where the miners dig.--front flap

    He could play the piano, throw a curveball, and tie a triple bowline knot in three seconds flat. But in the 1950s and 60s, he could not bake bread at the Wonder Bread factory. Factory bosses said white people would not want to eat bread touched by the hands of the African Americans who worked there. In this powerful intergenerational story, Joseph learns that people joined their hands together to fight discrimination so that one day, their hands—Joseph’s hands—could do anything at all in this whole wide world.

    His most-well-known paintings were a series of asterisms—patterns of stars—that he created. One represented a bird; one, himself; and one, Georgia’s mother. There was supposed to be a fourth, but Georgia’s father died before he could paint it. Georgia’s mother and Georgia's best friend, Theo, are certain that the last asterism would’ve been of Georgia, but Georgia isn’t so sure. She isn’t sure about anything anymore—including whether Theo is still her best friend.Then Georgia finds a sketch her father made of her. One with pencil points marked on the back—just like those in the asterism paintings. Could this finally be the proof that the last painting would have been of her? Georgia’s quest to prove her theory takes her around her Upper West Side neighborhood in New York City and to the Metropolitan Museum of Art, which was almost a second home to Georgia, since she had visited favorite artists and paintings there constantly with her father. But the sketch leads right back to where she’s always belonged—with the people who love her, no matter what.

    She’s a typical girl in an atypical world: one where sasquatches helped to win the Civil War, where dragons glide over Route 1 on their way south for the winter (sometimes burning down a T.J. Maxx or an Applebee’s along the way), where giants hide in caves near LA and mermaids hunt along the beaches, and where Dark Clouds come for people when they die.To Gracie it’s all pretty ho-hum…until a Cloud comes looking for her little brother Sam, turning her small-town life upside down. Determined to protect Sam against all odds, her parents pack the family into a used Winnebago and set out on an epic search for a safe place that most people say doesn’t exist: The Extraordinary World. It’s rumored to lie at the ends of the earth, and no one has ever made it there and lived to tell the tale. To reach it, the Lockwoods will have to learn to believe in each other—and to trust that the world holds more possibilities than they’ve ever imagined.

    At school, her teacher tells the class to look for the helpers—the good people working to make things better in big and small ways. She wants more than anything to help in a BIG way, but maybe she can start with one small act of kindness instead . . . and then another, and another. Small things can compound, after all, to make a world of difference.The Breaking News by Sarah Lynne Reul touches on themes of community, resilience, and optimism with an authenticity that will resonate with readers young and old.

    But in her memoir, she offers a different perspective. In My Own Moccasins is an unflinching account of addiction, intergenerational trauma, and the wounds brought on by sexual violence. It is also the story of sisterhood, the power of ceremony, the love of family, and the possibility of redemption.With gripping moments of withdrawal, times of spiritual awareness, and historical insights going back to the signing of Treaty 8 by her great-great grandfather, Chief Bigfoot, her journey exposes the legacy of colonialism, while reclaiming her spirit.

    J. Palacio's collection of stories Auggie & Me, which expands on characters in Wonder, readers were introduced to Julian's grandmother, Grandmère. Told in graphic-novel form, White Bird is Grandmère's story as a young Jewish girl hidden away by a family in Nazi-occupied France during World War II.

    Sachiko's family home was about half a mile from where the atomic bomb fell on August 9, 1945. Her family experienced devastating loss. When they returned to the rubble where their home once stood, her father miraculously found their serving bowl fully intact. This delicate, green, leaf-shaped bowl--which once held their daily meals--now holds memories of the past and serves as a vessel of hope, peace, and new traditions for Sachiko and the surviving members of her family.